Recently, a number of people have argued that certain entities embodied by groups of agents themselves qualify as agents, with their own beliefs, desires, and intentions; even, some claim, as moral agents. However, others have independently argued that fully-fledged moral agency involves a capacity for reactive attitudes such as guilt and indignation, and these capacities might seem beyond the ken of “collective” or “ corporate ” agents. Individuals embodying such agents can of course be ashamed, proud, or indignant about what (...) the agent has done. But just as an entity needs to have its own beliefs, desires, and intentions to qualify as a bona fide agent, the required capacity for reactive attitudes is a capacity to have one’s own reactive attitudes. If fully-fledged moral agency requires reactive attitudes, the corporate agent must itself be capable of guilt and indignation. In this paper, we argue that at least certain corporate agents are. Or, more precisely, we argue that if there are bona fide corporate agents, these agents can have the capacities that are both associated with guilt and indignation and plausibly required for moral agency; in particular certain epistemic and motivational capacities. (shrink)

This article examines how a non-anthropocentric virtue ethics can truly avoid an anthropocentric bias in the ethical evaluation of a situation where the environment is at stake. It argues that a non-anthropocentric virtue ethics capable of avoiding the pitfall of an anthropocentric bias can only conceive of the ultimate good—from which virtues are defined—in reference to an ecological self. Such a self implies that the natural environment is not simply a condition for human flourishing, or something that complements it by (...) adding the proper good of animals, organisms or ecosystems. Fulfilment is not that of a human self, but that of an ecological self: the natural environment or nature is not an external but an internal good. Therefore, the virtues or character traits that such an ecological self must nurture and develop leads us ultimately to distinguish—without opposing them—three different forms of virtue ethics applied to the environment, depending on whether it is anthropocentric or non-anthropocentric and whether nature is considered extrinsically or intrinsically. Such distinctions are also crucial to determine how we conceive of the political community and the collective goals that virtuous citizens assign to it (for instance, to preserve biodiversity, to tackle climate change, and so on). (shrink)

Starting from the observation that there is a gap between knowledge of the environmental sciences and practical engagement, for example, in climate change or biodiversity loss, this article explores one possible explanation for this situation—namely, the process of objectification inherent in science. It then proposes to remedy the situation by defending the idea of a ‘first-person ecology’. This term refers to a field of research and practice that looks at the relationship between humans and nature from the point of view (...) of the embodied and situated nature of lived experience. The lived experience of nature at the heart of a first-person ecology is first studied from an epistemic perspective using the concept of recognition, inspired by the Frankfurt School philosopher and sociologist Axel Honneth. It is then approached from a phenomenological perspective, using the emerging field of ecospirituality to describe the characteristics of this experience. (shrink)

In a pair of recent essays, William Lane Craig has argued that certain open theist understandings of the nature of the future are both semantically and modally confused. I argue that this is not the case and show that, if consistently observed, the customary semantics for counterfactuals Craig relies on not only undermine the validity of his complaint against the open theist, they actually support an argument for the openness position.

In a previous issue of Philosophia Christi, Kirk MacGregor responded to an essay of mine in which I argued for a neo-Molinist account of open theism. The argument demonstrated how, given standard counterfactual semantics, one could derive an “open future square of opposition,” that is, a depiction of the logical relations that hold between future-tense statements from an open theistic standpoint. Conceding the validity of the argument, MacGregor nevertheless sought to deny its soundness by criticizing both its conclusion and the (...) Stalnaker-Lewis semantics on which the argument was based. In this paper, I argue that MacGregor’s reasons for rejecting the open future square, as well as his Molinist alternative to the Stalnaker-Lewis semantics, are uncompelling. (shrink)

Patient centred diagnosis is best practised through shared decision making; an iterative dialogue between doctor and patient, whichrespects a patient’s needs, values, preferences, and circumstances. -/- Shared decision making for diagnostic situations differs fundamentally from that for treatment decisions. This has important implications when considering its practical application. -/- The nature of dialogue should be tailored to the specific diagnostic decision; scenarios with higher stakes or uncertainty usually require more detailed conversations.

