This paper discusses Eastern European Marxists’ consideration of science and technology concerning aesthetic dimensions. Different from most of Western Marxists who take negative or dystopian attitudes towards modern science and technology from the aesthetic utopian perspective, those Marxists who come from countries such as Hungary, Yugoslav, Poland, Czechoslovakia, East Germany, Bulgaria or Romania, which once belonged to the socialist camp, under the influence of Soviet and Western culture, pay attention to the complicated tension between science-technology and aesthetics. In this paper, (...) I probe into these notions by reading György Lukács, Budapest School, Romanian theorists and the Yugoslav Praxis Group, which are divided into four key points: basic nature of science in contrast with arts; modern tension of culture between science and arts; the possibility of scientific aesthetics; and development of arts in the world of technology. There is a dialectical understanding of science and technology here which contributes to contemporary recognition of science and technology from the point of view of neo-humanism, not only in aesthetics but also human existence. This is relevant to theoretical reflection on the present and future Chinese socialist aesthetics. (shrink)

This article argues that shame is fundamentally interpersonal. It is opposed to the leading interpretation of shame in the field of moral psychology, which is the cognitivist, morally rationally, autonomous view of shame as a negative judgment about the self. That view of shame abandons the social and interpersonal essence of shame. I will advance the idea, as developed by the tradition of philosophical anthropology and, in particular, in the works of Helmuth Plessner, Erwin Straus, F. J. J. Buytendijk, and (...) Maurice Merleau-Ponty, that shame is a heteronomous affective response that is caused by a breakdown in our fundamental interpersonal connection with others. It is a feeling that comes from the denial of our basic need to live with others in a state of trusting acceptance. (shrink)

This article argues against a leading cognitivist and moral interpretation of shame that is present in the philosophical literature. That standard view holds that shame is the felt-response to a loss of self-esteem, which is the result of negative self-assessment. I hold that shame is a heteronomous and primitive bodily affect that is perceptual rather than judgmental in nature. Shame results from the breakdown and thwarting of our desire for anonymous, unexceptional, and disattentive co-existence with others. I use the sociological (...) theory of Erving Goffman and the theory of shame found in philosophical anthropology to support this view. I also use the cases of shame and chronic shame that often accompany disability to show that shame is separable from negative self-assessment and, instead, emerges as an affective response to a world (of equipment, things, and people) that disallows unburdened and unreflective interpersonal equilibrium. (shrink)

This was the address given on the occasion of the award of the Goethe Institute’s Goethe Medal to the Hungarian philosopher Ágnes Heller in 2010. Other recipients of the Medal have included Bruno Bettelheim, György Ligeti, Ernst Gombrich, Karl Popper, and Lars Gustafsson.

The relationship of Marxist thought to the phenomena of everyday life and utopia, both separately and in terms of their intersection, is a complex and often ambiguous one. In this article, I seek to trace some of the theoretical filiations of a critical Marxist approach to their convergence (as stemming mainly from a Central European tradition), in order to tease out some of the more significant ambivalences and semantic shifts involved in its theorization. This lineage originates in the work of (...) Karl Marx and Friedrich Engels, then stretches to Georg Lukács and the so-called ‘Gnostic Marxism’ of Walter Benjamin (as mediated by the important figure of Georg Simmel), and culminating most recently in the work of Agnes Heller. Such a Marxist theory is inseparable from a political project that seeks to unveil and critique what it takes to be the debased, routinized and ideological qualities of daily existence under the auspices of modern capitalist society, but also attempts to locate certain emancipatory tendencies within this selfsame terrain, an orientation that can be summed up in the phrase ‘everyday utopianism’. Although there are occasional lapses into dualistic modes of thinking in the work of these writers, the key insight they present to us is the need to overcome the pervasive dichotomy between the everyday/immanent and the utopian/transcendental, of a sort that has bedevilled the work of many other theorists and intellectual traditions. (shrink)

This article examines contemporary forms of capitalism that have the arts and the sciences as their basis. It highlights the role of civics in forging modes of intellectual capitalism, and the specific nature of their rationality and spatiality. The article discusses the role of creativity and designing intelligence in intellectual capital modes of production and the implications of this for their broader socio-economic constellations.

Some of the duties of individuals and organisations involve responsiveness to need. This requires knowledge of need, so the epistemology of need is relevant to practice. The prevailing contention among philosophers who have broached the topic is that one can know one’s own needs (as one can know some kinds of desires) by feeling them. The article argues against this view. The main positive claims made in the article are as follows. Knowledge of need, in both first‐person and second‐person cases, (...) is a type of knowledge‐that with no basic epistemological source. Needs, like medical conditions, have signs and symptoms. Knowledge of these, with inference, results in knowledge of need. Finally, it is argued that need is akin to, but not a special case of, metaphysical necessity de re. Some implications of this for the epistemology of need are explained. (shrink)

