The philosophy of Immanuel Kant has been important in education theory, especially in the historical context of the Enlightenment and its legacies on contemporary understandings of global education. Particular reference is given to Kant’s writing on Enlightenment thinking and especially to his 1803 Über Pädagogik/Lectures on pedagogy whose groundwork tends to be thought from an empirical anthropology. This paper aims to question education, though from the perspective of a Kantian understanding of aesthetic experience, a perspective developed initially from my reading (...) of Denis J. Schmidt’s Lyrical and Ethical Subjects. In the Critique of Judgement, Kant develops an ‘Analytic of the Beautiful’ that offers transcendental grounds for the possibility of aesthetic experience. In doing so, he discusses, somewhat briefly, training in the fine arts and even more briefly offers, somewhat indirectly, a far-reaching transcendental ground for pedagogy. It is these two brief accounts that form the substance of this paper, requiring a somewhat extended introduction to Kant’s Critique of Aesthetic Judgement in order to develop its analysis. From this analysis, two key questions arise: if fine art cannot be learned, and if imitation would ultimately aim at producing an objectively determinable rule—via a determinable concept—for the production of art works, how does one proceed with education in the fine arts? And, secondly, as a corollary, if genius is reserved for precisely what cannot be learned but yet can be conceived and communicated, what possible purpose is served by aesthetic ideas with respect to cognition itself? (shrink)

Two recent works will be considered that discuss Heidegger and Nietzsche in the context of the problem of overcoming metaphysics and the onto-theological tradition. A common criticism will be that these works in their attempt to retrieve a conception of religion, politics or faith beyond onto-theology and metaphysics tend to justify or idealize particular historically and culturally conditioned perspectives, which are not immune from further philosophical critique. Simon Oliai’s approach to countering the burgeoning fundamentalisms in our global age is ultimately (...) not very convincing, representing as it does, a Western, liberal, Eurocentric worldview. The author’s use of Nietzsche or Heidegger for this purpose is also not very compelling. The remainder of this review essay appraises the volume edited by Cimino and van der Heiden, which attempts to rethink faith beyond onto-theology in several interesting ways. Although meant to be a comparative study, several contributions subscribe to a general Heideggerian (or Heidegger-inspired phenomenological-hermeneutical) theoretical framework, which itself is not rigorously scrutinized. A problematic implication is that Nietzsche’s own critical and constructive views of philosophy, his critique of religion and history, and his positive appraisal of faith and divinity are not seriously considered on their own terms: they are either mostly ignored, or they are selectively interpreted through a Heideggerian lens, with the result that this volume puts forward a mostly unfavorable view of Nietzsche. Some of the conceptual moves credited to Heidegger in the volume have their equivalents in Nietzsche’s philosophy, which a comparative and evaluative study such as this one must seriously take into account by resisting the uncritical acceptance of Heidegger’s own view of Nietzsche. (shrink)

This essay explores the unique temporal experience in anxiety. Drawing on first-person accounts as well as examples from literature, I attempt to show how anxiety not only disrupts our physiological and cognitive timing but also disturbs the embodied rhythms of everyday social life. The primary goal, however, is to articulate the extent to which human existence itself is a temporally structured event and to identity the ways that anxiety disrupts this structure. Using Martin Heidegger’s account of human existence as a (...) point of departure, I show how the mood of anxiety has the power to alter our self-interpretations by closing down or constricting our experience of the future. I argue that a constricted future impedes our ability ‘to be’ because it closes off the range of projective meanings that we would ordinarily draw on to create or fashion our identities. (shrink)

This essay responds to the Nancean account of presentation, evoked in the opening citation, in order to trace out in Nancy's enquiries a disruption of Husserlian presentation, and a re-thinking of materiality on the edge of classical phenomenology. It stages a non-encounter between the writings of Jean-Luc Nancy and of Jacques Derrida in relation to a third term, the Lacanian conception of the ‘real’. Thereby it can be shown how these writings touch on each other, in response to phenomenology and (...) to psychoanalytical theory, but do not engage. All the same, the claim to be made is that the writings of Nancy and Derrida converge in forming a third option, alongside the secularised phenomenologies of Sartre and Merleau-Ponty and the Christian phenomenologies of Jean-Luc Marion and Michel Henry, by marking up the event of Lacan's reformulation of Freud's psychoanalytical theorising. (shrink)

