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Die Herkunft der Kunst und die Bestimmung des Denkens

In Gino Zaccaria (ed.), La provenienza dell'arte. Atena e l'enigma. Como: Ibis Edizioni (2014)

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  1. Seeing Through the Fumes: Technology and Asymmetry in the Anthropocene.Jochem Zwier & Vincent Blok - 2019 - Human Studies 42 (4):621-646.
    This paper offers a twofold ontological conceptualization of technology in the Anthropocene. On the one hand, we aim to show how the Anthropocene occasions an experience of our inescapable inclusion in the technological structuring of reality that Martin Heidegger associates with cybernetics. On the other hand, by confronting Heidegger’s thought on technology with Georges Bataille’s consideration of technological existence as economic and averted existence, we will criticize Heidegger’s account by arguing that notwithstanding its inescapable inclusion in cybernetics, technology in the (...)
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