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  1. Emergence of Covid‐19 as a Novel Concept Shifts Existing Semantic Spaces.Charles P. Davis - 2023 - Cognitive Science 47 (1):e13237.
    Conceptual knowledge is dynamic, fluid, and flexible, changing as a function of contextual factors at multiple scales. The Covid-19 pandemic can be considered a large-scale, global context that has fundamentally altered most people's experiences with the world. It has also introduced a new concept, COVID (or COVID-19), into our collective knowledgebase. What are the implications of this introduction for how existing conceptual knowledge is structured? Our collective emotional and social experiences with the world have been profoundly impacted by the Covid-19 (...)
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  • Quantifying flexibility in thought: The resiliency of semantic networks differs across the lifespan.Abigail L. Cosgrove, Yoed N. Kenett, Roger E. Beaty & Michele T. Diaz - 2021 - Cognition 211 (C):104631.
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  • Quantifying the Interplay of Semantics and Phonology During Failures of Word Retrieval by People With Aphasia Using a Multiplex Lexical Network.Nichol Castro, Massimo Stella & Cynthia S. Q. Siew - 2020 - Cognitive Science 44 (9):e12881.
    Investigating instances where lexical selection fails can lead to deeper insights into the cognitive machinery and architecture supporting successful word retrieval and speech production. In this paper, we used a multiplex lexical network approach that combines semantic and phonological similarities among words to model the structure of the mental lexicon. Network measures at different levels of analysis (degree, network distance, and closeness centrality) were used to investigate the influence of network structure on picture naming accuracy and errors by people with (...)
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  • How semantic memory structure and intelligence contribute to creative thought: a network science approach.Mathias Benedek, Yoed N. Kenett, Konstantin Umdasch, David Anaki, Miriam Faust & Aljoscha C. Neubauer - 2017 - Thinking and Reasoning 23 (2):158-183.
    The associative theory of creativity states that creativity is associated with differences in the structure of semantic memory, whereas the executive theory of creativity emphasises the role of top-down control for creative thought. For a powerful test of these accounts, individual semantic memory structure was modelled with a novel method based on semantic relatedness judgements and different criteria for network filtering were compared. The executive account was supported by a correlation between creative ability and broad retrieval ability. The associative account (...)
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  • Semantic memory and creativity: the costs and benefits of semantic memory structure in generating original ideas.Roger E. Beaty, Yoed N. Kenett, Richard W. Hass & Daniel L. Schacter - 2023 - Thinking and Reasoning 29 (2):305-339.
    Despite its theoretical importance, little is known about how semantic memory structure facilitates and constrains creative idea generation. We examine whether the semantic richness of a concept has both benefits and costs to creative idea generation. Specifically, we tested whether cue set size—an index of semantic richness reflecting the average number of elements associated with a given concept—impacts the quantity (fluency) and quality (originality) of responses generated during the Alternate Uses Task (AUT). Across four studies, we show that low-association, sparse, (...)
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  • The Dynamics of Creative Ideation: Introducing a New Assessment Paradigm.Baptiste Barbot - 2018 - Frontiers in Psychology 9.
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  • Successful simulation requires bridging levels of abstraction.Zidong Zhao, Judith N. Mildner & Diana I. Tamir - 2020 - Behavioral and Brain Sciences 43.
    Although many simulations draw upon only one level of abstraction, the process for generating rich simulations requires a dynamic interplay between abstract and concrete knowledge. A complete model of simulation must account for a mind and brain that can bridge the perceptual with the conceptual, the episodic with the semantic, and the concrete with the abstract.
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  • Knowledge Representations Derived From Semantic Fluency Data.Jeffrey C. Zemla - 2022 - Frontiers in Psychology 13.