In the interview conducted with Giovanna Borradori, after the attack on the World Trade Centre, in September 2001, Jacques Derrida is pressed to specify connections between his own thinking, Heidegger's deployment of the term ‘event’, and the use of the term ‘event’ to pick out the unprecedented character of that attack. Derrida intimates that the attack is, perhaps, not as unprecedented, not the ‘wholly other’ which it has been framed as being. His reading of that event is to move it (...) from a naive status, as ‘wholly other’, to a philosophically inflected thinking of the political, in the mode of the ‘wholly otherwise’, that is, in a sense to be made out here, whereby politics takes precedence over physics, as the originator of the basic components to be thought, and whereby the future takes precedence over the past, as the site at which what is arrives. The principal aim of this article is to consider how to think this counter-factual ontology, in the mode of a future anteriority. The article will set out Heidegger's move from affirming a fundamental ontology, of Dasein, to an ontology in parentheses (vom Ereignis) but will show how both of these are objectionable, on different counts, to Derrida and to Levinas. Derrida explores the options of supplementing an inadmissible thetic stance, with respect to the future, and therefore with respect to what there is, by developing the notion of the prosthetic, that which stands in for the impossible, timelessly asserted thesis. Levinas invents a new mode of phenomenology which opens a route into this ‘wholly otherwise’. These two strands of enquiry contribute to an analysis displacing these versions of ontology, in favour of a reformulation of political ontology. A subsidiary aim is to clarify Derrida's reservations with respect to the Heideggerian notion of the event. These reservations about Heidegger's usage throw light on his reluctance to deploy the term, within an analysis of the destruction of the World Trade Centre. (shrink)

This contribution seeks to clarify the status of Ereignis and Dasein in the Beiträge zur Philosophie and to question, in particular, the relationship between these two concepts. The angle that will be preferred here is that of the discussion with transcendentalism. The author defends the thesis that there is an alteration in the meaning of “Dasein” between Sein und Zeit and the Beiträge zur Philosophie, having repercussions on the relationship between “Seyn” and “Da-sein”. At the very heart of this new (...) meaning of Da-sein in the Beiträge stands the conception of an “out-standing standing-within” that must be analyzed in detail. (shrink)

This essay offers a philosophical perspective that, in breaking with both the open and surreptitious dialectical method still so prominent in academic discourse, follows Heidegger in trying to conceive of a radically non-dialectical manner of approaching affirmation, negation, and neutrality. As with Heidegger, this is attempted through a turn towards art and the “emancipated contingency” that characterizes much creative production. In contrast to action and production within the knowledge economy, the creation of the artwork concerns a knowing of unknowingness that (...) demands a rethink of action in relation to truth and errancy. Indeed, the very working of the work of art is conceived here as a truth that is precisely “set to work” by errancy. Through a consideration of the essential difference between choice and decision and the different “beginning” of art that this suggests, the essay concludes with some reflections of the theme of art’s fascination and the and the affirmation of the unknown. (shrink)

Ernst Tugendhat’s critique of Martin Heidegger’s conception of truth is an ongoing topic in Heideggerian scholarship. In this paper, I contribute to the ongoing exchange between defenders of Heidegger and those who are in agreement with Tugendhat. Specifically, I contend that Tugendhat’s criticisms fail to situate Heidegger’s account of truth within his broader phenomenological–hermeneutic project. In the end, Tugendhat’s critique is grounded upon philosophical assumptions that Heidegger is bringing under question by rethinking the concept of truth. I suggest that thinking (...) through Tugendhat’s critique and attempting to formulate an adequate Heideggerian response gives us a richer understanding of both Heidegger’s account of truth and his general philosophical project. (shrink)

In this article I will consider John D. Caputo’s hermeneutics of deconstruction or what he calls ‘radical hermeneutics’, with ‘undecidability’ as its major theme, in conversation with Martin Heidegger’s notion of ‘resolute existence’. Through an examination of the different positions of Caputo, Heidegger, and also Kierkegaard, Derrida and Meister Eckhart on the possibility of repetition, the hermeneutical circle and the mystical way of prayer and faith, I am arguing that deconstruction is not the end of hermeneutics, it is not the (...) final destination of an interpretative task, and thus deconstructive hermeneutics has to concede a reconstructive process. Further, I am arguing that Caputo’s ‘radical hermeneutics’ is too reductionist to keep any meaning for the hermeneutic enterprise to aspire to. I am contending, rather, that it is resolute existence that theology aspires to as it is a move beyond ‘undecidability’. (shrink)

The following books have been received and many of them are available for review. Interested reviewers please contact the reviews editor: [email protected]. Adams, F. and Aizawa, K., The Bounds of C...

