This dissertation shows how Martin Heidegger and Michel Foucault, by questioning the very understanding of the subject-object relationship on which all epistemology is grounded, challenge two of its most cherished beliefs: 1. Thought and knowledge are essentially activities on the part of the subject understood anthropologically or transcendentally. 2. The history of knowledge exhibits teleological progress towards a better and more comprehensive account of its objects. In contrast to traditional epistemology, both Heidegger and Foucault show how thought and knowledge are (...) not just acts, which can be attributed to the subject but also events which elude any such subjective characterization. They also show us how the history of knowledge exhibits ruptures when the very character of knowledge undergoes drastic transformation in the course of history. The dissertation concludes by hinting at how these new accounts of thought and knowledge have the potential to shake the very foundations of epistemology and lead us to a new framework for discussing the most basic questions of epistemology, towards an epistemology of ruptures. (shrink)

Argues that morals and politics require on a metaphysical backing and proposes a neoclassical metaphysics.

Heidegger’s treatment of self-sacrifice has suffered neglect. In this paper, it is critically analysed and found wanting, and it is argued that for a proper understanding its historical location must be taken into account. The way he treats self-sacrifice presents a particular instance of many recurrent features in his thinking. Some of these can be better understood by reference to the kinship with certain forms of religious thought. In particular, the absence of a moral dimension has a counterpart in certain (...) familiar forms of religiosity. (shrink)

This text deals with the interpretation of where the meaningfulness of existence and our being in the world in Emmanuel Levinas’s conception originates in its contrast to the similar conception developed by phenomenology of appearing - which is represented by M. Heidegger and H. Maldiney. I want to show on what premises Levinas argues that the epiphany of sense can only emerge in the case of a continuous overcoming of the nonsense of appearing and thus of Being as such. Therefore, (...) I intend to go through the steps of Levinas’ reasoning, which he never developed systematically, and explain why he can view Being as nonsensical and what this notion of nonsense could possibly mean in Levinas’s philosophy. As a result, I would like present an implicit argumentation behind Levinas’s well-known claim that the birth of sense must be of ethical origin and cannot arise through the process of appearing or Being alone. (shrink)

The book is an attempt to explore the affinities between contemporary critical theories and modernist and postmodernist American poetry. The analysis focuses on poststructuralist theories, notorious for their tendency to destabilize generic boundaries between literary, philosophical and critical discourses. The main argument and the structure of the book derive from Jacques Derrida’s essay “Che cos’è la poesia” [What is poetry?] in which the philosopher postulates the impossibility of defining poetry by comparing a poem to a hedgehog – prickly, solitary, untamed, (...) fragile and protective, rolling itself up into a ball at the first sign of danger or when in the hands of the reader-intruder. The metaphor captures thus the fragility of the relationship between poetry and the world. The book examines this relationship as exemplified by the erinaceous poetics of high modernists and their postmodernist followers In the study I employ also other oststructuralist theories, such as the notion of the text and the pleasure of the text formulated by Roland Barthes, the heories of metaphor as seen by Paul Ricoeur or Paul de Man, and gender-sensitive theories of Helene Cixous and Luce Irigaray. (shrink)

Philosophy has four forms: wonder, faith, doubt and scepticism. These are not separate categories, but separate ideal possibilities. Modern academic philosophy has fallen, for several centuries, into an error: which is the error of supposing that philosophy is only what I call doubt. Philosophy may be doubt: indeed, it is part of my argument that this is undeniably one element of, or one possibility in, philosophy; but doubt is only one of four points of the compass. In this essay I (...) indicate the nature of each point of the compass as it has been found in the history of philosophy. (shrink)

