A obra platônica pode ser dividida em três fases distintas que agrupam diálogos comcaracterísticas comuns. No entanto, alguns diálogos são de difícil colocação, pois possuemcaracterísticas comuns a mais de uma fase. O Górgias é um desses diálogos. Por um lado, possuiargumentos característicos dos primeiros diálogos, e, por outro, demonstra uma maturidadetemática e uma postura dogmática de Sócrates que mais se aproxima da República, portanto,da segunda fase. Entender quais são as possibilidades de agrupamento dos diálogos de Platão éfundamental para se propor (...) o deslocamento do Górgias dos diálogos socráticos para a segundafase, ou seja, aproximá-lo do mesmo ambiente conceitual da República, e, a partir disso,começar a enxergar no texto elementos filosóficos relevantes ao desenvolvimento da filosofiamoral e política de Platão. (shrink)

This paper argues that the so-called 6th definition of the sophist found in the outer part of Plato's "Sophist" is a methodological passage meant to point out how the sophist is to be pursued properly if he is to be distinguished from the philosopher.

The present chapter investigates Heidegger's early understanding of Platonic dialectic in its contrast to sophistry as this comes to expression in his lectures on Plato's Sophist.

This paper demonstrates the central role of the Socratic elenchus in the Sophist. In the first part, I defend the position that the Stranger describes the Socratic elenchus in the sixth division of the Sophist. In the second part, I show that the Socratic elenchus is actually used when the Stranger scrutinizes the accounts of being put forward by his predecessors. In the final part, I explain the function of the Socratic elenchus in the argument of the dialogue. By contrast (...) with standard scholarly interpretations, this way of reading the text provides all the puzzles about being (241c4–251a4) with a definite function in the dialogue. It also reveals that Plato’s methodology includes a plurality of method and is more continuous than what is often believed. (shrink)

Despite Diotima’s irresistible virtues and attractiveness across the millennia, she spells trouble for philosophy. It is not her fault that she has been misunderstood, nor is it Plato’s. Rather, I suspect, each era has made of Diotima what it desired her to be. Her malleability is related to the assumption that Plato invented her, that she is a mere literary fiction, licensing the imagination to do what it will. In the first part of my paper, I argue against three contemporary (...) ‘majority views’ about Diotima that I regard as false. The first is that we can be certain she is fictional;1 a second is that Diotima is our best evidence for Plato’s feminism; the third, that she is Plato’s mouthpiece for the higher mysteries in the Symposium. After I have set aside what I regard as false, I proceed in the second half of my paper to develop Diotima’s positive contribution to philosophical psychology, her naturalistic account of the psyche as mortal, unified, and developmental. Whether the view Plato assigns to her is one that he held I do not pretend to know; but it is a powerful, defensible, and coherent view that inspired positive aspects of Freudian psychology in the twentieth century. Freud’s insight, in fact, makes clear how erōs can be developed in relation to the bad as well as the good. (shrink)

Plato is commonly considered a metaphysical dualist conceiving of a world of Forms separate from the world of particulars in which we live. This paper explores the motivation for postulating that second world as opposed to making do with the one we have. The main objective is to demonstrate that and how everything, Forms and all, can instead fit into the same world. The approach is exploratory, as there can be no proof in the standard sense. The debate between explaining (...) Plato’s ontology with a single world and requiring a two-world model to make sense of the same thing is typically about scouring the Platonic corpus for evidence and turning to Aristotle for help where we need it. The aim here is to dig deeper than what either of them, or anyone else, has said or implied about the number or worlds, searching instead for any insight that might be gained from the way Forms are supposed to exist versus what we ourselves might understand by existence. Although the paper is, at its most basic level, about the existence of the Forms, the intention is not to prove that they exist, nor to evaluate the proofs and objections already on record, but to consider how they might exist and what follows if they do. Dialogue toward consensus on why we think the Forms exist, and why we think they do not, could perhaps provide a smoother “second sailing” in waters where we have been unable to agree whether they do and where they would if they did. (shrink)