ABSTRACTIn the Black Notebooks, Heidegger ascribes in 1938/9 to the Jewish race an “empty rationality and calculative ability,” in his view the cause of its “worldlessness.” To assess this characterisation, I present Heidegger’s theories of history as a decline in Being and Time and in his later history of Being. For this purpose, I discuss his notions of Rechnen, Machenschaft, and Geviert, several existentialia from Being and Time, and Heidegger’s identification of modern machination and modern technology. Furthermore, I examine Heidegger’s (...) attitude toward the Jews and the Holocaust. I present his alignment of the unconcealment of modernity and the Jewish race, and compare his theory of machination with the texts “Positionality” and “The Question concerning Technology”. Heidegger’s notes about the Jews in the Black Notebooks after 1944 confirm that he tried “to silence Auschwitz silently,” as I already argued in a paper from 1995. (shrink)

Discussion of the posthuman has emerged in a wide set of fields through a diverse set of thinkers including Donna Haraway, Ray Kurzweil, Nick Bostrom, N. Katherine Hayles, and Francis Fukuyama, just to name a few. Despite his extensive critique of technology, commentators have not explored the fruitfulness of Heidegger's work for deciphering the various strands of posthumanism recently formulated in response to contemporary technological developments. Here, I employ Heidegger's critique of technology to trace opposing visions of the posthuman, visions (...) that are both tied intimately to new information technologies. For those seeking to extend humanist ideals, information technologies are employed to extend the vision of an ultra-humanist view of a ‘scientific posthuman’ that dangerously understands the body to be a forfeitable nuisance, rather than an inherent aspect of being human. Along Heideggerian lines, thinkers such as N. Katherine Hayles and Thomas Carlson have developed an alternative trajectory related to Dasein's Being-in-the-world. This trajectory posits the self as constituted by a lack or abyss, enabling the formulation of a ‘mystical posthuman,’ celebrating, rather than forfeiting, humanity's embodied existence. (shrink)

ABSTRACT This study bears upon the ‘Heidegger case,’ that is, the relation of Heidegger’s philosophizing to his political involvements as Rector of the University of Freiburg 1933-4, and his subsequent silences on the subject of the Holocaust. I use the phrase ‘bears upon’ for Heidegger’s political involvement will serve as the ‘horizon’ for the study, my concern being the genesis of Heidegger’s position. Grounded in a musical ‘intuition’ and attunement, I take up the Nietzschean cipher for understanding proposed by Heidegger (...) himself for the self-understanding of the German people: the Apollonian-Dionysian duality, which I apply to the ‘being’ of Heidegger’s own philosophizing. Through this approach I hope to make an original contribution to Heidegger scholarship by showing that Heidegger’s fundamental ontology is overdetermined, evolving out of both the phenomenological demand for a rigorous method in establishing fundamental structures of existence and - at the same time – out of an Apollonian attempt to ‘tame’ Dionysian existence, including Heidegger’s own. Inextricably interlinked will be the argument that Heidegger’s Auseinandersetzung, his ‘confrontation,’ with Nietzsche precedes the overt engagement of his ‘Nietzsche’ lectures of the 1930s, and, further, that this more pervasive concern with Nietzsche figures in the Apollonian-Dionysian strife within Heidegger’s thinking and within his ‘being.’ Heidegger’s silences in the face of the Dionysian - as well as the Auseinandersetzung with Nietzsche - will be seen to precede his ‘silence’ in the face of the actuality and history of the Third Reich. What I am proposing one might characterize as Heidegger’s Auseinandersetzung - through Nietzsche - with v Heidegger, in a disclosure of the ontic roots of Heidegger’s ontology, an exercise in his own hermeneutics of facticity. I will pursue the trace of the Apollonian-Dionysian duality: in the Western philosophical tradition which Heidegger confronts, using Husserl and Nietzsche as exemplars; in Heidegger interpretation; in the relation between his texts and his letters; and in the suppressions and intensifications within Being and Time. And I will propose that the fugue and the mutually generative duality of suppression and intensification within Heidegger’s academic thinking were conditions of the possibility of Heidegger’s ‘way’ towards political involvement. (shrink)

