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Switch to: References
Citations of:
From Shakespeare to existentialism
Freeport, N.Y.,: Books for Libraries Press (1959)
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(1995). Morality in the pejorative sense: On the logic of Nietzsche's critique of morality. British Journal for the History of Philosophy: Vol. 3, No. 1, pp. 113-145. |
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El artículo se aproxima al estatuto de Shakespeare en el pensamiento de Nietzsche a partir de tres calas en su obra. En primer lugar, se ofrecen algunas claves sobre la interpretación dionisíaca de Hamlet en _El nacimiento de la tragedia_ desde su contraste con la recepción previa de Shakespeare y el príncipe danés en el espacio cultural alemán. En segundo lugar, se abordará el tránsito nietzscheano de madurez hacia otras temáticas y motivos del universo shakespeariano, desembocando tanto en la figura (...) |
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I contend that Adam Smith and David Hume offer re-interpretations of Aristotle’s notion of greatness of soul, focusing on the kind of magnanimity Aristotle attributes to Socrates. Someone with Socratic magnanimity is worthy of honor, responds moderately to fortune, and is virtuous—just and benevolent. Recent theorists err in claiming that magnanimity is less important to Hume’s account of human excellence than benevolence. In fact, benevolence is a necessary ingredient for the best sort of greatness. Smith’s “Letter to Strahan” attributes this (...) |
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ABSTRACT This study bears upon the ‘Heidegger case,’ that is, the relation of Heidegger’s philosophizing to his political involvements as Rector of the University of Freiburg 1933-4, and his subsequent silences on the subject of the Holocaust. I use the phrase ‘bears upon’ for Heidegger’s political involvement will serve as the ‘horizon’ for the study, my concern being the genesis of Heidegger’s position. Grounded in a musical ‘intuition’ and attunement, I take up the Nietzschean cipher for understanding proposed by Heidegger (...) |
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This paper explores the use of poetic forms of expressive writing in phenomenological research. The first part recapitulates the expressive agenda and its links with phenomenology. The second part of the paper looks at the genesis of a poetic form I used in recent phenomenological writing which I came to call 'poetised' but now prefer to call 'poetic' reflections. The third part looks at elements of poetry and their value in expressive writing. The fourth concerns the implications of linking art (...) |
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