Este artículo se centra en la interpretación del concepto de facticidad en los cursos impartidos por Heidegger entre 1921 y 1923. La facticidad será allí entendida en términos de cierto dinamismo, al tiempo que vacilantemente asimilada al “sentido del ser” del ente que somos. En relación a ello, trataremos de mostrar cómo en el problema al que esta noción apunta cabe ya reconocer la cuestión por el sentido del ser en general planteada en Ser y tiempo.

In his famous essay, The Work of Art in the Age of Mechanical Reproduction, Walter Benjamin compares the daily experience of buildings with the perception of films. His comparison relies on the peculiar concept of “tactile reception“, he opposes to the optically oriented traditional attitude towards art. The concept encompasses two essential traits: on the one hand, it designates the fact that films do not require a contemplative, focused attention, but a habitual, distracted approach, similar to that by which we (...) perceive buildings in our everyday life-world. On the other hand, Benjamin’s concept points to a particular “chock-effect” produced by cinematic experience, through its constant change of perspectives and points of view. By this, it challenges precisely the same form of ambient perception required in numerous situations of our daily life in the modern city. The two determinations sketch out a unitary concept that shows obvious similarities to the phenomenological idea of a “life-worldly circumspection” , a specific manner of sight guiding everyday practical life. (shrink)

Procuraremos investigar as condições filosóficas que permitiram que o pensamento de Heidegger tenha identificado, nos anos 1930, a questão da comunidade àquela da Alemanha. Trata-se de mostrar que isso se deve ao modo pelo qual ele compreendeu o contexto de surgimento de sua investigação. Na sequência de sua obra (em particular no conjunto de estudos sobre poesia da década de 1950, reunidos em A Caminho da Linguagem), Heidegger procurará interrogar uma transformação desse contexto que impedirá todo pensamento da comunidade em (...) termos de limites locais. (shrink)

The paper analyzes, from a perspective which is itself existential-ontological, the way in which in an early text of Martin Heidegger, Phänomenologische Interpretationen zu Aristoteles (Anzeige der hermeneutischen Situation) [1922] – which had already outlined some determinative elements of the ideas expounded in Being and Time –, the meditation on the always living and current conditions and hermeneutical situation of philosophizing expanded in fact into an inquiry about the origins, grounds, essence and sense of philosophy as such. Meditation in and (...) through which philosophy identifies itself and is founded on the one hand exactly as a mode of existence of the mortal “human Dasein” (menschliches Dasein), that is a factic mode of existence of this, philosophy, on the other hand, itself originates from and in man’s factic life exactly with the aim of being the modality through which this being – namely ourselves – returns towards the problematization of his existential possibilities even by taking upon himself the burden and “weight” of radical interrogation. Which therefore goes and must go itself and resolutely – because if this entirely “without God” and consequently a-theist – to the historical and ontological roots of a present con-temporarized (mitzeitigt) both with the past and the future existential horizons of the assumed factic possibilities. (shrink)