A commentary on the Symposium as a challenge and a gift to Athens. I begin with a reflection on three dates: 416 bce, the date of Agathon’s victory party, c. 400, the approximate date of Apollodorus’ retelling of the party, and c. 375, the approximate date of the ‘publication’ of the dialogue, and I argue that Plato reminds his contemporary Athens both of its great poetic and legal and scientific traditions and of the historical fact that the way late fourth (...) century Athens appropriated them in some way led to the city’s demise at the turn of the century; thus the dialogue is Plato’s challenge to his contemporary Athens to recognize and overcome its flawed relation to its cultural resources. Heard in this way, the key moments are Aristophanes’ implied critique of Pausanias and Eryximachus and Socrates’ implied critique of Aristophanes and Agathon. Proceeding by a close reading, I argue that Plato exposes, for those moved to rise to his challenge, the failure of his great predecessors to conceive the divine in a way that, worthy of the height and otherness divinity requires, can provide substantive orientation for the burgeoning new reason that animates the city’s culture. (shrink)

The article tries to prove that the famous formula "epekeina tês ousias" has to be understood in the sense of being beyond being and not only in the sense of being beyond essence. We make hereby three points: first, since pure textual exegesis of 509b8–10 seems to lead to endless controversy, a formal proof for the metaontological interpretation could be helpful to settle the issue; we try to give such a proof. Second, we offer a corollary of the formal proof, (...) showing that not only self-predication of the form of the Good, but of any form is not possible, that is: no form of F has the form of F. Third, we apply Spinoza’s distinction between an ens imaginarium and a chimaera to Plato’s Idea of the Good. (shrink)

_Draws out numerous affinities between the sophists and Socrates in Plato's dialogues._.

Two readings of the much-discussed περιτροπή argument of "Theaetetus" 170c-171c have dominated the literature. One I call "the relativity reading". On this reading, the argument fails by ignoratio elenchi because it "carelessly" omits "the qualifications 'true for so-and-so' which [Protagoras'] theory insists on" (Bostock 1988: 90). The other reading I call "the many-worlds interpretation". On this view, Plato's argument succeeds in showing that "Protagoras' position becomes utterly self-contradictory" because "he claims that everyone lives in his own relativistic world, yet at (...) the same time he is forced by that very claim to admit that no one does" (Burnyeat 1976b: 48). I discuss and criticise both readings, and present a third, according to which the point of the argument is, very roughly, that Protagoras is committed to equating truth and truth-for, and so, further, to their intersubstitutability. This further commitment proves fatal to his argument. (shrink)

This article aims at reconstructing the logic and assessing the force of Socrates' argument against Protagoras' 'Measure Doctrine' at Theaetetus 171a–c. I examine and criticise some influential interpretations of the passage, according to which, e.g., Socrates is guilty of ignoratio elenchi by dropping the essential Protagorean qualifiers or successfully proves that md is self-refuting provided the missing qualifiers are restored by the attentive reader. Having clarified the meaning of MD, I analyse in detail the broader section 170a–171d and argue, against (...) an extensive scholarly consensus, that it contains two slightly different formulations of the same argument, and not two distinct arguments, that Socrates does not highlight his own strategy at 171a–c as especially clever, and that his argument successfully shows that md turns out to be untenable for Protagoras himself when submitted to scrutiny in dialectical contexts, without aiming at proving its absolute falsehood. Finally, I clarify the philosophical import of the final image of Protagoras' momentary return from the underworld. (shrink)

A critical examination of the charge of self-refutation, particularly as leveled by orthodoxy-defending philosophers against those maintaining epistemologically unorthodox, especially relativistic or skeptical, views. Beginning with an analysis of its classic illustration in Plato’s *Theaetetus* as leveled against Protagoras’s “Man is the measure ...,” I consider various aspects of the charge, including logical, rhetorical, pedagogic, affective, and cognitive.

