The article shows that in Foucault’s late 1970s and early 1980s analyses of pastoral, conductive power—most essentially in early and medieval Christianity—the issue of sight and visual perception recurs and occupies a crucial status. In Foucault’s discussion, these Christian relations of power, knowledge, and truth are attached with a surveying gaze that is both totalizing as well as individualizing, one that is mobilized by the thrust towards perfect visibility, transparency, and illumination of the subject turned into an object. The intention (...) is also to develop Foucault’s analysis further, by demonstrating how Christian, providential government can be and actually has been detached from the totalizing modality of optics, and instead become articulated with a very different sort of sight and seeing, one that is non-totalizing and affirms its own limits. The article maintains that from this angle, Foucault’s conception of modern, economic-liberal governmentality has essential convergences with the Christian form of providential government, even though Foucault himself leaves these convergences partly inarticulate. (shrink)

From the perspective of subsequent books and texts by Richard Rorty it can be clearly seen that to have a look at his anti-Platonism and anti-essentialism, it is not enough to read either only Philosophy and the Mirror of Nature, or only Contingency, Irony, and Solidarity, Consequences of Pragmatism and both volumes of Philosophical Papers. For me it turns out that the impression given by various readings of Philosophy and the Mirror of Nature in Reading Rorty - the first serious (...) collected volume devoted to the American pragmatist - is totally misleading, or at least extremely one-sided. The book, it is claimed there, is merely criticism of traditional epistemology carried out on the grounds of American analytic philosophy not too interesting to a wider public. And yet it can only be seen retrospectively that the book provides most interesting philosophical "foundations" to later, often more metaphilosophical, literary and cultural ideas. To put it in a nutshell: one can find there the idea of solidarity and self-creation, there is the fundamental question about the place of philosophy in culture rather than merely that about the place of epistemology in philosophy; as well as there is a question about the future of the philosopher in culture, about mechanisms of production and collapse of his self-image, there is also the germ of the project of the "post-Kantian culture", "philosophy without mirrors" and criticism of merely cognitive - and derived from Plato - paradigm of human activity. (shrink)

Reading numerous readings of Jacques Derrida made by Richard Rorty during the period of the last twenty years or so, one can get the impression that Rorty admires French deconstructionist without reservations, presenting him as an example of a new way of practising philosophy - a way which is private, idiosyncratic and publicly uncommitted, which is original, but publicly useless, which, finally, leads to individual autonomy. A way leading to self-creation, getting out of the influence and power of one’s precursors (...) by way of a para-Oedipal struggle of a son with a father. Derrida in Rorty would be supposed to break with Heidegger in the way Heidegger tried to overcome Nietzsche, and Nietzsche struggled with Plato. And just like Nietzsche wished to be a new figure of a philosopher who "philosophizes with a hammer", but in Heidegger’s reading turned out to be merely "the last metaphysician" and "inverted Platonic", similarly Heidegger in the eyes of Derrida is not - despite the former’s assurance and unshakeable self-confidence - the first post-metaphysical thinker, but precisely the "last metaphysician", the last figure from the "ontotheological tradition" being destroyed or from the tradition of the "metaphysics of presence". Derrida overcomes Heidegger, Rorty reminds us, when he is trying to be the first post-metaphysical philosopher e.g. when he says that "there will be no unique name, even if it were the name of Being", about which, incidentally, he already spoke as a broader project in a volume of interviews entitled Positions, telling his interviewer that he is attempting to locate in Heidegger’s texts "the signs of belonging to metaphysics". But philosophical search for fame - and hence immortality - leads to an infinite number of recontextualizations and redescriptions, to new readings fighting with old ones, and the characters of philosophical stories being told are philosophers who are closer and closer to us. And just like Jacques Derrida was not willing to leave Heidegger in peace until he overcame him, putting himself in a new light, similarly Richard Rorty relentlessly bites in his own way Derrida’s philosophizing. (shrink)

Richard Rorty’s approach to fiction results from its consistently - to use here his own opposition - "solidarity-related" account; the "other side", literary self-creation, remains programmatically and intentionally undiscussed with much seriousness. One can just get the impression that literature, and the novel in particular, has been burdened with heaviness of responsibility... Does in Rorty’s reflections the novel appear as a source of multifarious metaphors, of the whole worlds born out of the writer’s imagination? Is there in it another dimension (...) of the reality in which mundane obligations no longer bind the human being and where one can give rein to usually hidden desires and passions? The answer is in the negative. The world of fiction of which Richard Rorty writes is a pragmaticized one - and fiction itself is supposed first to build, and then to defend a democratic, liberal order as one of utopias feeding that order. On the other extreme, let us hasten to add, there is philosophy with its right to choose self-creation. The situation as outlined by Rorty might be described in the following manner: the writer has to be responsible, the philosopher may indulge in certain irresponsibility - or rather certain irrelevance with respect to social problems. It is as if "poets" are returned back to polis after more than twenty five centuries and made to think about the state and laws, relieving at the same time at least some philosophers from the respectful Platonic duty of "enlightening the darkness" of the world. In today’s intellectual climate it is probably easier to accept a new role for philosophers than to accept putting part of the burden of responsibility for the success of a contingent, like it or not, experiment of liberal democracies on the writer’s shoulders. Rorty thus seems to me to be making both one step forward and two steps backwards, as his pragmatism does not allow for leaving society at the mercy of spiritless technocrats, social engineers of the future, when poets and philosophers no longrr have much to say. (The opposite direction is taken by Jacques Derrida. He accords this "strange institution called literature", as he writes, the right of tout dire, of saying everything, the power of breaking away from existing rules and conventions, of questioning and dislocating them. (shrink)