Όλα τα έργα του Hesse θεμελιώνονται σε μια μεταφυσική αρχή, την αρχή της ενότητας ολόκληρου του σύμπαντος που διατρέχει όλα τα έργα του, τα οποία είναι αφιερωμένα στην αναζήτηση του ιερού «εγώ» που βρίσκεται σε κάθε άτομο από τη γέννηση, με άλλα λόγια διερευνά την ανθρώπινη συμμετοχή στην Υπερβατικότητα του Θείου. Τα μονοπάτια των ηρώων του οδηγούν στον Θεό, που για αυτόν είναι υπερβατική και Αόρατη Αρχή και οποίος ζει σε όλα, το Θείο συστατικό είναι τα πάντα και το (...) τίποτα. Ο καθένας στον κόσμο μας αποκαλύπτει τη Θεία ενότητα μέσω της ποικιλομορφίας της ζωής Ο Θεός, σύμφωνα με τον Hesse, είναι η Θεία ουσία μέσα μας, που σήμαινε για τον Hesse το μέτρο της ανάμειξης ενός ατόμου στο ιερό «εγώ», που είναι κρυμμένο στην ψυχή του καθενός. Αυτό είναι το υψηλότερο, υπερ-προσωπικό «εγώ», στραμμένο προς τον Θεό, την Ενότητα του Παντός, γιατί η σωτηρία του «εγώ» του ατόμου βρίσκεται στη μεταφυσική επανένωση, την ενοποίηση με τον Θεό, που είναι η ουσία όλων των μυστικιστικών θρησκειών, τόσο της Ανατολής όσο και της Δύσης. (shrink)

