El objetivo de este trabajo es discutir la interpretación tradicional según la cual los razonamientos de Zenón de Elea en contra de la multiplicidad constituyen una defensa de la tesis monista. Intentaré demostrar que las objeciones zenonianas a la multiplicidad suponen una critica previa a la existencia de "lo uno". Por este motivo, Zenón no es monista ni pluralista, sino, más bien, un crítico de las perspectivas metafísicas que consideran al ser en términos numéricos, i. e. como uno o como (...) múltiple. Para ello me concentraré en el análisis de la interpretación que Aristóteles desarrolla sobre la filosofía de Zenón, considerando algunos pasajes de Física, Refutaciones sofísticas y, fundamentalmente, Metafísica, III. 4. 1001b7-13. También incluiré algunos testimonios del comentario a la Física de Simplicio, en los que se discuten las interpretaciones de Eudemo de Rodas y Alejandro de Afrodisia, que ratifican el punto de vista aristotélico sobre la filosofía de Zenón. The aim of this paper is to discuss the traditional interpretation according to which the arguments of Zeno of Elea against multiplicity constitute a defense of monism. I will try to prove that Zeno's objections on plurality suppose a previous critique to the existence of the one. Therefore Zeno is neither a monist nor a pluralist but a philosopher who criticizes metaphysical theories that consider being in numerical terms, i. e. as many or as one. I will focus on the analysis of the interpretation of Zeno's philosophy developed by Aristotle. I will consider some passages from Physics, Sophistical Refutations and mainly Metaphysics III. 4. 1001b7-13. I will also include some testimonies from Simplicius' commentary on Aristotle's Physics, where he discusses the interpretations of Eudemus of Rhodes and Alexander of Aphrodisias that support the Aristotelian point of view on Zeno's philosophy. (shrink)

¿Cuál es el origen de todas las cosas? A pesar de su gran diversidad, ¿tienen una raíz común? ¿Tuvo el mundo un comienzo? ¿Cómo surgió la vida en la tierra? Tales preguntas, que aún provocan a los científicos, fueron formuladas por vez primera por los primeros pensadores griegos. Anaxágoras responde a ellas poniendo al inicio del tiempo una confusa mezcla de todas las cosas sobre la cual obró un ser llamado Intelecto, quien dio lugar al orden del mundo que hoy (...) contemplamos. Con ello, este autor presocrático comienza a plantear algunas cuestiones filosóficas que perdurarán hasta nuestros días: la constitución de la materia, la naturaleza del conocimiento sensorial e intelectual, la intervención de Dios en el mundo… Este libro pretende analizar cuidadosamente la filosofía de Anaxágoras prestando atención a los dos aspectos principales de su doctrina: la mezcla e Intelecto. Su comprensión de la realidad física como una mezcla tiene consecuencias filosóficas de gran interés y constituye quizá la más sugestiva entre las primeras concepciones de la materia. Por otro lado, Intelecto es, según Anaxágoras, quien provoca la variedad de los seres a través del movimiento. Así, nuestro filósofo distingue del sustrato material la causa de sus cambios, la cual se hallaría, además, dotada de inteligencia. Tales rasgos de la filosofía de Anaxágoras atrajeron la atención de los grandes filósofos clásicos, particularmente de Aristóteles. El segundo gran objetivo de este libro es, pues, recorrer el camino por el cual discurrieron las enseñanzas de Anaxágoras, desde que fueron expuestas por él en Atenas, justo durante el siglo que definió la preponderancia intelectual de dicha polis durante siglos, hasta que llegaron a oídos de Aristóteles, el testigo más determinante para comprender a Anaxágoras. (shrink)

Parmenides believed that he had found the most reliable way of theorizing about ultimate reality. While natural philosophers conceptualized phenomenal differences to explain cosmic change, Parmenides used the least meaningful but most versatile verb in Ancient Greek to engage in a purely intellectual exploration of reality – one that transcended synchronous and asynchronous differences. In this article I explain how the verb εἰμί was useful to Parmenides in his attempt to overcome natural philosophy. First, I argue that the Eleatic philosopher (...) regarded νοεῖν and εἶναι as equivalent because εἰμί-clauses enabled him to express arguably any conceivable content without providing significant additional meaning. I then show that Parmenides’ concept of being implies the present tense and the imperfective aspect but is grounded in the lexical content of the verb εἰμί, which entails no inherent temporal limits. This explains why ἔστι, ἐόν, and εἶναι could be used to indicate unbounded actuality, regardless of whether these forms represented lexical predicates or auxiliaries for predication. Finally, I maintain that the suitability of εἰμί for talking about all kinds of things without introducing temporal limits allowed Parmenides to avoid what he saw as two mistakes made by natural philosophers: identifying ultimate reality with something that cannot cover the full extent of thought and confusing actuality with present occurrence. (shrink)

