Several contemporary scholars have embraced the aesthetic resources in the Black Radical Tradition for the purpose of revitalizing the democratic project. Ironically, however, many drawn to the radical potential of fugitive escape are concerned about flight or exodus from the democratic project itself resulting in a defense of politics that constricts the possible benefits of fugitive aesthetics for democratic life. This article draws on the work of Alain Locke, a key figure of the Harlem Renaissance, to suggest another way in (...) which we might follow Black fugitive aesthetics. Through an engagement with Locke, I theorize the notion of a fugitive bearing associated with a set of sensibilities that we might cultivate in order to approach the task of democratic transformation as a “reverent vandalism.” This article also challenges dismissive readings of Locke’s aestheticism by closely reexamining his commitment to expressive autonomy in connection with his theory of democracy. His “New Negro” avant-garde, like the fugitive, remains tethered to political life even while seeking a freedom that is unavailable within the strictures of the standing normative order. (shrink)

ABSTRACT This article explores how our thinking about time shapes epistemological and ontological understandings of the world. It considers the idea of modernity as constituted by the ancient/modern binary through an examination of Montesquieu’s and Benjamin Constant’s development of this binary in relation to their understandings of commerce, the law of nations and conquest, political rule and freedom in the context of European colonial empire. Modernity demarcates a break in (historical) time between a past and a present that extends into (...) a future. This rupture plays a role in distinctions between modern European and pre-modern non-European societies. The ancient/modern binary underpins conceptions of collective and individual liberty. It associates modernity with individual liberty, progress, reason and science. I analyse how this binary operated across space to categorise various societies as not modern, pre-modern or less developed according to levels of scientific, technological, political and economic progress in Montesquieu’s thought and through Constant’s silences. This article develops an innovative reading of the ancient/modern binary in French political thought. (shrink)

The neo-republican conception of freedom as non-domination has emerged as a powerful framework for conceptualizing the dynamic relationship between power, democracy, and constitutionalism in modernity. Despite this, I argue that adaptations of republican freedom to the problem of slavery displace attention to race and foreclose more productive ways of addressing how racial slavery constitutes a distinct form of oppression. To illuminate the limitations of neo-republicanism, I turn to the political thought of abolitionists David Walker and Ottobah Cugoano. Both utilize comparative (...) histories of race and slavery to reveal the specificity of modern slavery as a form of oppression, which cannot be captured as an issue of domination in the technical sense of the term. They thus pose challenges to neo-republican theory for its failure to fully appreciate the historical differences between ancient and modern slavery. To do so would illuminate how neo-republican theory faces severe limitations in providing an adequate conceptualization of oppression in the case of racial slavery. (shrink)

Several recent works in political theory argue that exit, rather than being a coward’s choice, is a potent mode of resistance that is particularly well suited to the current political era. These works reclaim exit, seeing it as a method of political opposition. While innovative and illuminating, these accounts are limited because they tend to treat all exits as resistance, regardless of context or content, and they are inclined to over-saturate exit with oppositional political meaning. I argue that resistant exit (...) should be more narrowly defined. By examining a range of empirical cases, I identify and explore three distinctive characteristics of this particular type of opposition. In addition to clarifying a recently developed idea in current scholarship, this article provides a systematic way for scholars to understand and interpret the intersection between resistance and exit. (shrink)

Toni Morrison: Imagining Freedom explores Morrison’s reflections on the idea of freedom in her novels and nonfiction from the 1970s to 2019. While Morrison’s literary achievements are widely celebrated, her political thought has yet to receive its due. Morrison’s writing illuminates the meanings of freedom and unfreedom in a democratic society that was founded on both the defense of liberty and the right to enslave and dispossess. Toni Morrison: Imagining Freedom argues that Morrison’s fiction and her meditations on the power (...) of language contest the wishful thinking of color-blindness and repudiate complaints that it is time to get beyond race. Morrison’s attentiveness to the experiences of people “no one inquired of,” especially her interest in the lives of black women and girls, reorients democratic inquiry in the shadow of racial slavery, settler colonialism, and the ongoing processes of theft and domination they set in motion. Morrison’s writings, Balfour contends, kindle new practices of freedom-seeking that do not rely on the subjugation of others. (shrink)