Despite his well-known criticisms of popular religion, Hume refers in seemingly complimentary terms to ‘true religion’; in Dialogues Concerning Natural Religion, his character Philo goes so far as to express ‘veneration for’ it. This paper addresses three questions. First, did Hume himself really approve of something that he called ‘true religion’? Second, what did he mean by calling it ‘true’? Third, what did he take it to be? By appeal to some of his key doctrines about causation and probability, and (...) to some key features of the characters and content of the Dialogues, I argue, contrary to important recent interpretations by Immerwahr and Falkenstein, that Hume's ‘true religion’ is a doctrine, enunciated by Philo, that he regarded as true in an epistemic sense. (shrink)

I argue that Hume's naturalistic explanation of religious belief in the Natural History of Religion has significant epistemic consequences. While he argues in the Dialogues Concerning Natural Religion (and in other works) that belief in God is not justified on the basis of testimony or philosophical argument, this is not enough to show that religious belief is not warranted. In the Natural History, Hume provides a genetic explanation for religious belief. I contend that the explanation of religious belief in the (...) Natural History, given Hume's conclusions in his other works, provides grounds to reject religious belief. Thus, I conclude that the Natural History plays an important role in Hume's overall critique of religion insofar as it is a necessary component in Hume's arsenal against the warrant of religious belief. (shrink)

Many think that the aim of Hume’s Dialogues is simply to discredit the design argument for the existence of an intelligent designer. We think instead that the Dialogues provides a model of true religion. We argue that, for Hume, the truly religious person: believes that an intelligent designer created and imposed order on the universe; grounds this belief in an irregular argument rooted in a certain kind of experience, for example, in the experience of anatomizing complex natural systems such as (...) the eye; and retains this belief, on the basis of these reasons, even after careful scrutiny. We argue that two of the Dialogues’s characters, Philo and Cleanthes, exhibit true religion. A third character, Demea, exhibits false religion and a persistent impiety. Taken as a whole, we see the Dialogues as an educational performance for the benefit of Pamphilus, Cleanthes’s ward, as well as for the benefit of readers of the Dialogues. Specifically, we think, given that its lessons concern theology and the principles of religion, the dynamics of the Dialogues’s discussion and the interplay between its characters can be seen as a demonstration of a method for becoming truly religious. (shrink)

ABSTRACT Hume’s Dialogues concerning Natural Religion (1779) describes a philosophical discussion on the validity of the argument from design. What Hume investigates, however, is not the rational grounds of religion, but human nature and its attraction to the idea of design. I argue that the key to understanding Hume’s Dialogues is his conception of the imagination as described in the Treatise. Hume characterizes the human imagination or mind as self-indulgent, with a strong drive to unite perceptions in relations of resemblance, (...) contiguity or causality, often adding fictional constructions to create an easy transition between ideas. Natural religion is a prime example, as the whole universe is united in orderly means-to-ends relations and provided with a familiar cause: something resembling the human mind. This reading of the Dialogues, however, does not warrant the conclusion that Hume provides a reductionist natural explanation of natural religion. Knowing human nature helps to understand religion’s attraction and the attraction of religion helps to understand humans, because it is paradigmatic of who we are. To connect perceptions, construct wholes and create meaning out of chaos is an essential feature of human nature, and a source of great pleasure. (shrink)

Hume's thoroughgoing religious scepticism is set within the context of the Scottish Enlightenment. Against some interpreters, it is argued that, although elusive, his ‘attenuated deism’ (Gaskin) is not wholly dismissive of all forms of religious thought and practice. His position is further compared with contemporary expressions of ‘new atheism’. Despite some obvious similarities, Hume's position is judged more nuanced both in terms of content and rhetorical strategy.