Extant discussions of Buddhist mereology give minimal attention to the soteriological significance of denying the reality of wholes. This is unfortunate, because the connection between mereology and soteriological is both significant and problematic. The connection is significant, because it supports an argument for the unreality of composite wholes that does not depend upon any claim about the nature of wholes. The connection is also problematic, because some Buddhists endorse the soteriological relevance of mereology despite admitting that composite wholes are real. (...) I address these issues by reviewing early Pāli Buddhist attitudes toward the soteriological significance of mereology, developing an argument for the unreality of wholes from the work of Buddhaghosa, and explicating an alternative approach from the Chinese tradition of Huayan 華嚴 Buddhism that calls into question some common assumptions about parts and wholes. (shrink)

There was once a princess called Sophia,whose philosophy museum was superior.But most of the storesbecame locked behind doors,which led to collective amnesia.Then along came a band of ajar‐minders,who decided to issue remindersof the treasures insidethat hadn't yet died,and opened the doors to all finders.

Fazang is a seminal figure for the tradition of Huayan Buddhism. Essay on the Golden Lion is the most widely translated into English of his writings. Yet systematic English-language scholarship on Fazang’s Essay is relatively sparse. Scholars agree that the central focus of the Essay is the relation between principle and thing — a relation akin to the one between emptiness and form and, according to Fazang, also akin to the relation between the golden substance of a lion statue and (...) the statue itself. Scholars disagree about what principle is. They also disagree about how Fazang conceptualizes the relation between principle and thing. This paper develops a novel interpretation for Fazang's conception of the principle-thing relation. The methodology involves situating Fazang's metaphor of the golden lion in relation to prior efforts, by Chinese Buddhists, to conceptualize the emptiness-form relation and using theoretical considerations, from some of Fazang’s other writings, to interpret various remarks Fazang makes about his metaphor of the golden lion. (shrink)