The modern West has vigorously sought to overcome death, or at the very least minimize the suffering that it entails. Whereas the former has been predominantly pursued through modern scientific medicine, the minimization of the adversity of death and dying has been sought through ‘death technologies’. This technologization of death is analyzed in light of Martin Heidegger’s phenomenological philosophy. The analysis begins with an outline of the fundamental tenets of Heidegger’s ‘philosophy of Being’. In turn, his philosophical framework is utilized (...) to highlight the manner in which the technologization of dying serves to conceal the central existential questions about being and finitude that dying gives rise to. The paper concludes with a discussion of how Heidegger’s work can inspire a more authentic stance toward dying. Leo Tolstoy’s The Death of Ivan Ilych is referred to in order to illustrate Heidegger’s construal of this existential struggle toward dying. (shrink)

Galit Wellner’s exploration of new kinds of digital technologies employing AI algorithms that simulate features and functions of the human imagination leads her to propose a conceptual analysis of the imagination as a composite of perception and memory. Wellner poses the question of whether the output of such technological applications might be regarded as not merely simulating creative activity but as truly imaginative in their own right. Wellner concludes with a qualified “no.” The use of AI algorithms in conjunction with (...) human cognitive activity, conceived in terms of a layered architecture of the faculties in question, can in fact be understood as an essential component of imaginative, and thus creative, production, but humans are still needed in the mix. To the extent that the AI-algorithm-enhanced human system is capable of imagining and creating works of art, imagination can be extended to AI algorithms. But, the algorithms sans humans are not themselves imaginers. For Wellner, AI algorithms can augment and enhance human imaginative efforts, equipping us with a richer and vastly wider array of possibilities and options for aesthetic consideration, but ultimately, the human is the essential element. However, once the door is opened to accepting algorithmically determined alternatives as capable of successfully achieving desired results within a field of possible outcomes, it seems possible that the activities of connecting, coordinating, or meaningfully linking, combining, and establishing new imaginative layers that Wellner reserves as requiring humans to enact might also be programmable, algorithmically achievable tasks that instantiate genuine aesthetic decision making. (shrink)

This paper explains the nature and origin of what I am calling Transgressive Realism, a middle path between realism and anti-realism which tries to combine their strengths while avoiding their weaknesses. Kierkegaard created the position by merging Hegel’s insistence that we must have some kind of contact with anything we can call real (thus rejecting noumena), with Kant’s belief that reality fundamentally exceeds our understanding; human reason should not be the criterion of the real. The result is the idea that (...) our most vivid encounters with reality come in experiences that shatter our categories, the way God’s commandment to kill Isaac irreconcilably clashes with the best understanding of ethics we are capable of. I explain the genesis of this idea, and then show it at work in Heidegger and Levinas’ thought. Understanding this position illuminates important aspects of the history of continental philosophy and offers a new perspective on realism. (shrink)

This article reflects on the received view of the rupture which constitutes the beginning of a critical, ethical, political and legal opening, the understanding of which inhabits the cry of, and response to, injustice. It takes the very critique that feeds into, and is distorted by, practical reasoning, as its point of departure. Grasping this rupture as the complementary relation between deconstruction and radical alterity, would entail unreflectively accepting a certain kind of truthfulness—truthfulness as [in]correctness, manifesting in a relationship that (...) involves rootless and controlling movement of making and unmaking of world. In closely reading Wittgenstein and Heidegger on the level of seeing, showing and saying, truthfulness is shown to contain an essential tension between, on the one hand, the Socratic, metaphysically-bound notion of beingness, correctness and meaning-steering and, on the other hand, the pre-Socratic notion of unconcealment (a-lethia), which, pointing even earlier than pre-Socratics into aboriginality, involves attentive letting of gliding in the inexpressible saying of language. While steering is about generating new possibilities of expressibility, gliding is about poetic dwelling, or enduring inexpressibility as a constitutive part of saying. Although aletheia is taken to be the key influence on rootless post-foundational thinking, it is argued that unconcealment involves letting and enduring the presencing inexpressibility of place and home-coming, that is, worlding-rootedness; thus showing Heidegger’s originary politics as the district of the uncanny to be about worlding that attentively lets the presencing inexpressibility of earth be as place. In reading Heidegger’s views on humanism, beginning and language, the argument links inexpressibility—essentially and historically—to the grasping of the belongingness together of world, earth and place, viewing this belongingness as key to both the saying of art and of mortals dwelling together temporally, spatially, materially in a manner always strange to, and nearer than, the steering/controlling of beingness, time, space and place that the very gesture and emergence of critique is captive of and is not capable of attuning to and capturing. Art always estranges the metaphysical cycle of correctness which preserves pain and suffering—a cycle that inhabits a double bind of responding to violence and injustice generated by the violence of metaphysics with metaphysical violence and justice. In showing essential strife within truthfulness itself, Heidegger points to even greater and earlier problematic than the pre-Socratics—to the painful core of inexpressibility between the ontology of steering time, spaces and material—steering places—and the gliding temporality, spatiality and materiality of ontology of place. (shrink)

This article is an appreciative essay review of Andrew Feenberg's Heidegger and Marcuse: The Catastrophe and Redemption of History (2005).

