Reflectance and spectral power functions are poor predictors of color experiences. Only in completely relativized conditions (single observer, non-metameric set of stimuli, and single set of viewing conditions) is the relationship close. Variation in reflectance of Munsell chips experienced by color-normal observers as having a unique green hue encompasses approximately sixty percent of the complete range of hues falling under the category “green”; and in recent determinations of unique hues, ranges of yellow and green as well as green and blue (...) unique hues overlap. (shrink)

What makes it the case that we draw the boundary between “blue” and “green” where we draw it? Do we draw this boundary where we draw it because our perceptual system is biologically determined in this way? Or is it culture and language that guide the way we categorize colors? These two possible answers have shaped the historical discussion opposing so-called universalists to relativists. Yet, the most recent theoretical developments on color categorization reveal the limits of such a polarization.

For over a century, the question of the relation of language to thought has been extensively discussed in the case of color categorization, where two main views prevail. The relativist view claims that color categories are relative while the universalistic view argues that color categories are universal. Relativists also argue that color categories are linguistically determined, and universalists that they are perceptually determined. Recently, the argument for the perceptual determination of color categorization has been undermined, and the relativist view has (...) regained some ground. This paper argues that although the universalistic account of color categorization has been called into question, this is not enough to establish relativism. Color categories can still be said to be universal or particular, independent of the accounts of their universality or relativity. Because of its polarization, the debate has disregarded some issues that are key in our understanding of color categorization: the question of what a color category is and how to identify it. (shrink)

For over a century, the question of the relation of language to thought has been extensively discussed in the case of color categorization, where two main views prevail. The relativist view claims that color categories are relative while the universalistic view argues that color categories are universal. Relativists also argue that color categories are linguistically determined, and universalists that they are perceptually determined. Recently, the argument for the perceptual determination of color categorization has been undermined, and the relativist view has (...) regained some ground. This paper argues that although the universalistic account of color categorization has been called into question, this is not enough to establish relativism. Color categories can still be said to be universal or particular, independent of the accounts of their universality or relativity. Because of its polarization, the debate has disregarded some issues that are key in our understanding of color categorization: the question of what a color category is and how to identify it. (shrink)

We make three points. First, the concept of productance value that the authors propose in their defense of color physicalism fails to do the work for which it is intended. Second, the authors fail to offer an adequate physicalist account of what they call the hue-magnitudes. Third, their answer to the problem of individual differences faces serious difficulties.

Those who identify colours with physical properties need to say how the content of colour experiences relate to their favoured identifications. This is because it is not plausible to hold that colour experiences represent things as having the physical properties in question. I sketch how physical realists about colour might tackle this item of unfinished business.

B&H understate the difficulties facing their version of color realism. We doubt that they can fix reflectance types and magnitudes in a way that does not invoke relations to perceivers. B&HÂ’s account therefore resembles the dispositional or ecological accounts that they dismiss. This is a good thing, for a dispositional account is promising if understood in an ecological framework.

Because our only access to color qualities is through their appearance, Byrne & Hilbert's insistence on a strict distinction between apparent colors and real colors leaves them without a principled way of determining when, if ever, we see colors as they really are.

There are 2,000 hair cells in the cochlea, but only three cones in the retina. This disparity can be understood in terms of the differences between the physical characteristics of the auditory signal (discrete excitations and resonances requiring many narrowly tuned receptors) and those of the visual signal (smooth daylight excitations and reflectances requiring only a few broadly tuned receptors). We argue that this match supports the physicalism of color and timbre.

Metamerism is a rather common feature of objects. The authors see it as problematic because they are concerned with a special case: metamerism in standard conditions. Such metamerism does not, however, pose a problem for color realists. There is an apparent problem in cases of metameric light sources, but to see such metamers as problematic is to fail to answer Berkeley's challenge.

Summary Since at least the time of Helmholtz, the process of visual perception has been regarded as a two-stage affair consisting of an initial sensory stage corresponding to the proximal stimulus and a subsequent cognitive stage corresponding to the distal object. This construction amounts to an awkward mind body dualism wherein part of perception is done by the body and the other part is done by the mind. Gestalt theory rejected both raw sensations and their cognitive interpretation, offering a single (...) unified perceptual process that responds to an extended pattern of stimulation. They proposed organizational rules that describe how objects arise from the indifferent retinal mosaic. The same grouping principles by which objects are segmented also function to segregate regions of uniform illumination. Lightness values can then be computed by comparing luminance values within each such framework of illumination, with no need for the mystical concept of taking the illumination into account. (shrink)