Agnes Heller continued her commitment to socialist theory, seeking a democratic alternative to the actually existing socialist system in Soviet-type societies in the early 1980s. Heller conceptualized socialism as a long-term social experiment based on social imagination and the radicalization of democracy, which contrasted with the Soviet socialist project on the one hand, and went beyond Western parliamentary systems on the other hand. My aim in this paper is to examine the 1982 pamphlet, Why We Should Maintain the Socialist Objective, (...) and present it as a crucial step that Heller takes to depart from Marxism and explore her post-Marxist socialist theory. This paper will examine the social imagination, radicalization of democracy, and other key ideas elaborated in the pamphlet, linking these ideas to her subsequent book, Dictatorship Over Needs, and her essay ‘The Great Republic’. (shrink)

The following paper explicates and critically analyses the existential ethics of the reflective postmodernist phase in the work of Agnes Heller. Beginning with a brief summary of the biographical and theoretical roots of her development, it goes on to analyse the meaning of her key slogan of ?turning contingency into destiny.? After elaborating her version of the ?existential leap? and her later attempts to refine her position in An Ethics of Personality, the paper will employ some literary lives from W. (...) G. Sebald and J. M. Coetzee to test the general viability of Heller's model. (shrink)

From the point of view of reflected postmodernity, Ágnes Heller constructs her own discourse of aesthetics on the basis of György Lukács’s contribution. She locates aesthetics in her social philosophy, philosophy of history, and ethics, transforming aesthetics from a ‘Marxist Renaissance’ to a ‘post-Marxist’ position, and points out that the paradoxes of modern culture can be avoided by a personality that is autonomous and moral in action. The notion of the beautiful character in everyday life is a symbol of the (...) ideal type of society and of the good life in contrast to the God-forsaken world of modern dilemmas and the domination of the sublime in postmodernism. It is the expression of freedom and democracy in the contemporary age. Heller’s neo-humanist aesthetics is in essence the presentation of her cultural politics as a Great Republic. (shrink)

The paper aims to investigate the meaning of historicity in the light of Ágnes Heller’s interpretation of history as ‘being-in-common’. By touching on the problem of the modern world’s axiological pluralism, the issue of the legitimation of moral theories and the dilemma of morals, the paper analyses Heller’s conception of human goodness as an incontrovertible, inexplicable and mysterious ‘fact’ that is able to illuminate the path of human life and determine the opening of the individual onto the world with the (...) same wonder that marks the beginning of any philosophical attitude. (shrink)

The article reviews the social theory of Harry Redner with particular reference to his view of the relationship between high literacy (book culture) and civilization. The question is posed whether, alongside book culture, an axial-type metaphysical culture is also key to the definition of civilization.

According to Ágnes Heller’s plans in 1989 and 1990, the last volume of her moral trilogy should have been entitled A Theory of Proper Conduct. In 1996 the third volume finally appeared with the title An Ethics of Personality. Its content: a series of philosophical dialogues between many dramatis personæ. The change in style and methodology of the third volume led to many criticisms, amongst them Mihály Vajda’s questioning of the whole project’s consistency. The present paper aims to engage these (...) criticisms by retracing the presence in An Ethics of Personality of the themes that, according to Heller’s previous intentions, should have informed the last part of her moral theory. The contribution analyses Heller’s definitions of modern paideia and moral wisdom, the issue of the possibility of happiness for modern people, and the philosophically problematic concept of moral aesthetics. In conclusion, the ‘literary’ methodology of the book is put in relationship with the non-prescriptive aspect of ethics. (shrink)

The paper encircles the subjectivity of drug taking as one form of contemporary practice in which fundamental theoretical issues are dealt with. In particular, following Mariana Valverde's genealogy of alcohol regulation (Valverde, 1998), the question of the free will, and the paradox of the simultaneous being and non-being of the autonomous subject, are viewed as present in various approaches to drugs. The current neo-pragmatist wave substitutes low-key practical notions of habits for a dichotomy of free will or determinism. The concept (...) of objectification promises to overcome that dichotomy by externalizing it; in terms of this concept, we can distinguish the abstract-imagined 'fix' from a genuinely transforming realization, and suggest that ours is the age of the fix, of instrumental commodities that change us in ways we do not intend. But, it is claimed, an inescapable issue of the self-dissolution of the subject remains; perhaps in the definitive shape of a suicide, or in the minor shapes of fixes such as a tactics of feigned surrender, New Age Higher Powers, or imagined communities. Determined to realize the idea of a benevolent surrender of the subject, the paper ends in an attempt to contribute to the coming to an understanding of herself and with herself of a person who finds herself at the troublesome intersection of Narcotics Anonymous and a social work development network of Copenhagen City called Wild Learning. (shrink)

This paper discusses Heller’s aesthetic ethics in her feeling theory. ‘Feeling’ is an aesthetic problem as well as an ethical problem. Heller discusses the important role of emotions in modern life. ‘Housekeeping of feelings’ is the key category of Heller’s ethical aesthetics, which is related to one’s self-realization. It is beneficial to the formation of individual value and helps to reconstruct an increasingly atomized community. The housekeeping of feelings is some kind of care, which is important both ethically and aesthetically. (...) Heller’s feelings theory is based on human value itself, which is of great methodological significance for the reconstruction of the broken emotional community in the post-epidemic era. (shrink)