In this article I will consider John D. Caputo’s ‘radical hermeneutics’, with ‘undecidability’ as its major theme, in conversation with Martin Heidegger’s notion of ‘anticipatory resoluteness’. Through an examination of the positions of Caputo and Heidegger I argue that Heidegger’s notion of ‘anticipatory resoluteness’ reaches far beyond the claims of ‘radical hermeneutics’, and that it assumes a reconstructive process which carries within its scope the overtones of deconstruction, the experience of repetition and authenticity and also the implications of Gelassenheit. Further, (...) I am arguing that Caputo’s ‘radical hermeneutics’ is problematic and even erroneous when it comes to criticize Heidegger’s thought portraying it as being founded on ‘the myth of the early Greeks’. (shrink)

By focusing on the unique velocity and over-stimulation of metropolitan life, Georg Simmel pioneered an interpretation of cultural boredom that has had a significant impact on contemporary social theory by viewing it through the modern experience of time-pressure and social acceleration. This paper explores Simmel's account of boredom by showing how--in the frenzy of modern life--it has become increasingly difficult to qualitatively distinguish which choices and commitments actually matter to us. Furthermore, this emotional indifference invariably pushes us towards more excessive (...) and risky behavior, towards, what I call, "extreme aesthesia." Insofar as novel experiences quickly become routine in the technological age, it appears that only extreme sensations and experiences can break the spell of boredom, allowing us to momentarily feel strongly for something. (shrink)

The notion of the heart is one of the most basic notions in ordinary language. It is central to Heidegger’s notion of thought that he relates to the primordial word Gedanc as underlying attunement that issues forth in emotional phenomena. He plays with all the etymological cognates of that word to zero in on the phenomena involved. The key experience of Erstaunen that grounds the first beginning of philosophy is paralleled by Erschrecken that grounds Heidegger’s “second beginning” and plays counterpoint (...) with the first. Along with Befindlichkeit as one’s basic attunement, these are key phenomena that belong to the heart, not to ‘intellect’ or ‘will.’ Thinking in terms of the intellect is das rechnende Denken¸ thinking in terms of the heart, besinnliche Nachdenken. It is the latter that provides the “poetic-intellectual” experience for both the arts and philosophy in which such “world space” is created that even the ordinary appears extraordinary. (shrink)

This essay reconsiders the notion of “world” by looking critically at the idiom of life dominating current critical debates. Showing how and why life should be displaced from the privileged position it has assumed in modernity, it examines Arendt’s and Heidegger’s comments on the world. In The Human Condition, Arendt provides an interesting philosophical and cultural account of the rise of life to prominence in the modern age, pointing out its detrimental effects on the understanding of the world and human (...) action. Heidegger, on the other hand, executes, through his idiomatic approach to mortality, perhaps the most radical displacement of life in an attempt to rethink and bring to eminence being and the event of the world. At stake is a different experience of the world and a change in the understanding of the human, situating the human life always already in response to the nonrepeatable event of being. (shrink)

At the core of Heidegger's philosophy, there lies this nagging question: what is the link between language and being? Using a famous formulation by Heidegger as a guide (‘When we go to the well, when we go through the woods, we are always already going through the word “well”, through the word “woods”’), the analysis focuses on the connection Heidegger establishes between being (what woods and well ‘are’), understanding (something is understood ‘as’ woods or well), and temporality (human understanding of (...) woods and well has changed since ancient Greek times, for example). Language is both what grants things their way to matter to us and thus to ‘be’ for us to the extent that we understand them, but language is also linked to a ‘happening’ (Geschehen) or an event so that things are not bound to their Geek being or current being: things ‘become being’ (seiend werden). Language is both the means for things to materialize in historical times: ‘being woods’ or ‘being a well,’ as well as a testimony to their entry into being. This is why language in its poetic use can make beings ‘more being’ (seiender). (shrink)