In two experiments, we examined the impact of color on cognitive performance by asking participants to categorize stimuli presented in three different colors: red, green, and gray (baseline). Participants were either asked to categorize the meaning of words as related to the concepts of “go” or “stop” (Experiment 1) or to indicate if a neutral verbal stimulus was a word or not (lexical decision task, Experiment 2). Overall, we observed performance facilitation in response to go stimuli presented in green (vs. (...) red or gray) and performance inhibition in response to go stimuli presented in red. The opposite pattern was observed for stop‐related stimuli. Importantly, results also indicated that color might also be used to categorize neutral stimuli. Overall, these findings provide support to the green‐go and red‐stop color associations and test the potential functional autonomy acquired by these colors and the boundary conditions to their effects on stimuli categorization. (shrink)

Byrne & Hilbert's thesis, that color be associated with reflectance-type, is questioned on the grounds that it is far from clear that the human visual system is able to determine a surface's reflectance-type with sufficient accuracy. In addition, a (friendly) suggestion is made as to how to amend the definition of reflectance-type in terms of CIE (Commission Internationale de l'Eclairage) coordinates under a canonical illuminant.

Byrne & Hilbert defend color realism, which assumes that: (a) colors are properties of objects; (b) these objects are physical; hence, (c) colors are physical properties. I accept (a), agree that in a certain sense (b) can be defended, but reject (c). Colors are properties of perceptual objects – which also have underlying physical properties – but they are not physical properties.

The problem of nonreflectors perceived as colored is the central problem for Byrne & Hilbert's (B&H's) physicalism. Vision scientists and other interested parties need to consider the motivation for their account of “productance physicalism.” Is B&H's theory motivated by scientific concerns or by philosophical interests intended to preserve a physicalist account of color as a posteriori necessary?

Since the publication of Brent Berlin and Paul Kay's Basic color terms in 1969 there has been continuing debate as to whether or not there are linguistic universals in the restricted domain of color naming. In this paper I am primarily concerned with the attempt to explain the existence of basic color terms in languages. That project utilizes psychological and ultimately physiological generalizations in the explanation of linguistic regularities. The main problem with this strategy is that it cannot account for (...) a particular subset of basic color words: words that the Berlin-Kay tradition calls “composite”. The existence of such words does not compromise the claim that there are basic color words. It does suggest that such words—and basic terms in general—require a more complex type of explanatory strategy than much contemporary work on color naming supposes. It is my main contention that the central problems with the Berlin-Kay tradition arise from the difficulty of linking conceptually and empirically disparate domains: linguistic, psychological, physiological. What is needed is not an attempt to reduce color naming to biology or to culture but, rather, an adequate conceptual account of how people may come to have and use basic color terms—an account which stands between the biological and the cultural. (shrink)

Reflectance physicalism only provides a partial picture of the ontology of color. Byrne & Hilbert’ account is unsatisfactory because the replacement of reflectance functions by productance functions is ad hoc, unclear, and only leads to new problems. Furthermore, the effects of color contrast and differences in illumination are not really taken seriously: Too many “real” colors are tacitly dismissed as illusory, and this for arbitrary reasons. We claim that there cannot be an all-embracing ontology for color.

This phenomenological research investigates how it is possible to determine the extent to which a chromatic colour appears white and black in order to use it to build a new Colour Rendering Index. We tested two methods of subjective evaluation; in the first, the perceptual presence of white (and black) in a colour alone was assessed on a unipolar intensity scale, independently for the two attributes. In the second method, evaluations of whiteness (and blackness) were conducted for colours presented in (...) a sequence ordered from the least to the greatest presence of the respective attribute. In both tests evaluations were made either by moving an arrow on a slider from left (minimum) to right (maximum) or by choosing a grey cylinder that matched the same degree of similarity to white (and black) as the test colour. In four experiments, 16 colours of 4 hues and 4 different shades were studied; in a fifth experiment, 48 colours, 12 for each quadrant of the colour wheel, were studied; finally, in another test, 10 greys were studied. In the first three experiments, the results were unexpected, as the evaluations of whiteness and blackness were complementary, adding up to 100%, while in the current NCS, 100% includes not only the evaluation of white and black but also that of chromaticness, therefore white and black are not complementary. In the fourth and fifth experiments, the sum of the evaluations of white and black was always less than 100%, in accordance with the present NCS. In the last experiment, the evaluations of white and black given independently to the 10 greys samples were complementary, confirming the bipolar nature of white-black continuum. Suggestions have been provided to resolve the discrepancy between the results of this research and the structure of the current NCS. (shrink)