The objective of this work is to reflect on the usual and the unusual, based on Friedrich Nietzsche's perspective on the opposition between the pathos of distance or nobility and the ethos from the point of view of utility. In order to do so, an analysis of selected excerpts from Nietzsche's works is carried out, mainly On the genealogy of morality and Beyond Good and Evil. According to Nietzsche, there is no ethos, but only pathos, being the ethos, affirmed by (...) asceticism, only a strategy, a cunning and deceitful invention for the conservation of a precarious way of life. It is this ethos that forges and fixes ascetic values that represent the usual, by inverting values from the point of view of the resentful human's utility. Based on this Nietzschean perspective, we seek to reflect on the unusual as an active impulse that characterizes the noble-type pathos of distance, and the usual as a reactive impulse that characterizes the éthos from the point of view of utility. (shrink)

This paper focuses on the materialistic account of the blending and the way it shapes an original organism model. I aim to shed light on the threads of connections we can gather between the Presocratic and the Stoic views on the physical krasis of the body. The Stoics share with Parmenides and Empedocles the idea of a single material cosmic continuum in which thought and perception depend on the various blendings of the physical constituents of the body. Both of these (...) naturalistic traditions are committed to the view that substance is continuous and undergoes constant and qualitative change. My point is to underline how this view of a sympathetic cosmos presupposes a model of the individuality that is radically open. Thus, by taking off the notion of the krasis, the Stoics take off a problem – namely, that of the organism – that is first fleshed out by the Presocratics – Parmenides and Empedocles in particular – philosophers. In this respect, the Stoic view of relational identity indebts to the Presocratic account, beyond and against the Aristotelian one. (shrink)

This page is dedicated to an analysis of the first section of Parmenides' Poem, the Way of Truth, with a selection of critical judgments by the most important commentators and critics. In the Annotated Bibliography I list the main critical editions (from the first printed edition of 1573 to present days) and the translations in English, French, German, Italian and Spanish, with a selection of studies on Parmenides; in future, a section will be dedicated to an examination of some critical (...) variants of the Greek text, with particular attention to corrections to the Diels-Kranz (abbreviated DK) edition of the Fragmente der Vorsokratiker. The fragments of Parmenides' Poem are cited according to Diels-Kranz numbering system as adopted in the 6th edition, Berlin 1952; the Poem is divided into three parts: the Proem fr. I, 1-32; the Way of Truth (Alethéia) from fr. II to VIII, 49, and the Way of Mortal Opinion (Doxa) fr. VIII, 50 to XIX, 3. (shrink)

Are all forms of difference contained in what is, or is there some form of difference that escapes, negates, or constitutes what is? Parmenides and Heraclitus may have had the greatest effect on how philosophy has answered this question. This paper shows that Heraclitus is not a partisan of difference: identity and difference are mutually generative and equally fundamental. For his part, Parmenides both makes an argument against opposing being and non-being in the False Road Story, and then uses precisely (...) this opposition to put up signs on the Way of Truth. The paper responds to this impasse by making the case that the poem’s philosophical character is didactic, rhetorical, and mythological, which is why both these signs, and the opposition between non-being and being, are presented as names created by mortals. (shrink)

Although the Parmenidean poem is in epic meter and teems with vivid imagery, it has been translated into the domain of philosophy since its earliest reception. Within this domain it has traditionally been interpreted as the first "explicit and self-conscious argumentation" of western philosophy. Yet, the poem aims at persuasion and affect rather than logical demonstration.Working primarily with a sense of translation as critical reception, this paper articulates the history of a translational protocol that excises conceptual matter from linguistic form, (...) reducing the semantic range of the Parmenidean poem. Beginning with Zeno and Melissus, a series of translations reduces the Parmenidean poem into a vehicle for a separable and fully translatable doctrine, stabilizing and homogenizing a thinking that otherwise persists as polyvalent and heterogeneous. (shrink)

Este trabajo pretende elucidar los rasgos generales de la metafísica de los megáricos en contra de las interpretaciones tradicionales que les atribuyen la defensa de un monismo numérico o una teoría de las Formas. Con base en los testimonios sobre Euclides y Estilpón de Mégara, intentaré mostrar que la metafísica megárica se caracteriza principalmente por el desarrollo de los conceptos de unidad e identidad de cada cosa consigo misma, lo que conlleva el rechazo de la diferencia y, en consecuencia, de (...) cualquier tipo de cambio. Esta perspectiva no excluye la existencia de múltiples entidades que, sin embargo, no son Formas. Por esta razón, los megáricos no desarrollan un monismo de tipo numérico, sino que su visión es coherente con un monismo de tipo predicativo que impugna la posibilidad de adjudicar atributos múltiples a una misma entidad. This paper purports to clarify the general features of Megarian metaphysics against two traditional interpretations which ascribe to this philosophical group either the defense of a numerical monism or a theory of Forms. Based on the testimonies of Euclid and Stilpo of Megara, I will aim to show that a main characteristic of Megarian metaphysics is the development of the concepts of unity and identity of each thing to itself, which involves a disavowal of difference as a possible property and, consequently, of any kind of change. I also intend to show that, although this standpoint does not exclude the existence of multiple entities, it implies that these entities are not Forms. Consequently, the Megarians do not develop a numerical monism but a predicational one, according to which the adscription of many predicates to the same entity is rejected. (shrink)