Hermann Hesse's works often explore deep philosophical themes and the human quest for self-understanding and enlightenment. His writing draws heavily from Eastern philosophy, Jungian psychology, and Western existentialism, creating a rich tapestry of ideas that challenge and inspire readers. Hermann Hesse's philosophical exploration in his works offers profound insights into the human condition, emphasizing the importance of personal experience, the integration of dualities, and the interconnectedness of all life. His writings encourage readers to embark on their own journeys (...) of self-discovery, recognizing that enlightenment is a continuous, evolving process. Here, we'll examine some of the key philosophical elements present in his most famous works. -/- The Search for Self-Identity At the heart of Siddhartha is the quest for self-identity. Siddhartha's journey represents the human struggle to understand one's true self and purpose in life. This theme resonates with existentialist philosophy, which emphasizes the individual's responsibility to create meaning in an inherently meaningless world. Siddhartha's refusal to accept predefined paths and doctrines underscores the existentialist belief in the necessity of personal experience and authenticity in the search for self-identity. -/- 1. Siddhartha: The Quest for Authenticity In Siddhartha, the protagonist's journey is a vivid representation of the search for self-identity. From the outset, Siddhartha is dissatisfied with the conventional teachings and practices of his Brahmin upbringing. His quest for authenticity drives him to leave his home and explore various paths, including asceticism, sensual indulgence, and finally, a contemplative life by the river. Siddhartha's journey reflects existentialist themes, particularly the idea that true self-identity cannot be handed down through tradition or external teachings. Instead, it must be discovered through personal experience and introspection. This aligns with the existentialist notion that individuals must create their own essence through their actions and choices, rather than conforming to predefined roles or expectations. -/- 2. Steppenwolf: The Duality of the Self In Steppenwolf, Hesse delves into the complexities of self-identity through the character of Harry Haller. Harry is torn between his human side, which longs for connection and meaning, and his "wolf" side, which is driven by instinct and isolation. This inner conflict illustrates the duality inherent in human nature and the struggle to reconcile these opposing aspects. Hesse's exploration of Harry's psyche resonates with the Jungian concept of the individuation process, where the integration of the conscious and unconscious parts of the self leads to wholeness. Harry's journey is a quest for self-identity that involves confronting and accepting the darker, shadowy parts of his personality. This process of self-discovery is both painful and liberating, underscoring the idea that true self-identity emerges from embracing all facets of one's being. -/- 3. Demian: The Role of the Unconscious Demian is another key work in which Hesse explores the search for self-identity, focusing on the protagonist Emil Sinclair's journey toward self-realization. Guided by the enigmatic Max Demian, Sinclair learns to listen to his inner voice and question societal norms. The novel emphasizes the importance of the unconscious mind in the search for self-identity, drawing on Jungian psychology. Sinclair's experiences highlight the tension between conforming to societal expectations and following one's inner truth. His journey reflects the existentialist idea that individuals must break free from external constraints to discover their true selves. Hesse suggests that the path to self-identity involves a deep engagement with the unconscious mind and an acceptance of one's inner conflicts and desires. -/- ………………………………….. The Concept of Impermanence -/- One of the central philosophical concepts in Siddhartha is impermanence, a fundamental tenet of Buddhist philosophy. The novel illustrates the transient nature of all things, emphasizing that nothing in life is permanent or unchanging. Siddhartha's experiences with love, wealth, and asceticism teach him that attachment to transient phenomena leads to suffering. This aligns with the Buddhist teaching of Anicca, which posits that recognizing and accepting impermanence is essential for achieving enlightenment. -/- Siddhartha: The Transient Nature of Life In Siddhartha, Hesse’s exploration of impermanence is central to the protagonist’s spiritual journey. Siddhartha’s experiences reflect the Buddhist teaching of Anicca, which posits that all things are in a constant state of flux and that clinging to anything impermanent leads to suffering. -/- Throughout the novel, Siddhartha undergoes various transformations—from a Brahmin’s son to an ascetic, a lover, a merchant, and finally, a ferryman. Each phase of his life teaches him about the transient nature of existence. His realization that neither extreme asceticism nor indulgence provides lasting fulfillment underscores the futility of seeking permanence in an impermanent world. -/- The river, a recurring symbol in the novel, epitomizes the flow of life and the constant change inherent in all things. Siddhartha’s enlightenment comes when he embraces the river’s wisdom, understanding that true peace lies in accepting the impermanence of all experiences. -/- Steppenwolf: The Ephemeral Nature of Identity Steppenwolf delves into the theme of impermanence through the internal conflict of its protagonist, Harry Haller. Harry’s struggle with his dual nature—the civilized man and the untamed wolf—reflects the fluidity and transient nature of identity. Hesse portrays identity not as a fixed entity but as a dynamic interplay of opposing forces. -/- The novel’s surreal episodes, particularly in the Magic Theater, emphasize the impermanent nature of reality and the self. Harry’s experiences in the theater reveal the illusory and ever-changing aspects of his perceptions and identity. Hesse suggests that true self-understanding requires embracing the impermanence and multiplicity of one’s nature. -/- The Glass Bead Game: The Impermanence of Human Endeavors -/- In The Glass Bead Game, Hesse explores the impermanence of human knowledge and cultural achievements. The game itself, a complex intellectual synthesis of arts and sciences, represents the pinnacle of human endeavor. However, the novel’s setting in a distant future where the game’s origins and significance have been largely forgotten underscores the transient nature of all human creations. -/- The protagonist, Joseph Knecht, ultimately realizes that the pursuit of intellectual perfection through the game is insufficient for a meaningful life. His decision to leave the Order and experience the impermanent, unpredictable world outside reflects his acceptance of life’s impermanence. Knecht’s journey illustrates that true wisdom involves embracing the fleeting nature of human existence and engaging fully with the present moment. -/- Hesse’s exploration of impermanence invites readers to reflect on their own lives and the ways in which the recognition of life’s fleeting nature can lead to greater wisdom and fulfillment. By embracing the impermanence of all things, Hesse suggests, individuals can attain a deeper appreciation of the present moment and the interconnectedness of all experiences. (shrink)

This essay investigates triadic patterns of argument in the thought of Moses Hess. Three kinds of triadic thinking are distinguished: the triadic pattern of three succeeding ages of mankind; the triadic pattern of original unity, fallen or alienated existence, and return to unity on a higher level; and the triad of head, heart and stomach, a symbolism which recurs in the writings of the Young Hegelians. Distinguishing these patterns throws an interesting light on the similarities and differences between the views (...) of Hess and Marx on the role of the proletariat in history. A translation by the author of Hess's "On the Essence of Money" is appended to the essay. (shrink)

Extended review of Gerard Benssousan's Moses Hess, la philosophie, le socialisme ((1985) and of Shlomo Avineris' Moses Hess Prophet of Communism and Zionism (1985) with references to other contemporary publications on Hess' thought.

