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  1. Aesthetic Peerhood and the Significance of Aesthetic Peer Disagreement.Quentin Pharr & Clotilde Torregrossa - 2024 - Southern Journal of Philosophy:1-20.
    Both aestheticians and social epistemologists are concerned with disagreement. However, in large part, their literature has yet to overlap substantially in terms of discussing whether there are viable conceptions of aesthetic peerhood and what the significance of aesthetic peer disagreement might be as a result. This article aims to address this gap. Taking cues from both the aesthetics and social epistemological literature, it develops several conceptions of aesthetic peerhood that are not only constituted by various forms of cognitive peerhood and (...)
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  • Disagreement in Aesthetics and Ethics: Against the Received Image.Vítor Guerreiro & Susana Cadilha - 2024 - Journal of Aesthetics and Art Criticism 82 (2):215-230.
    The way we think about disagreement is shaped by the systematic emphasizing of its adversarial, non-cooperative aspects. This is due to a perspective on arguing and disagreeing. Perspectives enable some thoughts and occlude others. We claim that the way some issues are thought of in aesthetics is conditioned by a similar phenomenon we call ‘the Received Image’ (RI), which parallels the influence on ethics of what Bernard Williams called ‘systems of morality’. Peter Kivy argued that disagreements in aesthetics, if genuine, (...)
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  • Is Aesthetic Consistency Worth Having?Eileen John - forthcoming - Estetika: The European Journal of Aesthetics 60 (2):115-130.
    Should we aspire to aesthetic consistency? Two kinds of aesthetic consistency are considered, following Ted Cohen’s discussion of consistency in personal aesthetics: consistency of aesthetic reasons and coherence of aesthetic personality. Neither of these kinds of consistency seems like something to aspire to, possibly because we cannot do so – if we are not typically reasoning at the level of aesthetic response that is envisaged – or because consistent, coherent responsiveness does not seem like a worthwhile aesthetic goal. A third (...)
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  • Productive Disagreements: Commentary on Ted Nannicelli’s Artistic Creation and Ethical Criticism.James Harold - 2022 - British Journal of Aesthetics 62 (4):527-537.
    If I had read Ted Nannicelli’s (2020) thoughtful and wide-ranging book before writing my own, I would not have written the same book that I did, and my book almost certainly would have been better for it. Ted Nannicelli’s 2020 book has many keen insights, and I learnt much from reading it.There is a great deal of overlap in our philosophical interests as well as in our views. Our books were written at the same time—at least, our writing times overlapped (...)
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