In this article, I argue that Kierkegaard’s interpretation of Socrates’ daimonion in The Concept of Irony should be read in light of his notion of the demonic in The Concept of Anxiety, and vice ve...

This paper examines the seemingly unlikely rapport between the ‘Christian existentialist’, radically Protestant thinker, Søren Kierkegaard and French classicist and historian of philosophy, Pierre Hadot, famous for advocating a return to the ancient pagan sense of philosophy as a way of life. Despite decisive differences we stress in our concluding remarks, we argue that the conception of philosophy in Hadot as a way of life shares decisive features with Kierkegaard’s understanding of the true ‘religious’ life: as something demanding existential engagement (...) from its proponent, as well as the learning or recitation of accepted doctrines. The mediating figure between the two authors, the paper agrees with Irina, is Socrates and his famous irony. In order to appreciate Kierkegaard’s rapport with Hadot, then we first of all consider Hadot’s treatment of the enigmatic ‘old wise man’ who remains central to Kierkegaard’s entire authorship. However, to highlight Hadot’s Socratic proximity to Kierkegaard, we set up Hadot’s Socrates against the contrasting portrait readers can find in John M. Cooper’s recent work on Socrates and philosophy as a way of life. Part II of the essay turns back from Hadot’s and Kierkegaard’s Socrates towards Hadot’s own work, and argues—again moving beyond both Gregor and Irina’s works on Hadot and Kierkegaard—that the shape of Hadot’s ‘authorship’, including his remarkably classical style, can be understood by way of Kierkegaard’s notion of indirect communication. In our concluding remarks, in the spirit of Kierkegaard, we pinpoint the fundamental difference between the two thinkers, arguing that for Hadot in contrast to Kierkegaard, a stress on existential commitment in no way speaks against the philosophical defence of a form of rational universalism. Reading Hadot via Kierkegaard allows us to appreciate Hadot’s novelty as attempting to ‘squaring the circle’ between an emphasis on subjectivity and, as it were, the subjective dimensions of philosophers’ pursuit of rational universality. (shrink)

Kierkegaard in Fear and Trembling presents a reductio ad absurdum regarding the time-spans subject to moral evaluation. The text's classic dilemma depends on assuming that we only evaluate discrete, contextless instants. The pseudonymous author constantly seeks the single instant or moral “photograph” that indicates Abraham's status. Doing so, however, extracts scripture's moral legislation out from narrative, resulting in theological paralysis and thereby requiring an alternative temporal vocabulary for evaluating Abraham. Fear and Trembling contains an under-explored alternative that sets Abraham within (...) the covenantal narrative's temporality. The paper explores the consequences of shifting from evaluating instants to evaluating narrative durations, showing that while Genesis 22 remains a challenging episode, it also offers a model of imaginative faith, fidelity to promises, and hope in the face of trauma that focusing on moral instants overlooks. (shrink)

The article shows the "Appendix" to Søren Kierkegaard's "Philosophical Fragments" to be a response to Ludwig Feuerbach's critique of Christianity. While previous studies have detected some influence by Feuerbach on Kierkegaard, they have so far discovered little in the way of specific responses to Feuerbach's ideas in Kierkegaard's published works. The article first makes the historical argument that Kierkegaard was very likely reading Feuerbach's "Essence of Christianity" while he was writing "Philosophical Fragments", as several of Kierkegaard's journal entries from that (...) period discuss Feuerbach in relation to central ideas in "Fragments". The article then shows how Kierkegaard's pseudonym Johannes Climacus inverts Feuerbach's projection theory, turning it against critics like Feuerbach. At the heart of Feuerbach's critique of Christianity is the claim that religion is a conceptual illusion, whereby the individual projects his or her personal limits onto the species and then projects the unlimited onto a supposed divine being. Furthermore, Feuerbach sees Christianity as rife with absurdities that tell against its reasonableness. In exploring a hypothetical transcendent avenue toward the truth, Climacus inverts both of these philosophical moves. He argues that on the transcendent hypothesis, the immanentist critic is himself a victim of an "acoustical illusion": the absolute paradox of the appearance of the god in time is in fact not judged by, but rather judges, the critic as absurd. In inverting and not repudiating Feuerbach's critique, Climacus reveals the critic as a Socratic figure who displays the heights—and ultimately, the limits—of secular philosophy's capabilities. (shrink)

Though there are significant points of overlap between Michelle Kosch's reading of Fear and Trembling and my own, this paper focuses primarily on a significant difference: the legitimacy or otherwise of looking to paradigmatic exemplars of faith in order to understand faith. I argue that Kosch's reading threatens to underplay the importance of exemplarity in Kierkegaard's thought, and that there is good reason to resist her use of Philosophical Fragments as the key to interpreting the 'hidden message' of Fear and (...) Trembling. Key to both claims is the Concluding Unscientific Postscript. I also briefly sketch an alternative reading of the 'hidden message', one in which Kierkegaard's Christian commitments play a notably different role. (shrink)

Resumo: Em 1835, Kierkegaard escrevia que “o que de fato falta para mim é encontrar uma verdade que seja uma verdade para mim, encontrar a ideia pela qual eu viverei e morrerei”. Ora, mais de 50 anos antes Rousseau escrevera que “[s]ua filosofia [a dos filósofos sistemáticos] é para os outros; ser-me-ia necessária uma para mim”. O curioso, porém, é que Kierkegaard desenvolveria sua produção independentemente da de Rousseau, com a qual ele viria a ter contato apenas por volta de (...) 1850, quando a maior parte de seus escritos já havia sido produzida e publicada. Assim, diante de tais coincidências, proponho uma confrontação entre alguns dos principais conceitos existenciais presentes nas obras desses pensadores, com o que pretendo não apenas iluminar os laços existentes entre suas obras, como também reavaliar o papel de proeminência de Rousseau em termos do desenvolvimento da chamada filosofia da existência. Palavras-chave: existência; indivíduo; subjetividade; consciência; sistema; filosofia da existência. (shrink)