Phenomenology has been with us for many years, and yet grasping phenomenology remains a difficult task. Heidegger, too, experienced this difficulty and devoted much of his teaching to the challenge of working phenomenologically. This article draws on aspects of Heidegger’s commentary in progressing the teaching and learning of phenomenology, especially as this pertains to research in fields such as education. Central to this task is elucidation of what I believe to be the most important feature of phenomenology—what Heidegger referred to (...) as the ‘starting point’ of phenomenology. I have written this article in the manner of a phenomenological workshop with the intention of inviting the reader to engage experientially with this starting point. (shrink)

This is a list of corrigenda to the English translation of Martin Heidegger’s Being and Time by John Macquarrie and Edward Robinson. The list includes 186 entries: most are corrections of outright mistakes in expressing the sense of Heidegger’s text, and twenty-two entries are marked as representing Heidegger’s own revisions to the work as found in the latest German edition. Explanatory comments accompany many of the entries. The corrigenda are offered as a service to scholars of Heidegger’s magnum opus who (...) work within the discipline of philosophy and also to humanistic psychologists who follow the tradition of continental philosophy in their work as practioners and researchers. (shrink)

Martin Heidegger’s radical critique of technology has fundamentally stigmatized modern technology and paved the way for a comprehensive critique of contemporary Western society. However, the following reassessment of Heidegger’s most elaborate and influential interpretation of technology, The Question Concerning Technology, sheds a very different light on his critique. In fact, Heidegger’s phenomenological line of thinking concerning technology also implies a radical critique of ancient technology and the fundamental being-in-the-world of humans. This revision of Heidegger’s arguments claims that The Question Concerning (...) Technology indicates a previous unseen ambiguity with respect to the origin of the rule of das Gestell. The following inquiry departs from Heidegger’s critique of modern technology and connects it to a reassessment of ancient technology and Aristotle’s justification of slavery. The last part of the paper unfolds Heidegger’s underlying arguments in favor of continuity within the history of technology. According to these interpretations, humans have always strived to develop modern technology and to become truly modern in the Heideggerian sense. The danger stemming from the rule of das Gestell is thus not only transient and solely directed toward contemporary Western society, but also I will argue that humans can only be humans as the ones challenged by the rule of das Gestell. (shrink)

Offers a revised understanding of human subjectivity that avoids the extremes of both traditional humanism and cultural relativism.“Acknowledging the importance of the ‘middle voice’ of rhetoric is a worthwhile endeavor. For this, Vivian’s goals are to be applauded.” — Rhetoric and Public Affairs.

In coming to words, language “reserves” itself: it holds back its event, keeping it illegible and silent. It is possible to see much of modern innovative or “experimental” poetry as such an experience of reticence and stillness, an experiment of language listening to itself “speaking” in order to allow the force of the illegible to come to speech. How this silence both limits what can be said and holds what has been written open to the possibilities of saying otherwise comes (...) from the “restraint” characteristic of the specific way in which language “speaks,” that is, arrives each time singularly as words precisely by withholding this very arrival from signification. Myung Mi Kim’s poetry stands out among contemporary American poets precisely for its specific attentiveness to this simultaneously “generative” and “constraining” force of silence. To understand better the workings of this force of silence, I examine Kim’s poetry in the context of Heidegger’s reflection on language, specifically his point about the withdrawal and restraint “essential” to the unfolding of language. I suggest that this withdrawal marks the poietic momentum of language, which can be traced, though, only by way of a listening response. This listening response becomes in turn a kind of constraint under which poetic thinking operates, a holding back of assertions and statements in favor of a listening which responds precisely to how the saying withholds itself from what comes to be said. Exploring the proximity between Kim’s poetry and Heidegger’s thinking, this essay examines how this withdrawal—a restraint at play in language itself--necessitates the attitude of poetic “reservedness.”. (shrink)

The Heidegger–Deleuze relationship has attracted significant attention of late. This paper contributes to this line of research by examining Deleuze’s claim, recently reiterated and developed by Philip Tonner, that Heidegger offers a univocal conception of Being where there is one sense of Being that is said throughout all entities. Although these authors maintain that this claim holds across Heidegger’s oeuvre, I purposefully adopt a conservative hermeneutical strategy that focuses on two writings from the 1927–1928 period—Being and Time and the following (...) year’s lecture course translated as The Metaphysical Foundations of Logic—and emphasize the lesson of the ontological difference that Being is always the Being of an entity, to argue that with regards to these texts, at least, an alternative equivocal interpretation is possible in which Being is always said differently. The conclusion draws out the implications of this for the relationship between Heidegger’s fundamental ontology and Deleuze’s differential ontology. (shrink)