The schism between ‘ordinary’ and scientific perception and knowledge implies that we lack any total or systematic means of describing the world or identifying any framework -independent reality. Philosophers as diverse as Kant, Putnam, Strawson, Barthes, and Foucault have attempted to overcome this epistemological divide by constructing a unified, continuous theory of knowledge capable of accounting simultaneously for an allegedly primitive, unreflective, unmediated view of the world and an abstract, highly technical, scientific product. Rather than identifying analytic and continental epistemologies, (...) adverting to continental philosophy to resolve the analytic problems of defining knowledge or determining its necessary and sufficient conditions, as in Gettier problem cases, or homogenizing ordinary and scientific cognition, I assess diverse epistemological responses to the Cartesian problem of bridging perceptual experience and conceptual knowledge in order to catalog and validate the turn from a structuralist phenomenology to a historical deconstruction of isolated, ahistorical notions of subjectivity and objectivity. However, in place of Foucault’s closed, tripartite model of space, time, and power, I use certain late nineteenth-century, neo- Kantian scientific models to develop and justify an open, critical, pragmatically validated, historical heuristic for scientific explanation able to account nonreductively for ordinary experience, ordinary perception, and ordinary knowledge. (shrink)

Foucault and modern medicineModernity as a concept or ideal, resulting from the age of Enlightenment and the French Revolution gave hope of a better future and new possibilities. To be modern means an ‘enlightened’ individual and society, welcoming change and development. In this paper, I will discuss Foucault's analysis (1973) of problematics in medicine in eighteenth century France. Three themes prominent in the text are: ‘the birth of the clinic’, ‘the clinical gaze’ and the power‐knowledge relationship. Three problematics identified in (...) modern medicine by Foucault and which are particularly relevant to twentieth century medicine are: (i) the extension of the clinical gaze from the individual body to the wider population; (ii) the increasing medical intervention and use of technology in fundamental life processes; and (iii) the relationship between society and medicine. I will argue that Foucault's analysis is fraught with ambiguities. It is useful, however, for establishing an explanation for medicine today and for presenting a particular interpretation of modernity. (shrink)

For Māori, a real opportunity exists to flesh out some terms and concepts that Western thinkers have adopted and that precede disciplines but necessarily inform them. In this article, we are intent on describing one of these precursory phenomena—Foucault’s Gaze—within a framework that accords with a Māori philosophical framework. Our discussion is focused on the potential and limits of colonised thinking, which has huge implications for such disciplines as education, among others. We have placed Foucault’s Gaze alongside a Māori metaphysics (...) and have speculated on the Gaze’s surveillant/expectant strategies with some key Māori primordial phenomena in mind, such as ‘te kore’ and ‘āhua’. We posit the Gaze as an entity and thus aim to render it more relevant to Māori, so that it can be addressed appropriately. We also preface that discussion by theorising on some of the challenges that confront us as Māori authors in even referring counter-colonially to the Gaze. Whilst we do not seek to destabilise the Gaze by positing it as a metaphysically based entity, we do hint at the possibility that critical indigenous philosophy may even for a short time bring the Gaze into focus for Māori. By introducing an awareness of an alternative metaphysics, we may have unsettled the self-certainty of the Gaze. (shrink)

Publicly-enacted blood extractions (principally blood donation events and petitions or paintings in blood) in mass Indian political contexts (for instance, protest or political memorial events and election rallies) are a noteworthy present-day form of political enunciation in India, for such extractions – made to speak as and on behalf of political subject positions – are intensely communicative. Somewhat akin to the transformative fasts undertaken by Gandhi, such blood extractions seek to persuade from the moral high ground of political asceticism. This (...) essay seeks to shed light on how and why these extractions have become such a means, with a particular focus on blood-based portraiture. What makes such portraits – chiefly of politicians and ‘freedom fighter’ martyrs – interesting from a Strathernian point of view is their immanent persuasive relationality. The insights of Strathern can help us to explicate these objects’ dynamic relational features, while reciprocally, the portraits may help us to illuminate and clarify the very particular and interesting nature of the way Strathern treats (and creates) images. (shrink)