This short paper grew out of an observation—made in the course of a larger research project—of a surprising convergence between, on the one hand, certain themes in the work of Mary Hesse and Nelson Goodman in the 1950/60s and, on the other hand, recent work on the representational resources of science, in particular regarding model-based representation. The convergence between these more recent accounts of representation in science and the earlier proposals by Hesse and Goodman consists in the recognition (...) that, in order to secure successful representation in science, collective representational resources must be available. Such resources may take the form of (amongst others) mathematical formalisms, diagrammatic methods, notational rules, or—in the case of material models—conventions regarding the use and manipulation of the constituent parts. More often than not, an abstract characterization of such resources tells only half the story, as they are constituted equally by the pattern of (practical and theoretical) activities—such as instances of manipulation or inference—of the researchers who deploy them. In other words, representational resources need to be sustained by a social practice; this is what renders them collective representational resources in the first place. (shrink)

Ernst Mach’s definition of the relationship between thoughts and facts is well known, but the question of how Mach conceived of their actual relationship has received much less attention. This paper aims to address this gap in light of Mary B. Hesse’s view of a postempiricist approach to natural science. As this paper will show, this view is characterized by a constructivist conception of the relationship between theory and facts that seems to be consistent with Mach’s observations on scientific (...) knowledge. The paper first explores Hesse’s account of postempiricism and her project of a new epistemology. It then considers Ernst Mach’s conception of facts as the middle term of a triad of concepts that includes thoughts and elements as extreme terms. Finally, the paper will offer concluding remarks on Mach’s contribution to the debate on scientific realism and his attempt to redefine the notions of correspondence and objectivity in science. (shrink)

The advent of AI calls for an existential self-redefinition of humanity. It necessitates the establishment of a pluralistic global humanist culture that enables us to coexist in the new world of active media and autopoietic technology. In this paper, related philosophical questions give rise to the proposal of a novel metaculture that elevates human heritages and cultural memories to the plane of a digital AI- based infrastructure. I argue for a balanced and holistic approach to human-to-human and human–AI interactions and (...) metaculture that can be developed in the form of combinatorial “metagames” that reflect the potential of human consciousness, transcend the boundaries between technology, human embodiment and biology, the arts, sciences and humanities, and philosophy, and, finally, include the element of meaningful coincidence and spontaneity “in the second potency.” Hermann Hesse’s final novel, The Glass Bead Game, offers a key to understanding this basic idea. His vision is extremely relevant today. Based on this, the concept of cultivating global cultural memories through innovative aesthetic-epistemic “Glass Bead Games 2.0” is discussed further from a systematic angle. To complement this, reference is also made to Hesse’s own source of inspiration: Novalis’s “encyclopedist” approach interlinks aesthetic and epistemic productivity in a way that could become a major starting point to create a new holistic metaculture in the Age of AI. (shrink)

In this work, I discuss the role of Husserl’s phenomenology in Paolo Parrini’s positive philosophy. In the first section, I highlight the presence of both empiricist and constructivist elements in Parrini’s anti-foundationalist and anti-absolutist conception of knowledge. In the second section, I stress Parrini’s acknowledgement of the crucial role of phenomenology in investigating the empirical basis of knowledge, thanks to its analysis of the relationship between form and matter of cognition. In the third section, I point out some lines of (...) development of the phenomenological form of empirical realism as revealed in Parrini’s reflection, through a comparison of Husserl’s genetic phenomenology, Mary Hesse’s network model and the tradition of neutral monism. (shrink)

Hesse and Pettit present somewhat different reconstructions of Rorty’s suggestions about the discipline that might survive the collapse of foundationalistic epistemology. They both treat Rorty’s argument very respectfully, as opening the way to an interesting new possibility. I think that they are both too charitable to him; I think that there are a lot of bad arguments in Philosophy and the Mirror of Nature, and a quantity of simple silliness. This is not to say that the openings up of (...) the subject that Hesse and Pettit derive from Rorty are not genuinely attractive. What I would challenge is the suggestion that they are forced upon us by the collapse of the rest of the subject. I see no reason to believe this. (shrink)