This article will contrast two portrayals of Protagoras: one in the "Theaetetus," where Socrates discusses Protagorean theory and even comes to his defense by imitating the deceased sophist; and another in the "Protagoras," where Socrates recounts his encounter with the sophist. I suggest that Plato wants listeners and readers of the dialogues to hear the dissonance between the two portraits and to wonder why Socrates so distorts Protagoras in the "Theaetetus." Protagoras in the "Protagoras" behaves and speaks in ways that (...) are incompatible with the Protagorean position presented in the "Theaetetus.". (shrink)

In the "Republic," Plato has Socrates attack poetry’s use of mimēsis, often translated as ‘imitation’ or ‘representation.’ Various scholars (e.g. Blondell 2002; Frank 2018; Halliwell 2009; K. Morgan 2004) have noticed the tension between Socrates’ theory critical of mimēsis and Plato’s literary practice of speaking through various characters in his dialogues. However, none of these scholars have addressed that it is not only Plato the writer who uses mimēsis but also his own character, Socrates. At crucial moments in several dialogues, (...) Socrates takes on a role and speaks as someone else. I call these moments “Socratic mimēsis.” While previous commentators have noticed some of these moments, they have either overstated their rarity or they have not studied them collectively. My dissertation is the first in-depth investigation of this phenomenon in the dialogues. Socrates’ dramatic imitation of others is way of teaching in a voice separate from his own, and it is also a way for Plato to speak to, and to educate, different kinds of audiences. Although “Socratic mimēsis” occurs throughout the Platonic corpus, I focus on three passages from three different dialogues, which are paradigm instances: [1] in the "Crito" Socrates plays the part of ‘the Laws’ (50a-54c); [2] in the "Theaetetus" he acts the part of ‘Protagoras’ (166a-168c); and [3] in the "Menexenus" he recites a funeral speech learned from ‘Aspasia’ (236d-249c). Instead of one-sidedly reading the dialogues as either only literary works of art or as only a series of philosophical arguments, this study gleans philosophic insights from the literary and dramatic details of the dialogues. In chapter one I argue that in the "Crito" Socrates tries to convince Crito of a universal and absolute ethics based on never committing injustice, but Crito is not able to understand. In order to make Crito more just—but not yet at the level of Socratic ethics—Socrates creates ‘the Laws’ to persuade Crito to expand his personal notion of justice. Socrates instills a political obedience in place of Crito’s existing lawlessness as a second-best recourse. Plato expects the astute listener or reader to see the contrast between Socrates’ earlier ethical principles, said in his own voice, with what he says in the voice of ‘the Laws.’ In chapter two I argue that in the part of the "Theaetetus" where Socrates defends Protagoras (often called ‘the Defense’), Socrates, by imitating ‘Protagoras,’ is actually criticizing Protagorean relativism. The Protagorean theory cannot account for mimēsis and Socrates’ mimetic act performatively contradicts the identity of appearance and reality, which the theory presupposes. Finally, in chapter three I argue that in the Menexenus the funeral oration that Socrates recounts for Menexenus that he heard from ‘Aspasia’ is actually a disguised criticism of political rhetoric and of Athenian imperialism. Although the speech is never interrogated within the dialogue, Plato provokes the listener or reader outside the dialogue to question its message and to see how it conflicts with many of Socrates’ positions in other dialogues. Beyond reconsidering the long-standing and persistent view that Plato was against poetry and mimetic performance, I re-examine the role that performance and role-playing can have in philosophy and pedagogy more generally. Actors, by taking on other personas, and audience members, in observing actors and their actions, are both involved in acts of imagination that can expand their horizon of thinking and feeling. (shrink)

