In arguing against a supposed ambiguity, philosophers often rely on the zeugma test. In an application of the zeugma test, a supposedly ambiguous expression is placed in a sentence in which several of its supposed meanings are forced together. If the resulting sentence sounds zeugmatic, that is taken as evidence for ambiguity; if it does not sound zeugmatic, that is taken as evidence against ambiguity. The aim of this article is to show that arguments based on the second direction of (...) the test are misguided: ambiguous expressions, and in particular philosophically contested ones, do not reliably lead to zeugmaticity, so an absence of zeugmaticity provides no meaningful evidence for an absence of ambiguity. (shrink)

It is a common view among philosophers of language that both propositions and sentences are structured objects. One obvious question to ask about such a view is whether there is any interesting connection between these two sorts of structure. The author identifies two theses about this relationship. Identity (ID) – the structure of a sentence and the proposition it expresses are identical. Determinism (DET) – the structure of a sentence determines the structure of the proposition it expresses. After noting that (...) ID entails DET, the author argues against DET (and therefore also against ID). This argument is based on considerations to do with unarticulated constituents, but it is not ultimately empirical. As well as answering a question suggested by contemporary theories of propositions, the conclusion is significant because some, but not all, of the theories of propositions currently popular entail ID and/or DET. Unless there is a response to the argument here, those theories are refuted. (shrink)

The main goal of this essay is to propose and make plausible a framework for developing a philosophical account of musical notation. The proposed framework countenances four elements of notation: symbols (abstract objects that collectively constitute the backbone of a ‘system’ of notation), their characteristic ‘forms’ (for example, shapes, understood abstractly), the concrete instances, or ‘engravings’, of those forms, and the meanings of the symbols. It is argued that these elements are distinct. Along the way, several preliminary arguments are given (...) for how one ought to understand them—for example, it is suggested that engravings represent symbols rather than instantiate forms, although they are characteristically seen to represent a symbol by being seen to instantiate an associated form. Having proposed this framework, the essay explores the nature of musical instructions, as the meanings of symbols, and offers an argument in favor of the commonly held (but recently challenged) view that those meanings are imperative. Specifically, composites of musical notation (paradigmatically, musical scores) primarily express instructional meaning, and denote something like ‘sonic structures’ only secondarily, in virtue of their primary, imperative, meaning. (shrink)

Cross-linguistic comparisons serve as empirical tests generating evidence for and against lexical ambiguity in words like “good”, “know”, “the”, “can”, and “may”. Critics question such comparisons' validity. This article examines how cross-linguistic comparisons are treated as tests and shows that they have two predominant forms: one modeled on modus tollens, and another on Bayes' theorem, where the former is an enthymematic version of the latter. This analysis reveals the strengths and weaknesses of cross-linguistic comparisons, and thereby guides interpretation of their (...) results. It concludes that cross-linguistic comparisons generally yield stronger evidence against lexical ambiguity than for it. (shrink)

Classical mereology seems unable to characterise the identity conditions of word types. For example, the same letter types ordered differently result in different word types; but mereological fusions of the same letters are identical, regardless of the order of the letters. We show, however, that by combining classical mereology with plural logic one can give a definition of word types that satisfies the identity criteria of word types. This means that it is not necessary to abandon classical mereology in order (...) to give an analysis of the mereological structure of word types. (shrink)

This thesis develops methods for representing how the contents of theories of meaning become conceived by their users. These contents are treated as the range of systematically elicited conceptions afforded by a designated corpus of key texts. The approach being taken involves first detailing a formal scheme for the components of situations attributed to various entities. This scheme is then applied as a framing device to form a template which accounts for the shared structure between the mental spaces which embody (...) how people conceive different theories of meaning. For the purposes of this task, cognition is treated as embodied in the sense that both the form and content of personal conceptualisations are largely dependent on what both bodily and ecological factors afford. The purpose of this approach is to help understand how theories operate when viewed as worldly entities within a materialist framework. The significance of such understanding lies in enabling analyses and comparisons which account for the effects of material restrictions such as how a theory’s presentation must necessarily be selective and how human cognition operates on models set by precedent. The framework being provided here allows the conceptions each individual theory of meaning elicits to be reduced to formal, commensurate models which account for differences between typical influences on the conceptions characteristic of different demographics such as experts of related fields. Approaching theories of meaning from this angle also reveals new avenues of comparison concerning otherwise implicit details. One involves theory-internal conditions on the full material identity of meaning-instantiating entities. The other concerns the extent of the domains for aggregating applicable influences for which a theory accounts and the range of those it may accommodate. (shrink)

The discrepancy between the theoretical problems experts raise on polysemy, and the ease with which it is everyday understood by speakers, has been defined as the polysemy paradox. The same could be said for other forms of meaning ambiguity in the non-literal side, as for instance metaphor. A sort of metaphor paradox is raised by the fact that metaphor usually goes unnoticed for most people, even though experts claim that it constitutes a theoretical challenge for understanding human thought. In both (...) polysemy and metaphor cases, people’s intuitions clash with experts’ intuitions. Moreover, experts seem to disagree on the very identification criterion of the linguistic phenomena. Deference to experts is anyway important in semantic applications, such as translation, where subtle distinctions in word meaning prove to be not only useful but also essential. However, the apparently wide gap between people’s and experts’ intuitions could be reduced once the paradoxes of meaning ambiguity are explained as a result of semantic underdetermination. (shrink)

Frege's puzzle about identity sentences has long challenged many philosophers to find a solution to it but also led other philosophers to object that the evidential datum it is grounded on is false. The present work is an elaboration of this second kind of reaction: it explains why Frege's puzzle seems to resist the traditional objection, giving voice to different and more elaborated presentations of the evidential datum, faithful to the spirit but not to the letter of Frege's puzzle. The (...) final outcome is negative, no satisfactory formulation of the evidential datum is found and Frege's puzzle is challenged until a better formulation of it is found. (shrink)

Anthony Everett () argues that those who embrace the reality of fictional entities run into trouble when it comes to specifying criteria of character identity. More specifically, he argues that realists must reject natural principles governing the identity and distinctness of fictional characters due to the existence of fictions which leave it indeterminate whether certain characters are identical and the existence of fictions which say inconsistent things about the identities of their characters. Everett's critique has deservedly drawn much attention and (...) a number of defensive moves have been made by, or on the behalf of, fictional realists. My goal in this paper is to move this debate on a further step. I have three goals: to clarify the importance of Everett's discussion of identity criteria within the context of fictional realism, to reassess Everett's objections to realism in light of the resultant literature, and to develop a novel strategy for responding to Everett's concerns. On the approach to be developed, the problems emerge due to an indeterminacy inherent in the concept of a fictional character itself. (shrink)