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  1. Narrative and the Literary Imagination.John Gibson - 2014 - In Allen Speight (ed.), Narrative, Philosophy & Life. Springer. pp. 135-50.
    This paper attempts to reconcile two apparently opposed ways of thinking about the imagination and its relationship to literature, one which casts it as essentially concerned with fiction-making and the other with culture-making. The literary imagination’s power to create fictions is what gives it its most obvious claim to “autonomy”, as Kant would have it: its freedom to venture out in often wild and spectacular excess of reality. The argument of this paper is that we can locate the literary imagination’s (...)
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  • Hegel’s Conception of the Relationship Between Poetry and History.Francesco Campana - 2022 - Rivista di Estetica 81:60-74.
    This paper addresses the way Hegel determines the difference between poetry (i.e., literature) and history. Hegel’s position is particularly significant for understanding both the basic features of the two fields and the implications that their relationship generates, even in contemporary debates. Starting from a comparison with Aristotle’s fundamental position, I will show how the Hegelian proposal, while initially appearing akin to that of the Greek philosopher, actually differs profoundly from it. This divergence has to do with their different conceptions of (...)
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  • Heidegger in the machine: the difference between techne and mechane.Todd Mei - 2015 - Continental Philosophy Review 49 (3):267-292.
    Machines are often employed in Heidegger’s philosophy as instances to illustrate specific features of modern technology. But what is it about machines that allows them to fulfill this role? This essay argues there is a unique ontological force to the machine that can be understood when looking at distinctions between techne and mechane in ancient Greek sources and applying these distinctions to a reading of Heidegger’s early thought on equipment and later thought on poiesis. Especially with respect to Heidegger’s appropriation (...)
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