This paper discusses two broadly logical issues related to Protagoras’ measure doctrine (M) and the self-refutation argument (SRA). First, I argue that the relevant interpretation of (M) has it that every individual human being determines all her own truths, including the truth of (M) itself. I then turn to what I take to be the most important move in the SRA: that Protagoras recognises not only that his opponents disagree with him about the truth of (M), but also that they (...) hold that (M) is false simpliciter. By recognising that his opponents do not make the relativising concession he makes for them, he is forced to accept that (M) is false. I go on to argue that several other defenders of the SRA end up with a regress which is difficult to end and might not favour anti-Protagoreans. On my reading, by recognising what his opponents believe, Protagoras is barred from adding qualifiers, and the possible regress doesn’t get off the ground. I conclude with brief discussions of how Protagoras might try to avoid the result of the SRA and the argument’s role in this part of the Theaetetus. (shrink)

This paper argues for a possible-worlds interpretation of the arguments marshalled by Socrates against Protagoras in Plato’s Theaetetus. Specifically, it reads Protagoras’ position as implying a limited form of modal realism, and evaluates both the self-refutation sequence at 170a–71d and the Future Argument at 177c–9c on the basis of this reading. It emerges that Socrates’ project is only partly successful: while the three main arguments of the self-refutation sequence force Protagoras into ever more awkward and metaphysically top-heavy positions, and the (...) Future Argument is psychologically compelling, these arguments do not force a collapse of the relativist position. Protagoras can still defend himself, though the cost is high. (shrink)

In Plato’s Gorgias 482c4–484c3, Callicles advances a concept of natural justice: the laws of the polis must agree with nature, that is, human nature. Since human nature is characterised by its desire to get a greater share, nature itself makes it legitimate that stronger human beings get a greater share than weaker ones. Socrates objects: Callicles’ theoretical approach to civic life poses a threat to the polis’ community, its citizens, and to the friendship amongst its citizens. However, Socrates accepts Callicles’ (...) premise, that the laws of the polis must agree with nature. Still, he disagrees with Callicles about the nature of human nature and proposes an alternative theory of human nature, eventually leading to his alternative concept of natural justice. The article explains the arguments underpinning these two concepts of natural justice, including the conflicting understandings of human nature. (shrink)

The strange and challenging stretch of dialectic with which Plato’s Sophist begins and ends has confused and frustrated readers for generations, and despite receiving a fair amount of attention, there is no consensus regarding even basic issues concerning this method. Here I offer a new account of bifurcatory division as neither joke nor naïve method, but instead a valuable, propaedeutic method that Plato offers to us readers as a means of embarking upon the kind of mental gymnastics that will stretch (...) us properly in preparation for further, more challenging dialectical work. Considering several interpretive issues, I argue that bifurcatory division is a process of collective inquiry into the common through which an account, both definitional and taxonomical, is discovered. Depending on the level of understanding exhibited by the inquirers, this account may or may not allow for noetic understanding of the object in the deepest sense. (shrink)

Plato’s Gorgias sets out to discuss the nature and aim of rhetoric. The dialogue was held in high esteem among late ancient Platonists and it resurfaced in Renaissance discussions about ethics. Olympiodorus produced an extensive commentary on the dialogue, emphasising its ethical content. In 1409, Leonardo Bruni provided the first complete Latin translation of the Gorgias with preface and annotations. Later in the Renaissance we find direct and indirect commentaries by George of Trebizond and Marsilio Ficino. I argue that Ficino’s (...) translation of, and commentary to, Plato’s Gorgias was a significant, but perhaps also unintended, contribution to the dissemination of ancient sophists in the Italian Renaissance. Ficino’s commentary to the Gorgias defends a legitimate and philosophical use of rhetoric, including the one we find in Plato’s own writings. Furthermore, Ficino treats the character Callicles – together with several other sophists in Plato’s dialogues – as an enemy of the Platonic-Pythagorean ethical ideal, maintaining that the sophists were wrong. Moreover, he treats ancient sophists as a fairly homogeneous group, unlike some of the ancient sources. (shrink)