According to a familiar modern view, color and other so-called secondary qualities reside only in consciousness, not in the external physical world. Many have argued that this “Galilean” view is the source of the mind-body problem in its current form. This paper critically examines a radical alternative to the Galilean view, which has recently been defended or sympathetically discussed by several philosophers, a view I call “anti-modernism.” Anti-modernism holds, roughly, that the modern Galilean scientific image is incomplete – in particular, (...) it leaves out certain irreducible qualitative properties, such as colors – and that we can solve (or dissolve) the hard problem of consciousness by accepting these properties as objective features of the external physical world. I argue, first, that anti-modernism cannot fulfill its promise. Even if the outer world is resplendent with primitive colors, color experience remains a mystery. Second, I argue that the theoretical costs of accepting irreducible colors in the world are enormous. Even if irreducible colors in the world could dispel the mysteries surrounding consciousness, the theoretical benefit would not be worth the cost. If the problems of consciousness and color require that we posit irreducible properties somewhere, it would be far more plausible to accept irreducible phenomenal properties on the side of the subject, and to reject irreducible colors on the side of the object. (shrink)

En el presente texto se evalúan las posibilidades conceptuales de una interpretación fisicalista de la conciencia. Con dicho fin se toman en cuenta posiciones representativas en el ámbito de la filosofía, así como investigaciones neurocientíficas recientes. Ambas líneas de investigación suponen el cuestionamiento de los acercamientos de sentido común al tema de la conciencia. No obstante, no suponen una completa eliminación de lo que dicho acercamiento puede representar. En este sentido, se propone una interpretación epistemológica de la perspectiva intuitiva de (...) primera persona en relación con la perspectiva científica de tercera persona. (shrink)

The colors we perceive are the outcome of an attempt to meaningfully order the spectral information from the environment. These colors are not the result of a straightforward mapping of a physical property to a sensation, but arise from an interaction between our environment and our visual system. Thus, although one may infer from a surface’ reflectance characteristics that it will be perceived as “colored,” true colors only arise by virtue of the interaction of the reflected light with the eye (...) (and brain) of an observer. (shrink)

Perceptual Confidence is the thesis that perceptual experiences can be probabilistic. This thesis has been defended and criticised based on a variety of phenomenological, epistemological, and explanatory arguments. One gap in these arguments is that they neglect the question of whether perceptual experiences satisfy the formal conditions that define the notion of probability to which Perceptual Confidence is committed. Here, we focus on this underexplored question and argue that perceptual experiences do not satisfy such conditions. But if they do not, (...) then ascriptions of perceptual confidence are undefined; and so, Perceptual Confidence cannot be true. (shrink)

In many cases of variation in color vision, there is no non-arbitrary way of choosing between variants. Byrne and Hilbert insist that there is an unknown standard for choosing, while eliminativists claim that all the variants are erroneous. A better response relativizes colors to perceivers, thereby providing a color realism that avoids the need to choose between variants.

Primary quality theories of color claim that colors are intrinsic, objective, mind-independent properties of external objects — that colors, like size and shape, are examples of the sort of properties moderns such as Boyle and Locke called primary qualities of body.¹ Primary quality theories have long been seen as one of the main philosophical options for understanding the nature of color.

Can psychology explain the qualitative content of experience? A persistent philosophical objection to that discipline is that it cannot. Qualitative states or 'qualia' are argued to have characteristics which cannot be explained in terms of their relationships to other psychological states, stimuli, and behavior. Since psychology is confined to descriptions of such relationships, it seems that psychology cannot explain qualia. A paradigm case of qualia is provided by simultaneous color contrast effects, in which a neutral grey patch is made to (...) look reddish by being enclosed in a green surround. If the qualia based objections are sound, psychology ought not to be able to explain simultaneous color contrast; but psychology at least seems to be able quite successfully to explain those effects. This paper analyzes the logic of psychological explanations of simultaneous color contrast effects, and the import of various qualia based objections to those explanations. I argue that the qualia objections do not demonstrate any explanatory inadequacy in existing psychological explanations of 'looks'. Psychology succeeds in explaining at least some qualia. In a more positive vein, I argue that once the structure of such explanations is sufficiently understood, a place can be found for qualia within the emerging scientific account of color perception. The resulting account can deal with many of the traditional perplexities over qualia. (shrink)

We argue that any theory of color physicalism must include consideration of ecological interactions. Ecological and sensorimotor contingencies resulting from relative surface motion and observer motion give rise to measurable effects on the spectrum of light reflecting from surfaces. These contingencies define invariant manifolds in a sensory-spatial space, which is the physical underpinning of all subjective color experiences.

Drawing on the findings of neuroscience, this text proposes and defends the hypothesis that the various modalities of sensation share a generic form that the author, Austen Clark, calls feature-placing.