In his work, Being Given, Jean-Luc Marion calls for a phenomenological investigation of the givenness (donation) of the phenomenon. As a phenomenologist of religion, Marion aims to give a philosophical account of the possibility of revelation, something which by definition is unconditionally given. In Being Given, he contends that his phenomenological reduction to unconditional givenness (in the figure of the saturated phenomenon) can account for religious phenomena in a way that respects the subject matter, all the while remaining philosophically neutral. (...) In this paper I argue that Marion's aim to maintain strict philosophical neutrality interferes with his attempt to respect the subject matter of his own investigation, i.e., the givenness of revelation, since revelation is recognizably given, even as possibility, only in the non-neutral context of an interpretive tradition. I establish the latter claim with recourse to Heidegger's early hermeneutic sketches of ‘primordial Christian religiosity.’ In turn, I call for a phenomenological Destruktion of Marion's work in order to release its potential as a non-neutral investigation of a distinctively Catholic religiosity. (shrink)

This paper argues that learning is inherently violent. It examines the way in which Heidegger uses – and refrains from using – the concept in his account of Dasein. Heidegger explicitly discussed “learning” in 1951 and he used of the word in several contexts. Although he confines his use of “learning” to the ontic side of the ontic-ontological divide, there are aspects of what he says that open the door to an ontological analogue of the ontic learning. In this discussion (...) it emerges that what precludes “learning” behaving as does “willing”, “waiting” and “thanking”, is something that derives from the relatedness of Dasein. The paper finally examines violence within the disclosure of truth. The approach to the investigation is experimental and is to some extent modeled on Heidegger‟s own later enquires. (shrink)

The following reflections are intended as a preliminary to a more extended and in-depth series of case studies, focused analyses of actual artworks, and the issues arising from their particularity within what will be described here as a Heideggerian post-aesthetic aesthetics. The essay is not written from the perspective of a professional or academic philosopher or of a practising artist (even though I am one), neither fields of which have sufficiently engaged with the existential and aesthetic predicament sketched out below. (...) Thus, the attraction of both Heidegger and Blanchot is not just related to their well-known discussions of inbetween-ness, but, more essentially, to the peculiarly in-between location of their own thought and trajectory of thinking: Heidegger from "out of" philosophy "drawn" towards art; Blanchot from within the space ofliterature towards the exteriority of ontological thinking. The intention is to identify similarities and differences in their thought, but this is only perceived as relevant to the extent that it allows an initial reassessment of a de-subjectivized existential and aesthetic mode of thinking that has been largely abandoned by academic philosophy and art practice alike (albeit for very different reasons). If nothing else, the hope is that a different voice might be heard in the clamorous exchange between philosopher and artists, one that is sensitive to the complex predicament of the artist in a post-Heidegerrian world, and which above all remains faithful to the project of the artist and the artwork in the face of the philosophical valorization of "Art". Las siguientes reflexiones se presentan como preliminares a una serie de estudios de caso mas extensos y profundos, analisis focalizados de obras de artes reales, y los temas que surgen de sus particularidades dentro de lo que se describira aqui como una estetica heideggeriana post-estetica. El ensayo no esta escrito desde la perspectiva de un filosofo profesional o academico ni de un artista operante (aunque yo lo soy), ninguno de cuyos campos se ha comprometido suficientemente con el dilema bosquejado mas adelante. Asi pues, la atraccion de Heidegger y Blanchot no solo tiene que ver con sus bien conocidas discusiones sobre la inbetween-ness, sino, mas esencialmente, con la ubicacion particularmente in-between de su propio pensamiento y trayectoria del pensar: Heidegger desde "fuera de" la filosofia "sacado" hacia el arte; Blanchot desde dentro del espacio de la literatura hacia la exterioridad del pensar ontologico. La intencion es identificar similitudes y diferencias en su pensamiento, pero esto solo es percibido como relevante en la medida en que permite una reevaluacion de un modo de pensar existencial y estetico des-subjetivado, que ha sido ampliamente abando-nado por la filosofia academica y la practica del arte (aunque por razones distintas). Sin mas pretensiones, la esperanza es que se pueda escuchar una voz diferente en el intercambio clamoroso entre el filosofo y los artistas; voz que es sensible al complejo dilema del artista en un mundo post-heideggeriano, y que sobre todo permanece fiel al proyecto del artista y a la obra de arte frente a la valorizacion filosofica del "Arte". (shrink)