The essay is a critical examination of the charge of self-refutation, particularly as leveled by orthodoxy-defending philosophers against those maintaining epistemologically unorthodox, especially relativistic or skeptical, views. (It was originally published in *Common Knowledge* in 1993, and reprinted in the journal's 25th anniversary issue.) Beginning with an analysis of its classic illustration in Plato’s Theaetetus as leveled by Socrates against Protagoras’s “Man is the measure..,” the essay considers various aspects of the charge, including its paradigmatic theatrical staging, its frequent pedagogic (...) restaging, its logical and rhetorical structure, its complex emotional and psychological effects, and its apparent cognitive dynamics. After discussion of the comparable structure and dynamics of related self-undoings in myth and drama, the examination of alleged exposures of self-contradiction moves to general observations regarding the recurrent encounter between conviction and skepticism and the question of how best to understand the phenomenon of fundamentally clashing and arguably incommensurable beliefs. These encounters and questions are usefully addressed and illuminated, Smith suggests, by constructivist epistemology, contemporary history and sociology of science, and recent work in cognitive theory. In connection with the logically circular question-begging or self-affirmation commonly involved in demonstrations of the relativist’s self-refutation, Smith gives particular attention to the evidently endemic tendency to cognitive self-stabilization. (shrink)

My dissertation is devoted to an examination of the resolution of fallacy in Plato's Euthydemus. It is a familiar claim that the Euthydemus champions Socratic argumentation over sophistical or eristic reasoning. No consensus however exists regarding either the nature or philosophical significance of Socrates’ treatment of the fallacies he confronts. I argue that a careful reading of the dialogue reveals that the Socratic response to fallacious reasoning is conducted at two different levels of philosophical sophistication. Socrates relies upon the resources (...) of Socratic dialectic in responding to sophisms due to ignorance of refutation. Insofar as Socratic dialectic is grounded in a grasp of the nature of genuine refutation, the objections it raises to false refutation are fully explanatory. On the other hand, Socrates employs various self-refutation arguments against theses which depend on false assumptions regarding the nature of predication---for example, the thesis that false speaking is impossible. It is however characteristic of Socratic dialectic that this method of examination cannot explain why the sophists’ theses are false. The Socratic response to fallacy in these cases is non-explanatory in this sense. On the other hand, these limitations on Socratic expertise are overcome in other passages in the dialogue which are replete with clues to the reader that point to a genuine explanation and resolution of the sophists’ arguments for their various theses. In particular, the reader is invited at every turn to modify, clarify, or reject various assumptions made by the brothers regarding the nature of predication. Here Plato implicitly relies on the results of what I call higher dialectic. This theory, which receives explicit formulation in the Sophist, is conceptually rich enough to expose and dispose of the various false assumptions upon which the sophists’ theses rest. I conclude that the Euthydemus is concerned to identify Socratic dialectic as only a part of philosophy, and to locate and strictly delimit its epistemological status as lying above eristic and the rhetorical arts, but below that of dialectic as that is conceived in the Republic and even later dialogues---thus anticipating the Sophist’s conception of Socrates as the practitioner of a ‘noble sophistry’, and the elenchus as a propaedeutic to philosophy, which purges the soul of false beliefs. (shrink)

Two readings of the much-discussed περιτροπή argument of "Theaetetus" 170c-171c have dominated the literature. One I call "the relativity reading". On this reading, the argument fails by ignoratio elenchi because it "carelessly" omits "the qualifications 'true for so-and-so' which [Protagoras'] theory insists on" (Bostock 1988: 90). The other reading I call "the many-worlds interpretation". On this view, Plato's argument succeeds in showing that "Protagoras' position becomes utterly self-contradictory" because "he claims that everyone lives in his own relativistic world, yet at (...) the same time he is forced by that very claim to admit that no one does" (Burnyeat 1976b: 48). I discuss and criticise both readings, and present a third, according to which the point of the argument is, very roughly, that Protagoras is committed to equating truth and truth-for, and so, further, to their intersubstitutability. This further commitment proves fatal to his argument. (shrink)