Kajian ini mengangkat pemikiran dua filsuf besar yaitu Martin Heidegger dan Mullā Şadrā dalam suatu kajian Filsafat Manusia dengan topik pembahasan ‘Struktur Fundamental Manusia’. Problem yang diangkat adalah bagaimana kesejalanan atau paralelisme gagasan keduanya mengenai struktur fundamental manusia. Penelitian ini berusaha mencari hakikat manusia menurut pandangan Martin Heidegger dan Mullā Şadrā kemudian mensintesiskannya dengan metode paralelisme. Penelitian ini penulis rasa penting, di samping untuk memperkaya dialog pemikiran antar peradaban, juga karena kedua filsuf ini memiliki kesamaan prinsip ontologis dalam fondasi filsafatnya (...) yaitu, Ada. Pandangan ini kemudian disebut dengan ‘reduksi ontologis’. Keduanya yakin bahwa tidak ada problem filsafat yang dapat terselesaikan kecuali pertanyaan tentang Ada terjawab secara memadai. Pandangan reduksi ontologis ini termanifes dalam bangunan pemikiran dan kritik keduanya, terutama dalam studi ini adalah gagasan mengenai manusia yang bersandar pada prinsip ke swa-buktian Ada. Metode yang digunakan dalam penelitian ini ialah metode komparatif khusus yaitu Paralelisme. Paralelisme adalah teori interpretasi atau metode komparasi khusus yang berupaya mencari paralelitas atau kesejalanan formulasi pemikiran antara dua filsuf yang memiliki perbedaan konteks, penekanan, pendekatan arah pemikiran dan solusi, namun memiliki karakteristik gagasan yang sejalan, sebangun atau paralel. Dari penelitian ini penulis menyimpulakan bahwa, Paralelisme Struktur Fundamental Manusia menurut Heidegger dan Mullā Şadrā menunjukan suatu kritik pada pandangan yang telah mengakar dalam diskursus filsafat Barat modern yang dipelopori oleh Rene Descartes. Heidegger secara terang menunjukan ketidakterimaannya pada pandangan tentang diri dalam filsafat Cartesian dan mendobraknya dengan gagasan manusia Dasein sebagai eksisten yang memahami dirinya sendiri dalam pra-struktur memahami, secara eksistensial dan mendahului suatu refleksi atau aktifitas kognitif apapun tentang diri Aku. Demikian pula Mullā Şadrā, walaupun hidup seabad dengan Rene Descartes, secara tidak langung mengkritik tradisi filsafat rasionalisme semacam itu dengan mengembangkan gagasan ilmu ḥudhūrī-nya, bahwa pengetahuan akan Aku atau diri ini bersifat imanen dalam dirinya sendiri dan mendahului segala bentuk konsepsi atau refleksi mengenai diri serta menjadi dasar bagi pengetahuan empiris. (shrink)

Literary hermeneutics studies the problem of interpreting the meanings of an artistic text, considers it at the intersection of a number of philological fields and thus creates new criteria for philological/critical approach to an artistic text. The necessity that gave rise to literary hermeneutics as a field of philology was to reveal the depth of meanings of the artistic text. It also explains the aesthetic convergence and divergence between classical and modern literary texts, noting the points of intersection of both. (...) The modern artistic text does not arise on dry land, although it originates from the soul of the artist composing it, it is linked to tradition, it reflects a shared spiritual communion by visiting the past, specifically its past. It is clear that every poet who has traveled a certain creative path has his own definition of poetry. In forming this definition (the concept of poetry-!), the poet acts from his own experience and writes more with the intention handed down by tradition. Your own emotion can merge with, modify, or negate the thought of hundreds of years in an artistic text, and as a result, the layer of meaning in artistic texts expands to encompass the whole world. (shrink)

Cognitively-oriented theories have dominated the recent history of the study of emotion. However, critics of this perspective suggest the role of the body in the experience of emotion is largely ignored by cognitive theorists. As an alternative to the cognitive perspective, critics are increasingly pointing to William James’ theory, which emphasized somatic aspects of emotions. This emerging emphasis on the embodiment of emotions is shared by those in the field of AI attempting to model human emotions. Behavior-based agents in AI (...) are attempts to model the role the body might play in the experiencing of emotions. Progress in creating such behavior-based models that function in their environments has been slow, suggesting some potential problems with Jamesian alternatives to cognitive perspectives of emotions. Heidegger’s and Merleau-Ponty’s conceptions of embodiment are suggested as alternatives to James’ and as means for addressing the shortcomings of the cognitive perspective. (shrink)

