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Aristotle's Definition of Nature

In David Sedley (ed.), Oxford Studies in Ancient Philosophy: Volume Xxv: Winter 2003. Oxford University Press (2003)

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  1. Sobre la noción de naturaleza en Aristóteles.Silvana Gabriela Di Camillo - 2019 - XIX Congreso Nacional de Filosofía AFRA.
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  • Mixture, Generation and the First Aporia of Aristotle’s GC 1.10.Andreas Anagnostopoulos - 2021 - Phronesis 66 (2):139-177.
    This paper concerns the classification of the process of mixture, for Aristotle, and the related issue of the manner in which the ingredients remain present once mixed. I argue that mixture is best viewed as a kind of substantial generation in the context of the GC and, accordingly, that the ingredients do not enjoy the kind of strong presence within a mixture usually attributed to them. To do this, I critically examine the most promising versions of the standard view and (...)
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  • Aristotle’s Concept of Nature.Stasinos V. Stavrianeas - 2004 - History of Philosophy & Logical Analysis 7 (1):27-51.
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  • Capacities and the Eternal in Metaphysics Θ.8 and De Caelo.Christopher Frey - 2015 - Phronesis 60 (1):88-126.
    The dominant interpretation ofMetaphysicsΘ.8 commits Aristotle to the claim that the heavenly bodies’ eternal movements are not the exercises of capacities. Against this, I argue that these movements are the result of necessarily exercised capacities. I clarify what it is for a heavenly body to possess a nature and argue that a body’s nature cannot be a final cause unless the natural body possesses capacities that are exercised for the sake of its naturequaform. This discussion yields a better understanding of (...)
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  • Artefacts, Non-Particulars and Model Particulars1.Karel Thein - 2009 - Organon F: Medzinárodný Časopis Pre Analytickú Filozofiu 16 (4):510-528.
    The paper comments and elaborates upon five pages of P. F. Strawson’s Individuals , together with his ‘Entity and Identity’ and ‘Universals’. The focus is on Strawson’s understanding of individual non-particulars as types or universals, and on his contention that the most obvious non-particular entities are the broadly conceived artefacts including the works of art. The narrow focus is on the implications of Strawson’s suggestion that ‘an appropriate model for non-particulars of these kinds is that of a model particular - (...)
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