The target article is an attempt to make some progress on the problem of color realism. Are objects colored? And what is the nature of the color properties? We defend the view that physical objects (for instance, tomatoes, radishes, and rubies) are colored, and that colors are physical properties, specifically types of reflectance. This is probably a minority opinion, at least among color scientists. Textbooks frequently claim that physical objects are not colored, and that the colors are "subjective" or "in (...) the mind." The article has two other purposes: first, to introduce an interdisciplinary audience to some distinctively philosophical tools that are useful in tackling the problem of color realism and, second, to clarify the various positions and central arguments in the debate. (shrink)

Where are we to look for the unique hues? Out in the world? In the eye? In more central processing? 1. There are difficulties looking for the structure of the unique hues in simple combinations of cone-response functions like ( L − M ) and ( S − ( L + M )): such functions may fit pretty well the early physiological processing, but they don’t correspond to the structure of unique hues. It may seem more promising to look to, (...) e.g., Hurvich & Jameson’s ‘chromatic response functions’; but these report on psychophysical behaviour, not on underlying physiology. So ‘opponent processing’ isn’t any particular help on the unique hues—and even physiology in general seems not to have come up with any good correlate or explanation. 2. Wright ( Review of Philosophy and Psychology 2: 1–17, 2011 ) looks in a different place: to (a) magnitude of total visual response that a stimulus light provokes, the maxima and minima of which, he thinks, give us the boundaries of the main hue categories (Wright connects these with Thornton’s ‘prime’ and ‘antiprime’ colours in an illuminant: Journal of the Optical Society of America 61 ( 1971 ): 1155–1163); and (b) the ratio of chromatic to achromatic response, the maxima and minima of which, he suggests, give us the focal points of the unique hues. The suggestions are extremely interesting; but the desired correspondences have some counterexamples; and where they hold, one could wonder how much they depend upon the particular choice of functions to measure (a) and (b); and one could hope for more of an explanatory linkage between the sets of items in question. 3. Could the unique hues come from, so to speak, the external world? White and black can easily be defined as particular kinds of reflectance. What of the standard four unique hues? Variation in kinds of sunlight and skylight coincides well with variation along a line from unique yellow to unique blue (cf. Shepard 1992 , Mollon 2006 ). If we wanted something to calibrate our standards for unique yellow and blue as the lens of the eye changes with age, and despite interpersonal cone differences, this would be a good basis—and there are several ways this can be extended to surface colours. But is there any essential connection between these things: is there any rationale why the light of the sun and the sky should be counted as unique hued ? An answer may be: because in our environment, these illuminants are as close to white (or the natural illuminant colour) as you can get—to see things tinged with sunlight or skylight should be to see them minimally tinged with any alien colour. Whereas other hues in an illuminant would be treated as tinging with a more alien colour the thing seen. (shrink)

Byrne & Hilbert (B&H) assert that reflectances embody the reality of color, but metamerism smears the authors' “real” color categories into uselessness. B&H ignore this problem, possibly because they implicitly adopt a sort of subjectivism, whereby an object is defined by the percepts (or more generally by the measurements) it engenders. Subjectivism is unwieldy, and hence prone to such troubles.

We consider several puzzles of bounded rationality. These include the Allais- and Ellsberg paradox, the disjunction effect, and related puzzles. We argue that the present account of quantum cognition—taking quantum probabilities rather than classical probabilities—can give a more systematic description of these puzzles than the alternate treatments in the traditional frameworks of bounded rationality. Unfortunately, the quantum probabilistic treatment does not always provide a deeper understanding and a true explanation of these puzzles. One reason is that quantum approaches introduce additional (...) parameters which possibly can be fitted to empirical data but which do not necessarily explain them. Hence, the phenomenological research has to be augmented by responding to deeper foundational issues. In this article, we make the general distinction between foundational and phenomenological research programs, explaining the foundational issue of quantum cognition from the perspective of operational realism. This framework is motivated by assuming partial Boolean algebras. They are combined into a uniform system via a mechanism preventing the simultaneous realization of perspectives. Gleason’s theorem then automatically leads to a distinction between probabilities that are defined by pure states and probabilities arising from the statistical mixture of pure states. This formal distinction relates to the conceptual distinction between risk and ignorance. Another outcome identifies quantum aspects in dynamic macro-systems using the framework of symbolic dynamics. Finally, we discuss several ideas that are useful for justifying complementarity in cognitive systems. (shrink)

The considerable agreement across languages in the way they categorize the color domain, despite independent historical development, demands an explanation. One option is to postulate a universal innate representation of the color categories, 'hardwired' into each observer's brain. An alternative is that observers internalize their color categories through a process of cultural transmission, constrained by some kind of 'optimality hypothesis' to account for the cross-language agreement. A number of optimality hypotheses are reviewed. It is tempting to believe that the vivid (...) experiential quality of the categories can only be explained if they are determined by innate representations rather than by linguistic imprinting. However, linguistic transmission of color categories – perturbed from their optimal boundaries by special circumstances – fits best with the experience of dichromats. Even for the 'primary hue' categories, where the case for innate representations should be strongest, the evidence is far from convincing. (shrink)