I discuss Mary Hess’s interaction view of scientific metaphor, outline an alternative view and show how it may prove fruitful when applied to chapters of the history of science. I start with a reconstruction of the discussion on the nature of scientific models and their relationship to metaphors that took place in the Anglo-Saxon philosophy of Science starting from the Fifties; the discovery began with Stephen Pepper and Kenneth Burke, reaching Thomas Kuhn, Marx Wartofsky, and George Lakoff via Max Black's (...) and Mary Hesse's interaction view. I argue that Hesse's view has a number of weak points: uncritically accepting Black's idea of "interaction", for keeping too much of a logical empiricist view of observation language, and for keeping too much of a Scholastic distinction between formal and material analogy. I argue that a few insights from Kuhn and Wartofsky seem to go in the same direction as Granger's view of metaphor as opposed to metonymy, thus severing the link between metaphor and the "qualitative". I emphasise that the Cartesian legacy and its implicit ideal of a "mirroring" relationship between the world and the mind is the main obstacle to be eventually overcome if we are to work out a satisfactory account of the language of science and that suggestions from pragmatism as well as from French epistemology may be used in order to work out a post-Cartesian view of science. -/- . (shrink)

Are corporations and other complex groups ever morally responsible in ways that do not reduce to the moral responsibility of their members? Christian List, Phillip Pettit, Kendy Hess, and David Copp have recently defended the idea that they can be. For them, complex groups (sometimes called collectives) can be irreducibly morally responsible because they satisfy the conditions for morally responsible agency; and this view is made more plausible by the claim (made by Theiner) that collectives can have minds. In this (...) paper I give a new argument against the idea that collectives can be irreducibly morally responsible in the ways that individuals can be. Drawing on recent work in the philosophy of mind (what Uriah Kriegel calls "the phenomenal intentionality research program") and moral theory (David Shoemaker's tripartite theory of moral responsibility), I argue that for something to have a mind, it must be phenomenally conscious, and that the fact that collectives lack phenomenal consciousness implies that they are incapable of accountability, an important form of moral responsibility. (shrink)

This essay examines Descartes’s impact on medical faculties in the German Reformed context, focusing on the case of the Marburg physician Johann Jakob Waldschmidt (1644–89). It first surveys the wider backdrop of Descartes-reception in German universities, and highlights its generally conciliatory character. Waldschmidt appears as a counterpoint to this tendency. The essay then situates Waldschmidt’s work in the context of confessional politics at the University of Marburg, and specifically of the heightened controversy in Hesse around the teaching of Descartes (...) in the last years of Waldschmidt’s life. The second half of the essay details Waldschmidt’s ambitious program to reform medicine along Cartesian lines, in physiology, pathology, and therapy, and evaluates its merits and limits. (shrink)

The discovery of the role of models in science by Granger parallels the analogous discovery made by Mary Hesse and Marx Wartofsky. The role models are granted highlights the linguistic dimension of science, resulting in a 'softening' of Bachelard's rationalistic epistemology without lapsing into relativism. A 'linguistic' theory of metaphor, as contrasted with Bachelard's 'psychological' theory, is basic to Granger's account of models. A final paragraph discusses to what extent Granger's 'mature' theory of models would imply a revision of (...) his early economic methodology. (shrink)

It is common to ascribe agency to some organized collectives, such as corporations, courts, and states, and to treat them as loci of responsibility, over and above their individual members. But since responsibility is often assumed to require free will, should we also think that group agents have free will? Surprisingly, the literature contains very few in-depth discussions of this question. The most extensive defence of corporate free will that I am aware of (Hess [2014], “The Free Will of Corporations (...) (and Other Collectives)”, Philosophical Studies 168 (1): 241–260) rests on a compatibilist understanding which takes reasons-responsiveness and acting from one’s own ‘actional springs’ as key conditions for free will but says little about a condition that free-will libertarians emphasize: the possibility of doing otherwise. In this paper, I will argue that group agents can have free will not only in a (less demanding) compatibilist sense, but also in a recognizably libertarian sense, which includes the possibility of doing otherwise. In developing this account of corporate free will, I will bring together recent work on group agency and recent work on free will. (shrink)

