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  1. Lumière et Nuit, Féminin et Masculin chez Parménide d’Elée : quelques remarques.Gérard Journée - 2012 - Phronesis 57 (4):289-318.
    Abstract The great german Scholar, Eduard Zeller, suggested that the reference to male and female in Parmenides B12.5-6 was probably an allusion to the physical principles of `mortal opinion': Night and Light. This suggestion has been rejected by some scholars because such an association would lead us to admit that, in B12, male was associated with Night and female with Light, a theory which would be at odds with the supposed misogyny of Greek culture. However, Parmenides' account of `mortal opinion' (...)
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  • Phronesis in Musical Performance.Jan W. O’Dea - 1993 - Journal of Philosophy of Education 27 (2):233-243.
    This paper suggests a much more serious purpose for an education in music-making than play or pleasure or even the training of professional musicians. It presents and explicates a possible connection between musical performance training and the development of practical wisdom. Music in performance constitutes in effect a form of virtuous conduct, where one learns through doing and thereafter comes to love and to be capable of wise practical judgement. Excellence in this field requires the exercise of a species of (...)
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  • Anaxagoras in Response to Parmenides.David J. Furley - 1976 - Canadian Journal of Philosophy 6 (sup1):61-85.
    (1976). Anaxagoras in Response to Parmenides. Canadian Journal of Philosophy: Vol. 6, Supplementary Volume 2: New Essays on Plato and the Pre-Socratics, pp. 61-85.
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  • Phronesis in musical performance.Jan W. O’Dea - 1993 - Journal of Philosophy of Education 27 (2):233–243.
    ABSTRACT This paper suggests a much more serious purpose for an education in music-making than play or pleasure or even the training of professional musicians. It presents and explicates a possible connection between musical performance training and the development of practical wisdom. Music in performance constitutes in effect a form of virtuous conduct, where one learns through doing and thereafter comes to love and to be capable of wise practical judgement. Excellence in this field requires the exercise of a species (...)
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  • Anaxagoras in Response to Parmenides.David J. Furley - 1976 - Canadian Journal of Philosophy, Supplementary Volume 2:61-85.
    Introduction“What reason is there to suppose that those who did know Parmenides’ poem necessarily thought that he had raised a real problem which they must try to deal with? Empedocles, perhaps also Anaxagoras, knew the poem, but they pursue a very different kind of philosophy from Zeno and Melissus: why, then, must we suppose that they are seeking an alternative answer to the problem posed by Parmenides, and that their ultimate material elements are to be seen as modifications of the (...)
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