From the older handbooks to the more recent scholarly literature, Gorgias's professions about his art are taken literally at their word: conjured up in all of these accounts is the image of a hearer irresistibly overwhelmed by Gorgias's apagogic and psychagogic persuasions. Gorgias's own description of his art, in effect, replaces our description of it. "His proofs... give the impression of ineluctability" . "Thus logos is almost an independent external power which forces the hearer to do its will" . "Incurably (...) deceptive," logos has an "enormous power" that acts upon opinion, which is "easy to change" . Surprisingly, the urge to describe or paraphrase Gorgias's art has caused commentators to overlook the very best witness of it that we have: its enactment, which is to say the performative value of Gorgias's writings, especially the speeches. For if Gorgias's literary remains do nothing else, they demonstrate how one can do things with words without being explicit about what is being done, even if this means contradicting, performatively, what is being said-as for instance in his statements, so unconvincingly made, about the ostensible aims of rhetoric. Was Gorgias persuasive in practice? Was persuasion even the goal? Is logos the solitary arbiter of reality that it is so often made out to be? Through close examination of Gorgias's Helen and parts of On Not-Being, I attempt to show that persuasion is manifestly not the goal of his arguments, which in the first instance are aporetic paradoxes that expose the difficulties of defining the nature of either language or reality, and which in the last instance are instruments of cultural demystification. The only deception at work in Gorgias's writings is that of the self-deception of their audience. It is this that gives these curiously revealing documents of fifth-century Greek culture their "dissuasive," not persuasive, character. (shrink)

Interpreto antepredicativamente o argumento de Parmênides na “verdade” do Da natureza. Chamo ‘antepredicativa’ a uma interpretação que, explorando a ausência de sujeito e predicado em “é/não é”, lê os dois caminhos como expressões autoreferenciais, negando às formas verbais usadas o valor de cópulas. Da incognoscibilidade de “que não é” resulta a “decisão de abandonar esse ‘não-nome’ como via de investigação”, “deixando” ‘que é’ como o único [‘nome’]” que “pode ser pensado”. Nesta interpretação, ‘ser’ não é objeto de ‘pensar’, nem pensar’/‘pensamento’ (...) a faculdade que capta o “ser”, mas o estado cognitivo infalível em que “pensamento, pensar e pensado são”. A leitura antepredicativa de Parmênides deixou sinais em textos de Platão, Górgias e Protágoras, alguns anunciando a captação da antepredicatividade pela predicação, nos diálogos platônicos. (shrink)

This paper examines al-Fārābī's logical thought within its Arabico-Islamic historical background and attempts to conceptualize what this background contributes to his logic. After a brief exposition of al-Fārābī's main problems and goals, I shall attempt to reformulate the formal structure of Arabic linguistics (AL) in terms of the ontological and formal characteristics that Arabic logic is built upon. Having discussed the competence of al-Fārābī in the history of AL, I will further propose three interrelated theses about al-Fārābī's logic, in terms (...) of which I will attempt to redefine it: the logico-linguistic conception, the project of logicization, and nuclear logic. The final question that will arise is how Aristotle's logic could be built upon AL, which has a nature contrary to logic. The present paper also contributes to examining our traditional research habits in Arabic studies. (shrink)

This thesis proceeds from an attempt to articulate the body. At its core, however, is not the attempt to offer a definition of the body but instead to articulate a problem of touching on it. As such, it is motivated by a question at once banal and impossible: ‘Are we nearly here yet?’ Following Jean-Luc Nancy’s engagement with the account of space and being-there proposed by Martin Heidegger, it relates the materiality of the body to a broader role of touch (...) and sense in constructing a world of engagements in which the body is never “here” but always “there”, always exposed in its touch upon the other. Following Nancy, this thesis begins by opening an ontological formulation of space and embodiment in which the materiality of the body allows for sense to pattern a world of bodies always separated from each other but situated in relation to each other. Sense, on Nancy’s account, is both bodily and conceptual; sense is the touch of vision, of the hands, of the body, and of understanding. Emphasising this multiple formulation of touch, this thesis offers an ontology of space as both material and transparent, in which this transparency figures the potential of the world to be continually re-spaced according to the touches and relationships enacted within it. After establishing this ontology of body and touch, the thesis enacts a series of attempts to approach the body, conducted in relation to encounters with bodies through photographs, painting and self-portraiture, as well as encounters with bodies that reveal aspects of their particular embodiment at moments of disruption or in their pathological relationships to the world. In each case, what is explored are figures of approach and withdrawal, turn and return, in which the body is nearly available to touch, but always elusive. (shrink)