    The semantic fluency task is commonly used as a measure of one’s ability to retrieve semantic concepts. While performance is typically scored by counting the total number of responses, the ordering of responses can be used to estimate how individuals or groups organize semantic concepts within a category. I provide an overview of this methodology, using Alzheimer’s disease as a case study for how the approach can help advance theoretical questions about the nature of semantic representation. However, many open questions (...)
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  • A Systematic Review of Creativity-Related Studies Applying the Remote Associates Test From 2000 to 2019.Ching-Lin Wu, Shih-Yuan Huang, Pei-Zhen Chen & Hsueh-Chih Chen - 2020 - Frontiers in Psychology 11.
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  • Engaging in Creativity Broadens Attentional Scope.Marta K. Wronska, Alina Kolańczyk & Bernard A. Nijstad - 2018 - Frontiers in Psychology 9.
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  • What Enables Novel Thoughts? The Temporal Structure of Associations and Its Relationship to Divergent Thinking.Peng Wang, Maarten L. Wijnants & Simone M. Ritter - 2018 - Frontiers in Psychology 9.
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  • Cognitive Network Science for Understanding Online Social Cognitions: A Brief Review.Massimo Stella - 2022 - Topics in Cognitive Science 14 (1):143-162.
    Topics in Cognitive Science, Volume 14, Issue 1, Page 143-162, January 2022.
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  • Determinants of creative thinking: the effect of task characteristics in solving remote associate test problems.Ut Na Sio, Kenneth Kotovsky & Jonathan Cagan - 2022 - Thinking and Reasoning 28 (2):163-192.
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  • Sympathetic arousal, but not disturbed executive functioning, mediates the impairment of cognitive flexibility under stress.Martin Marko & Igor Riečanský - 2018 - Cognition 174:94-102.
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  • Paving the Way to Eureka—Introducing “Dira” as an Experimental Paradigm to Observe the Process of Creative Problem Solving.Frank Loesche, Jeremy Goslin & Guido Bugmann - 2018 - Frontiers in Psychology 9.
    ‘Dira’ is a novel experimental paradigm to record combinations of behavioural and metacognitive measures for the creative process. This task allows assessing chronological and chronometric aspects of the creative process directly and without a detour through creative products or proxy phenomena. In a study with 124 participants we show that (a.) people spend more time attending to selected versus rejected potential solutions, (b.) there is a clear connection between behavioural patterns and self-reported measures, (c.) the reported intensity of Eureka experiences (...)
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  • Curriculum Innovation in Times of the COVID-19 Pandemic: The Thinking-Based Instruction Theory and Its Application.Yangping Li, Xinru Zhang, David Yun Dai & Weiping Hu - 2021 - Frontiers in Psychology 12.
    At the beginning of 2020, to stop the spread of the coronavirus disease to the campus, the Ministry of Education of China launched a policy “Suspension of classes without suspending schooling” for the spring semester of 2020. However, the drawbacks of online teaching forced us to modify teaching strategies during this special period, especially developing courses that are suitable for student learning at home and improving their key competencies. In order to solve these problems, this study introduces some theoretical exploration (...)
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  • Effective Augmentation of Creativity-Involving Productivity Consequent to Spontaneous Selectivity in Knowledge Acquisition.Hiroki Kurashige, Yuichi Yamashita, Takashi Hanakawa & Manabu Honda - 2019 - Frontiers in Psychology 10.
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  • A Critical Review of Network‐Based and Distributional Approaches to Semantic Memory Structure and Processes.Abhilasha A. Kumar, Mark Steyvers & David A. Balota - 2022 - Topics in Cognitive Science 14 (1):54-77.
    Topics in Cognitive Science, Volume 14, Issue 1, Page 54-77, January 2022.
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  • Effects of Transcranial Direct Current Stimulation on Brain Networks Related to Creative Thinking.Koji Koizumi, Kazutaka Ueda, Ziyang Li & Masayuki Nakao - 2020 - Frontiers in Human Neuroscience 14.