Since the publication of Donald Davidson's essay “What Metaphors Mean” (1978) – in which he famously asserts that metaphor has no meaning – the views expressed in it have mostly met with criticism: prominently from Mary Hesse and Max Black. This article attempts to explain Davidson's surprise-move regarding metaphor by relating it to elements in the rest of his work in semantics, such as the principle of compositionality, radical interpretation and the principle of charity. I conclude that Davidson's views (...) on metaphor are not only consistent with his semantic theory generally, but that his semantics also depend on these insights. Eventually, the debate regarding Davidson's views on metaphor should be conducted on the level of his views on the nature of semantics, the relationship between language and the world and the possibility that there is some thing like conceptual schemes. S. Afr. J. Philos. Vol.20(4) 2001: 55-72. (shrink)

In this work, I discuss the role of Husserl’s phenomenology in Paolo Parrini’s philosophical view. In the first section, I highlight the presence of both empiricist and constructivist elements in Parrini’s anti-foundationalist and anti-absolutist conception of knowledge. In the second section, I stress Parrini’s acknowledgement of the crucial role of phenomenology in investigating the empirical basis of knowledge, thanks to its analysis of the relationship between form and matter of cognition. In the third section, I point at some lines of (...) development of phenomenology that are revealed by Parrini’s reflection, through the comparison between Husserl’s genetic phenomenology, Mary Hesse’s network model, and the tradition of neutral monism. (shrink)

Recent work by Ian Aitken and others has sought to re-establish a "Realist approach" to the documentary film in reaction to the postmodernist, pragmatist approach popular in the 1970s and 80s. The Saussurian/Lacanian orientation o f the semiotics that played a large role in the older film theory is rejected and replaced by an analytic theory of representation based on the work of Mary Hesse, Hilary Putnam and W.V.O. Quine. Although this may seem a setback vis-a-vis semiotics, it actually (...) opens up Realist Film Theory to an application o f the doctrine of signs more closely aligned to traditional realism, that of Pierce and Poinsot. This presentation outlines how Realist Film Theory can be enriched and developed by such an application. In particular, Aitken's model for the processing of the truth-value communicated through a documentary film can be strengthened in this manner. We will look at a short filmic example to illustrate the resulting development of the theory, manifesting how the documentary film is anchored in both reliablyrepresenting reality and creatively organizing and construing it. (shrink)

Compelling evidence is presented that Glauber worked as a laborator (laboratory assistant) for Landgrave Georg of Hesse-Darmstadt from 1632/33 till he was appointed apothecary in Giessen in 1635. During this time, he was also used as laborator by the landgrave’s personal physician, Helwig Dieterich. Glauber became a famous chemist, whose alchemical secrets were keenly solicited by King Frederik III of Denmark, Queen Christina of Sweden, and, according to the 1662 diary of Ole Borch, King Charles II of England. A (...) 1689 letter to Queen Christina contains detailed descriptions of Glauber’s alkahest, his decomposition and redintegration of saltpeter, and his ‘most secret sal armoniacum’, which is interpreted here for the first time. (shrink)

In the diverse but related essays collected in Values and Evaluations, Julius Kovesi's central concerns are the nature of ideological thinking and the rational core of morality. «It is characteristic of ideological beliefs that their truth is upheld independent of the arguments for them,» he contends. He examines ideological tendencies in the Marxist tradition, in attempts to demythologize Christianity, and in modern British ethical theory. In ethics, he continues the attack on the fact/value dichotomy he began in Moral Notions, a (...) dichotomy he thinks has ideological sources. In theology, he argues that demythologizing is really a form of «remythologizing.» A long study of Moses Hess's essay On the Essence of Money is used to illuminate the early thought of Marx. (shrink)

This is my Cambridge PhD thesis, written under the supervision of Hugh Mellor and Richard Healey, and examined by Mary Hesse and Simon Blackburn. It addresses what it takes to be the core of the problem of single case probability, namely, the interpretation of claims such as ‘It is probable that P’ (where the probabilistic component occurs as a sentential or propositional operator). I argue that claims of this form are not genuinely truth-apt, and that such operators modify the (...) force, rather than the sense, of sentences or propositions to which they attach. In contemporary terms, I thus defend a version of what Yalcin (2012) has called ‘credal expressivism’. Some of the core arguments were later published in the following papers: (i) ‘Does “Probably” modify sense?’, Australasian Journal of Philosophy 61(1983), 396–408 and (ii) 'Mellor, chance and the single case', British Journal for the Philosophy of Science 35(1984), 11-23. Other arguments, including an attempt at the Frege-Geach problem, form the basis of an unpublished piece 'The use of force in a theory of meaning' (1983), accessible at PhilPapers. (shrink)