This study, the third in a series of three, draws on a broader Norwegian research project exploring the phenomenon of support for young persons with mental health issues. The aim was to explore and explicate the sense of “nourishing communion”, as a somewhat neglected aspect of support. Fourteen Norwegian young adults, aged 18-25, were interviewed about their experiences of support. Data was analyzed using van Manen’s hermeneutic-phenomenological approach to open up possible meanings of how nourishing communion is concretely lived. Analysis (...) was supplemented by in-depth reflexive dialogues between the first and second author, which fostered a nourishing communion akin to the processes and dimensions of our phenomenon of interest. Findings highlight five intertwined existential themes: a) trusting the other to hold vulnerability safely; b) flourishing in mutual participation; c) acceptance in a felt togetherness; d) feeling found and received; and e) feeling an attuned resonance. The notion of “nourishing communion” as a significant but neglected element of support challenges current practice, suggesting the need for a different approach to collaboration with young persons and their networks. From the perspectives both of individual professional engagement and of policy making, there is a need for further exploration of how young persons might be supported to create and maintain a broader range of nourishing relationships. (shrink)

In this paper, I draw on Hannah Arendt’s notion of ‘banality of evil’ to argue that as long as AI systems are designed to follow codes of ethics or particular normative ethical theories chosen by us and programmed in them, they are Eichmanns destined to commit evil. Since intelligence alone is not sufficient for ethical decision making, rather than strive to program AI to determine the right ethical decision based on some ethical theory or criteria, AI should be concerned with (...) avoiding making the wrong decisions, and this requires hardwiring the thinking activity as a prerequisite for decision making. (shrink)

The article is devoted to the reasoning of the „Ereignis“ phenomenon in the philosophy of M. Heidegger. It is worth to emphasize that one of the main trends in contemporary philosophy is an attempt of creation of new–non-substantial–ontology. The very specificity of such ontology lies in the fact that classical substance is replaced by the dynamical configuration of sense, which is not “purely theoretical” but “ontological” in its core. “Ontological” means, in fact, that it is impossible to separate the mode (...) of Being of phenomena from the process of thinking about them. Heidegger’s philosophy was one of the first attempts to create such ontology. It is worth to point out the three steps of the Heidegger’s studies of Being. The first, “fundamental-ontological” step is characterized primarily through the “ontological difference” between Being and entity, when the phenomenon of time represents by itself their hidden basis. During the second, “radical-ontological” period, Heidegger has already carried out his famous “turn.” In compliance with this “turn,” the truth of Being, die Lichtung, substitutes time as the “pre-ontological” basement of Being. In this case, Being itself transforms into the Event, „Ereignis“. On the third, “post-ontological” stage of studies the focal point of Heidegger’s thought is “post-ontological difference” between the Being of entity and Being itself. On this stage both Being and time are rooted in the phenomenon of „Ereignis“. The latter has been now transformed from being a “simple Event” into a “matter of fact” as the alternation of the “disclosedness” and “concealness” of Being and time. In this case, „Ereignis“ is not quasi-substantial basement of Being, time or entity but it shows itself as its “Beginning” “), when the Truth of Being is replaced by the dynamical sense configuration of the event, i.e., a “matter of fact.” Thus, Heidegger has conceptually created a new type of thnon-substantial ontology, the core of which is the phenomenon of „Ereignis“ as the dynamical singular configuration of the temporal-ontological sense of the Event itself. (shrink)

The paper discusses the possibility of applying Heidegger’s considerations on art to the problematic and multifaceted field of contemporary art. The questions of origin and essence, which we are accustomed to refer to the metaphysical tradition, take on new significance by connecting art not to beauty, but to truth. In this epochal change of position, we can find the identity of contemporary art, which reveals itself not by offering edifying meanings, but by indicating a horizon of comprehensibility in which we (...) are involved. Starting from the innovative status of the Dasein as a projecting being-in-the-world, the horizon of comprehensibility of contemporary art outlines a context in which there is no subjectivity using a work, but in which an encounter happens. In its intrinsic and sometimes complacent contradictoriness, contemporary art, especially installations and performances, always manifests its identity as a struggle between truth and untruth, as an event that has no steady ground, and no unique or ascertained origin or monolithic essence, and which is nevertheless expressive and meaningful. The quality of being an event implies that contemporary art is not something objectifiable, representable, or categorizable, but is something that happens. What happens cannot become a substantial foundation, because it remains perpetually a happening, which affects us with its different languages and perspectives. The poetic matrix of contemporary art indicates the uniqueness and unrepeatability of each work of art, which shows us how the un-originality and un-essentiality of art is the main pathway to arrive at an experience of the world that each time is like the first time. (shrink)