Perdurantists hold that we persons—just like other ordinary objects—persist by perduring, by having temporal parts, or stages, located over time. Perdurantists also standardly endorse the B-theory of time. And, in light of this endorsement, they typically characterize our tensed beliefs as self-ascriptions of properties, made not by us but by our stages. For instance, for me to believe that Angela Merkel is currently the chancellor of Germany is for my now-located stage to self-ascribe the property of being simultaneous with Merkel’s (...) chancellorship. The problem with this way of understanding tensed belief is that it undermines—if not outright contradicts—the perdurantist’s best options for resisting the Too Many Thinkers objection. In what follows, I show why this is. I then consider what I take to be the perdurantist’s most promising alternative account of tensed belief. I argue that this alternative either leaves perdurantists no better off with respect to the Too Many Thinkers objection or, instead, leaves them vulnerable to another objection, one that they would otherwise have no problem resisting. (shrink)

The Donkey Problem (as I am calling it) concerns the relationship between more and less fundamental ontologies. I will claim that the moral to draw from the Donkey Problem is that the less fundamental objects are merely conventional. This conventionalism has consequences for the 3D/4D debate. Four-dimensionalism is motivated by a desire to avoid coinciding objects, but once we accept that the non-fundamental ontology is conventional there is no longer any reason to reject coincidence. I therefore encourage 4Dists to become (...) even more radical—embrace the Donkey Problem’s conventionalism and deflate the debate between 3Dists and 4Dists. (shrink)

Puzzles about persistence and change through time, i.e., about identity across time, have foundered on confusion about what it is for ‘two things’ to be have ‘the same thing’ at a time. This is most directly seen in the dispute over whether material objects can occupy exactly the same place at the same time. This paper defends the possibility of such coincidence against several arguments to the contrary. Distinguishing a temporally relative from an absolute sense of ‘the same’, we see (...) that the intuition, ‘this is only one thing’, and the dictum, ‘two things cannot occupy the same place at the same time’, are individuating things at a time rather than absolutely and are therefore compatible with coincidence. Several other objections philosophers have raised ride on this same ambiguity. Burke, originating what has become the most popular objection to coincidence, argues that if coincidence is possible there would be no explanation of how objects that are qualitatively the same at a time could belong to different sorts. But we can explain an object’s sort by appealing to its properties at other times. Burke’s argument to the contrary equivocates on different notions of ‘cross-time identity’ and ‘the statue’. From a largely negative series of arguments emerges a positive picture of what it means to say multiple things coincide and of why an object’s historical properties explain its sort rather than vice versa – in short, of how coincidence is possible. (shrink)

The main task of this paper is to understand if and how static images like photographs can represent and/or depict temporal extension (duration). In order to do this, a detour will be necessary to understand some features of the nature of photographic representation and depiction in general. This important detour will enable us to see that photographs (can) have a narrative content, and that the skilled photographer can 'tell a story' in a very clear sense, as well as control and (...) guide the attention of the spectator of the photograph. The understanding and defence of this claim is a secondary aim of this paper, and it will then allow us to provide a good treatment of the particular case of photographic representation and depiction of temporal extension. (shrink)

In "Does Four-Dimensionalism Explain Coincidence" Mark Moyer argues that there is no reason to prefer the four-dimensionalist (or perdurantist) explanation of coincidence to the three-dimensionalist (or endurantist) explanation. I argue that Moyer's formulations of perdurantism and endurantism lead him to overlook the perdurantist's advantage. A more satisfactory formulation of these views reveals a puzzle of coincidence that Moyer does not consider, and the perdurantist's treatment of this puzzle is clearly preferable.

Composite materialism, as I will understand it, is the view that human persons are composite material objects. This paper develops and investigates an argument, The Vague Singulars Argument, for the falsity of composite materialism. We shall see that cogent or not, the Vague Singulars Argument has philosophically significant ramifications.

This article discusses recent work in metaphysics on temporal parts. After a short introduction introducing the notion of a temporal part, we examine several well‐known arguments for the view that ordinary material objects such as tables, trees, and persons have temporal parts: (1) positing temporal parts makes it possible to solve puzzles of coincidence (e.g., the statue/lump puzzle); (2) positing temporal parts makes it possible to solve the problem of intrinsic change over time; and (3) the existence of temporal parts (...) can be demonstrated based on considerations about vagueness in composition. We conclude by examining briefly a recent argument that the dispute over whether there are temporal parts is merely verbal. (shrink)

In two earlier works (Balashov, 2000a: Philosophical Studies 99, 129–166; 2000b: Philosophy of Science 67 (Suppl), S549–S562), I have argued that considerations based on special relativity and the notion of coexistence favor the perdurance view of persistence over its endurance rival. Cody Gilmore (2002: Philosophical Studies 109, 241–263) has subjected my argument to an insightful three fold critique. In the first part of this paper I respond briefly to Gilmore’s first two objections. I then grant his observation that anyone who (...) can resist the first objection is liable to succumb to the third one. This, however, opens a way to other closely related relativistic arguments against endurantism that are immune to all three objections and, in addition, throw new light on a number of important issues in the ontology of persistence. I develop two such novel arguments in the second half of the paper. (shrink)

I offer a new criticism of the argument from vagueness to four-dimensionalism [Sider 2001. The argument is modelled after an older argument for mereological universalism [Lewis 1986 and may be looked upon as a tightened-up and extended version of the latter. While I agree with other critics [Koslicki 2003; Markosian 2004 that the argument from vagueness fails precisely because of this affinity, my recipe for dealing with it is different. I reject the assumption, shared by Sider with his opponents, that (...) synchronic composition and ‘minimal diachronic fusion’ are sufficiently similar to use considerations inspired by the analysis of the former to bear on the latter. My objection to a crucial premise of the argument from vagueness turns on the relevant aspect of dissimilarity between these two cases. (shrink)

One familiar form of argument for rejecting entities of a certain kind is that, by rejecting them, we avoid certain difficult problems associated with them. Such problem-avoidance arguments backfire if the problems cited survive the elimination of the rejected entities. In particular, we examine one way problems can survive: a question for the realist about which of a set of inconsistent statements is false may give way to an equally difficult question for the eliminativist about which of a set of (...) inconsistent statements fail to be 'factual'. Much of the first half of the paper is devoted to explaining a notion of factuality that does not imply truth but still consists in 'getting the world right'. The second half of the paper is a case study. Some 'compositional nihilists' have argued that, by rejecting composite objects (and so by denying the composition ever takes place), we avoid the notorious puzzles of coincidence, for example, the statue/lump and the ship of Theseus puzzles. Using the apparatus developed in the first half of the paper, we explore the question of whether these puzzles survive the elimination of composite objects. (shrink)