This paper provides arguments for and against M.Lotman’s (2002) contention that Y.Lotman’s seminal concept of semiosphere is of post-modernist (post-structuralist; Posner 2011) orientation. A comparative reading of the definitional components of the semiosphere, their hierarchical relationship and their interactions is undertaken against the two principal axes of space and subjectivity in the light of Kantian transcendental idealism, as inaugural and authoritative figure of modernity, the Foucauldian discursive turn and the Deleuzian (post) radical empiricism (sic), as representative authors of the highly (...) versatile post-modernvernacular. This comparative reading aims at highlighting not only similarities and differences between the Lotmanian conceptualization of the semiosphere and the concerned modernist and postmodernist authors, but the construct’s operational relevance in a post-metanarratives cultural predicament that has been coupled with the so-called spatial turn in cultural studies (Hess- Luttich 2012). (shrink)

Arthur C. Danto, philosopher and art critic for The Nation from 1984-2009, offered interpretations of artworks by a wide array of artists, including Eva Hesse, Judy Chicago, and Cindy Sherman, whose "disturbatory" works were either ignored or denounced by mainstream critics at the time. Danto's championing of feminist art was deliberate and delightful; he openly endorsed the Guerilla Girls! His feminist art critical writings ultimately shaped the early development of what has come to be known as "feminist aesthetics" particularly (...) his focus on defiant artworks by female artists who sought to reclaim agency and expression of the female body. He revived interest in the neglected topic of beauty while simultaneously advancing radical political goals within the artworld. His call to arms urged art viewers to experience the new--what he often called "art on the edge and over"--wherein, "The experience of art becomes a moral adventure rather than merely an aesthetic interlude" (in Art on the Edge and Over: Searching for Art's Meaning in Contemporary Society 1970s-1990s, 1996). (shrink)

I start with a reconstruction of the discussion on the nature of scientific models and on their relationship to metaphors that has taken place in the Anglo-Saxon philosophy of Science starting from the Fifties; the discovery started with Stephen Pepper and Kenneth Burke, reaching Thomas Kuhn, Marx Wartofsky, and George Lakoff via Max Black's and Mary Hesse's interaction view. I argue that Hesse's view has a number of weak points: uncritically accepting Black's idea of "interaction", for keeping too (...) much of a logical empiricist view of observation language, and for keeping too much of a Scholastic distinction between formal and material analogy. I argue that a few insights from Kuhn and Wartofsky seem to go in the same direction as Granger's view of metaphor as opposed to metonymy, thus severing the link between metaphor and the "qualitative". I argue that the Cartesian legacy and its implicit ideal of a "mirroring" relationship between the world and the mind is the main obstacle to be eventually overcome if we are to work out a satisfactory account of the language of science and that suggestions from pragmatism as well as from French epistemology may be used in order to work out a post-Cartesian view of science. -/- . (shrink)

The quantum-dynamic theory of musical forms redefines music as an ontological and noematic phenomenon, extending beyond its traditional auditory interpretation. This theory proposes that music represents the acoustic expression of thought vibrations, where each melody and harmony serves as a direct manifestation of universal noetic structures. Tonal forms are conceptualized as carriers of metaphysical and philosophical truths, bridging the gap between human discursiveness and the divine. Through specific examples, such as Bach's Toccata and Fugue in D Minor and Beethoven's Pastoral (...) Symphony, the theory illustrates how music encapsulates theological and philosophical principles, such as the theology of creation and Schelling's philosophy of nature. The theory emphasizes music's infinite hermeneutic potential, positioning it as a medium for translating noematic content into discursive narratives. It regards composers as intermediaries who channel noetic inspiration into audible forms, rendering music a divine and ontological artifact. Drawing parallels with Hermann Hesse's The Glass Bead Game, the theory frames music as a central element of universal synthesis, capable of connecting art, science, and philosophy. Ultimately, music is viewed as an aesthetic-ontological phenomenon that transcends the category of meaning, revealing the sanctity and preciousness of existence. This theory not only deepens our understanding of music but also illuminates the fundamental essence of the universe, offering a framework for exploring the translation of noematic content into tonal forms. (shrink)