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  • Metaphor Comprehension in Low and High Creative Individuals.Yoed N. Kenett, Rinat Gold & Miriam Faust - 2018 - Frontiers in Psychology 9.
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  • A Spiking Neuron Model of Word Associations for the Remote Associates Test.Ivana Kajić, Jan Gosmann, Terrence C. Stewart, Thomas Wennekers & Chris Eliasmith - 2017 - Frontiers in Psychology 8.
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  • Use or Consequences: Probing the Cognitive Difference Between Two Measures of Divergent Thinking.Richard W. Hass & Roger E. Beaty - 2018 - Frontiers in Psychology 9.
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  • Semantic search during divergent thinking.Richard W. Hass - 2017 - Cognition 166 (C):344-357.
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  • Improving Teenagers’ Divergent Thinking With Improvisational Theater.Mathieu Hainselin, Alexandre Aubry & Béatrice Bourdin - 2018 - Frontiers in Psychology 9.
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  • Alternative Object Use in Adults and Children: Embodied Cognitive Bases of Creativity.Alla Gubenko & Claude Houssemand - 2022 - Frontiers in Psychology 13.
    Why does one need creativity? On a personal level, improvisation with available resources is needed for online coping with unforeseen environmental stimuli when existing knowledge and apparent action strategies do not work. On a cultural level, the exploitation of existing cultural means and norms for the deliberate production of novel and valuable artifacts is a basis for cultural and technological development and extension of human action possibilities across various domains. It is less clear, however, how creativity develops and how exactly (...)
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  • Divergent Thinking Abilities in Frontotemporal Dementia: A Mini-Review.Giulia Fusi, Maura Crepaldi, Laura Colautti, Massimiliano Palmiero, Alessandro Antonietti, Luca Rozzini & Maria Luisa Rusconi - 2021 - Frontiers in Psychology 12.
    A large number of studies, including single case and case series studies, have shown that patients with different types of frontotemporal dementia are characterized by the emergence of artistic abilities. This led to the hypothesis of enhanced creative thinking skills as a function of these pathological conditions. However, in the last years, it has been argued that these brain pathologies lead only to an augmented “drive to produce” rather than to the emergence of creativity. Moreover, only a few studies analyzed (...)
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  • “The Penny Drops”: Investigating Insight Through the Medium of Cryptic Crosswords.Kathryn J. Friedlander & Philip A. Fine - 2018 - Frontiers in Psychology 9.
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  • Rigidity, chaos and integration: hemispheric interaction and individual differences in metaphor comprehension.Miriam Faust & Yoed N. Kenett - 2014 - Frontiers in Human Neuroscience 8.
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  • The contributions of convergent thinking, divergent thinking, and schizotypy to solving insight and non-insight problems.Margaret E. Webb, Daniel R. Little, Simon J. Cropper & Kayla Roze - 2017 - Thinking and Reasoning 23 (3):235-258.
    The ability to generate diverse ideas is valuable in solving creative problems ; yet, however advantageous, this ability is insufficient to solve the problem alone and requires the ability to logically deduce an assessment of correctness of each solution. Positive schizotypy may help isolate the aspects of divergent thinking prevalent in insight problem solving. Participants were presented with a measure of schizotypy, divergent and convergent thinking tasks, insight problems, and non-insight problems. We found no evidence for a relationship between schizotypy (...)
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  • The effect of aging on facial attractiveness: An empirical and computational investigation.Dexian He, Clifford Ian Workman, Yoed Kennett & Anjan Chatterjee - 2021 - Acta Psychologica 219 (103385):1-11.
    How does aging affect facial attractiveness? We tested the hypothesis that people find older faces less attractive than younger faces, and furthermore, that these aging effects are modulated by the age and sex of the perceiver and by the specific kind of attractiveness judgment being made. Using empirical and computational network science methods, we confirmed that with increasing age, faces are perceived as less attractive. This effect was less pronounced in judgments made by older than younger and middle-aged perceivers, and (...)
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