I attempt to present a more holistic and more detailed account of Schopenhauer's pessimistic philosophical premises and their implications. The discussion begins with Schopenhauer's claim that the world is representation and with the discovering of the Will. It continues by examining the implications of the Will, which leads to the argument against existence itself.

This chapter is divided into three sections. In the first, I identify the mentions of Schopenhauer in À la recherche du temps perdu. I use an implicit reference to Schopenhauer by Swann to open a discussion of Schopenhauer’s theory of music. I attempt to downplay its identification, suggested by some commentators, with both the views about music expressed in the novel and the form of the novel itself. In the second section, I discuss Proust’s references to Schopenhauer in his essay (...) on reading. I confirm that Proust well understood Schopenhauer’s relationship with his own erudition and suggest that Schopenhauer’s influence on Proust may take the form of an incitement to think for oneself. In the third and final section, I consider several potential points of convergence between Proust and Schopenhauer concerning states of the will. However, in all cases I find, as I do throughout the chapter, that below the surface Proust and Schopenhauer often part ways. (shrink)

This thesis is primarily an attempt at solving some issues in Schopenhauer’s theory of salvation. My aim is to provide ways in which Schopenhauer’s soteriology could work. It is a partially reconstructive project in that I will be bringing to the forefront some of Schopenhauer’s assertions at the expense of others. My aim is to show that we are able to provide a much more cohesive and satisfying reading of Schopenhauer’s philosophical project if we let go of some of the (...) more orthodox assumptions in the Schopenhauer scholarship – chief amoung these being that Schopenhauer is committed to the view that the will constitutes ultimate reality. While this reading is a departure from the vast majority of the traditional readings of Schopenhauer’s philosophy, I believe it has the twin advantages of both aligning Schopenhauer’s thought much closer with the eastern traditions he believes his work is in sympathy with, and ultimately, providing a new platform from which to assess the ‘traditional’ reading of Schopenhauer’s thought as ‘hopelessly pessimistic’. It is my contention that while it remains true that Schopenhauer is very much a pessimist about the world as manifested will, it is the perceived difficulties of his philosophy of salvation that have provided the most significant road block preventing critics from seeing that there are dimensions to Schopenhauer’s thought that cannot so easily be labelled as either pessimistic or optimistic. This thesis is an attempt to shed light on possible new readings of Schopenhauer’s project in light of attempts to resolve issues in his soteriology. I begin with the question – why do we need saving? I attempt to answer this through an analysis of the terms ‘will’, ‘will-to-life’ and ‘affirmation and negation of the will-to-life’. Next, I attempt to argue that the will should not be seen as ultimate reality in Schopenhauer’s system and that this is both closer to the account which Schopenhauer himself was inclining towards later in his writings as well asa necessary sacrifice in order to save Schopenhauer from more problematic inconsistencies. I next attempt to solve inconsistencies in Schopenhauer’s account of personal identity. I argue that there can only be a denial of the will-to-life if there is more to our identity than willing. I will also examine the possibility of a denial of the will-to-life at all. I will be engaging with recent scholarship from Christopher 3 Janaway on the possibility of negating the will-to-life and the implications of this for Schopenhauer’s account of willing. I will then attempt to resolve the on-going debate in the secondary literature concerning Schopenhauer’s ethical pronouncements and his theory of the negation of the will-to-life. I will argue, contrary to Sandra Shapshay and Tristan Ferrell, that it is possible to be one in whom the will has denied itself while remaining one who wills ethically and that this can be the case if we focus our attention on what Schopenhauer may truly mean by a compassionate will to help others. Next, I will be asking why exactly it is good to be one in whom the will has denied itselfand what this means for our understanding of value for the will-less subject. Finally, I will be focusing on Schopenhauer’s pessimism and how a new reading of Schopenhauer’s soteriology means that we can introduce new ways of assessing both the world as well as the place of Schopenhauer’s philosophical system within it. Ultimately, I will conclude that any interpretation of Schopenhauer’s philosophy presents the scholar with a choice and that we are subsequently only able to make new evaluative assessments on Schopenhauer’s philosophy, as well push back against the charge that it is wholly pessimistic, if we choose to accept major revisions to his metaphysics of the will. However, because Schopenhauer himself seemed to be moving towards such revisions, we should not be afraid of doing so either. (shrink)