In recent years several scholars have wrestled with the term “poetic thought,” suggesting in various ways there is something distinctive about the nature of meaning as it occurs/unfolds through poetry. In this paper I suggest, in part following the lead of Simon Jarvis, that one of the most fruitful lines of inquiry for exploring this idea lies in a consideration of poetic works through the lens of Heidegger’s early phenomenology. Specifically, I argue that one of the keys to understanding poetic (...) thought lies in a flaw within Heidegger’s ontological divisions between substances, equipment and Dasein, as presented in Being and Time. Through an analysis of three poems by Frank O'Hara, I argue poetry that examines and represents the physical world presents a problem for Heidegger when he suggests equipment in the world must necessarily “withdraw” in order for us to engage with it authentically. To address this, the term environment-at-hand is introduced to describe the relationship between art... (shrink)

The article refers to the issue of freedom from a philosophical perspective. First of all, it discusses Plato’s metaphor of the cave in Politeia, in which the philosopher writes of freedom in its individual and collective forms. Then the article indicates how the metaphor was read by such contemporary philosophers as Martin Heidegger and Hannah Arendt, who interpret Plato’s metaphor from existential-phenomenological and political perspectives. Heidegger stresses the freedom of a human being, who in the light of the subjective existential (...) experience begins to live objectively in an authentic way. He frees himself up from the impersonal-I. A person, who experienced the truth as un-concealment, is not enslaved anymore to the impersonality of the crowd. He is able to face his own mortality and to take responsibility for his own fate. A special expression of freedom is shown in his care for others, even if it means risking one’s life. Hannah Arendt interprets Plato’s metaphor from the perspective of political philosophy. Her assessment becomes some kind of memento. What if the prisoners of the cave simply do not want to leave their place? Does the philosopher have a right forcefully to pull them out of the cavern? What is better, the attitude of Socrates, who dialogues with people or the attitude of Plato, who simply lectures the mob? In this way Arendt refers to the concept of freedom, as it is sketched in Plato’s cave. At the same time, she argues with Heidegger’s interpretation of the Platonic metaphor. Heidegger stresses the freedom of a human being, who in the light of the subjective existential experience begins to live objectively in an authentic way. He frees himself up from the impersonal-I. Human, who experienced the truth as un-concealment and freedom, is not enslaved anymore with the impersonality of the crowd, which reject individualism and authenticity. He is able to face his own mortality and to take responsibility for his own fate. A special expression of so understood freedom is shown in his care for others, even if this way he risks his own life. Hannah Arendt interprets Plato’s metaphor rather from the perspective of political philosophy. Her assessment, rooted in the very foundation of the political-philosophical thought becomes some kind of memento. What if the prisoners of the cave, simply do not want to leave their place? Does the philosopher have a right to forcefully pull them out of the cave of shadows? What is better, the attitude of Socrates, who dialogues with people and treats them as equal partners or the attitude of Plato, who simply lectures the mob? (shrink)

This paper employs an eclectic mix of paradigms in order to discuss constituting characteristics of young children's learning experiences. Drawing upon a phenomenological perspective it examines learning as a form of 'Being' and as the result of learners' engagement with the world in their own, unique, intentional manners. The learners' intentions towards their world are expressed in everyday activity and participation. A social constructivist perspective is thus employed to present learning as situated in meaningful socio-cultural contexts of the everyday, lived (...) world and as a form of participation in those settings. These characteristics of learning are brought together into a holistic, synthesised model, a Gestalt of learning. The proposed synthesis has relevance for and is applicable to educational contexts as a means of making sense of children's learning experiences and of promoting and facilitating them. (shrink)