Throughout Herman Hesse's "Demian," the strategic use of verbal irony is a powerful tool to shed light on Sinclair's arduous journey in navigating his immaturity and eventual growth. Sinclair's initial hesitancy to confront his callowness is evident as he cautiously explores his evolving sense of self through interactions with friends and family. He often cloaks his true feelings in indirect speech, avoiding confrontations with the consequences of his immaturity. As Sinclair matures, he finds himself straddling the delicate balance between (...) the security of his familial cocoon and the intimidating outside world. He grapples with the fear that speaking his unfiltered thoughts and facing the repercussions might jeopardize the comfort of his closest relationships, guiding him on his path. Despite his awareness of the existential loneliness and isolation that awaits him beyond these relationships, he yearns for personal growth, even if it entails enduring solitude and pain. The use of verbal irony plays a pivotal role in illuminating the gradual transformation Sinclair undergoes as he shifts from callousness to a budding acceptance of his existential reality, ultimately coming to terms with his true self. This transformation is evident in moments such as when Demian chastises him for attempting to offer money to Kromer, when he grapples with the guilt of hurting Pistorius, and when his father confronts him during his time at the boarding school. (shrink)

This research paper aims to study analogy as a comparative thinking and to investigate whether it is justified in claiming that an analogical thought has cognitive content. Two theories in cognitive science claim that analogy has cognitive content. The first one is called the weak view of analogy in cognition, e.g. the works of Gust et al. (2008), Lakoff & Johnson (1980), Hesse (1950), Black (1955); and the second one is called the strong view of analogy in cognition, e.g. (...) the works of Hofstadter (2001), Hofstadter& Sanders (2013). According to the weak view, analogical thought is only a necessary condition of cognition. But for the strong view, analogy is both necessary and sufficient of cognition. Regardless of the differences, both theories are not justified in claiming analogical content. While the weak view cannot provide an account of the perceptual aspect of content, the strong view suffers from the lack of normative constraint for analogical content. -/- Keywords: analogy, comparative thinking, concept, cognitive content, philosophy of cognitive science . (shrink)

I analyse three most interesting and extensive approaches to theoretical models: classical ones—proposed by Peter Achinstein and Michael Redhead, and the rela-tively rareanalysed approach of Ryszard Wójcicki, belonging to a later phase of his research where he gave up applyingthe conceptual apparatus of logical semantics. I take into consideration the approaches to theoretical models in which they are qualified as models representing the reality. That is why I omit Max Black’s and Mary Hesse’s concepts of such models, as those (...) two concepts belong to the analogue model group if we consider the main function of the model of a given class as its classification criterion. My main focus is on theoretical models with representative functions as these very models and, in a broader context, the question of representation. (shrink)

Truths will be defined as an agreement on uncertainties, the consensus over matters of empirical and social nature such as mathematics, physics or economics. As illustrated by Dennis Lindley , ‘individuals tend to know things to be true and false but the extent of this truth and falsity would always remain unknown’. Leading individuals to a permanent state of stress, uncertainty becomes a risk for the social community. Problems could not be presumed to be solvable as any kind of solution (...) would be perceived as uncertain. The struggle for solutions would develop into a state of insecurity and conflict where no individual could trust the answers given by any other member of the community. To prevent a ‘war of all against all’ that would cause anxiety and permanent conflict, it will become an essential duty for the social community to diminish uncertainty by imposing truths. With those, individuals can be reassured about the certainty of their knowledge and use truths as a resolution tool for any dispute that might occur within the social space. For the purpose of social peace, truths will therefore be every outcome of the process through which uncertainty is transformed into an agreed form of knowledge. “Gravity”, “Death” and “God” will all be considered truths as they represent a form of agreement over different domains of the human and social life. It is not the intention of this essay to examine each of the truths separately but rather, to analyse them all together in order to formulate a hypothesis for all empirical and social matters. (shrink)