Preocupados por la salud, queremos examinar en esta puesta en escena el modo de metamorfosis y de liberación que experimentan el genio y el santo, como también el alcance de las mismas. Lo haremos desde la obra fundamental de Schopenhauer El mundo como voluntad y representación. Esta liberación solo puede entenderse como una toma de distancia, precisamente, del teatro del mundo y su rasgo distintivo: el tormentoso sufrimiento. De modo que analizaremos, en un primer momento, cómo está constituido el escenario, (...) es decir, cuáles son las dos caras del teatro, para responder a la pregunta fundamental qué es el mundo. Su posible respuesta nos arroja a considerar su anverso y reverso, la representación y la voluntad; a su vez, nos permite a analizar las caras impresas en ellas respectivamente, a saber, el genio y el santo. Es importante señalar que esta publicación es una lectura e interpretación de El mundo como voluntad y representación en clave teatral. Se trata entonces de una aproximación al pensamiento del filósofo a través de las figuras teatrales del genio y el santo. Lo anterior, le pemitirá al lector comprender la composición y los rasgos constitutivos de la obra del filósofo de Schopenhauer. (shrink)

The article traces Nietzsche’s references to insects in his published and unpublished writings against the backdrop of his study of the entomological research of his time (esp. through his reading of Alfred Espinas’s Die thierischen Gesellschaften). The first part of the article explores how Nietzsche’s entomology allows us to add a posthumanist perspective to the more familiar poststructuralist readings of Nietzsche, as the entomological research he consulted offered him a model for understanding how rudimentary processes can lead to the formation (...) of structures and higher organizations with emergent properties. The second part of the article revisits Nietzsche’s conceptions of the will and the will to power against the backdrop of his references to insect sociality and the influence of Wilhelm Wundt. It shows that Nietzsche’s deconstruction of the will as an umbrella concept and his will to power are attempts to model the emergence of complex edifices from simple operations under which physical, psychological, and social phenomena must be thought to arise. The article concludes with a reflection of the social and political relevance of what Nietzsche identifies as modernity’s “disgregation of the will.”. (shrink)

The relatively late acceptance of Darwinism in German biology and paleontology is frequently attributed to a lingering of Lamarckism, a persisting influence of German idealistic Naturphilosophie and Goethean romanticism. These factors are largely held responsible for the vitalism underlying theories of saltational and orthogenetic evolutionary change that characterize the writings of many German paleontologists during the first half of the 20th century. A prominent exponent of that tradition was Karl Beurlen, who is credited with having been the first German paleontologist (...) to present a full-fledged theory of saltational evolution and orthogenetic change. A review of Beurlen's writings reveals motives and concerns far more complex, however, and firmly rooted in contemporary völkisch thought and Aryan Science. Beurlen's mature theory of evolution can indeed be understood as his own contribution to Aryan Geology and Biology, tainted as it was with National-Socialist ideology. Evolutionary biologists of the time who opposed the theories of Beurlen and likeminded authors, i.e., idealistic morphology, typology, saltational change, orthogenesis and cyclism did so on Darwinian principles, which ultimately prevailed. But at the time when the battle was fought, their adherence to the principle of natural selection was likewise ideologically tainted, namely in terms of racial theory. National-Socialist ideology was unable to forge a unity of evolutionary theory in Germany even amongst those of its proponents who endorsed this ideology. (shrink)

Arthur Schopenhauer defends the view that aesthetic experience is disinterested and objective. Traditionally, this view is taken to mean that aesthetic experience involves the suspension of all affective states and a passive attitude toward the object of contemplation. However, A. E. Denham argues that Schopenhauer’s view is more complex than traditionally thought. In particular, she claims that he sees aesthetic experience as involving passionate and active engagement with the object of contemplation. In this paper, I argue that a close reading (...) of Schopenhauer’s texts reveals that the traditional view is better supported than Denham’s. In addition, I consider some objections to Schopenhauerian disinterestedness and objectivity that highlight the extremity of his view in a way that Denham’s interpretation fails to appreciate. (shrink)