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  1. Three forms of philosophical theatre in Kierkegaard’s Journals and Notebooks.Stuart Dalton - 2022 - Philosophy and Social Criticism 48 (1):86-127.
    I argue that Kierkegaard’s Journals and Notebooks deserve to be read as works of philosophy and not just used as supplements to bring order and respectability to Kierkegaard’s other writings. There are at least three specific philosophical values in Kierkegaard’s journals – three ways in which the journals create philosophy within their own pages and therefore deserve to be read as independent works of philosophy and not just as supplements to Kierkegaard’s other writing: (1) The journals demonstrate what a true (...)
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  • Imitation and Contemporaneity: Kierkegaard and the Imitation of Christ.Joshua Cockayne - 2022 - Heythrop Journal 63 (4):553-566.
    The Heythrop Journal, Volume 63, Issue 4, Page 553-566, July 2022.
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  • How to cross the rubicon without falling in: Michel Henry, Søren Kierkegaard, and new phenomenology.Amber Bowen - 2019 - International Journal of Philosophy and Theology 80 (4-5):465-481.
    ABSTRACTThroughout his published work, Michel Henry expresses a deep appreciation for the writings of Kierkegaard, using them as an inspirational foundation for much of his own thought. However, Henry claims to be far more Kierkegaardian than he really is. Henry’s peers have identified several philosophical and theological deficiencies in Henry’s thought. These places of weakness also happen to be his most obvious points of departure from Kierkegaard. A Kierkegaardian confrontation with Henry demands a retrieval of the Infinite Qualitative Difference between (...)
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  • Listening to the Address of Existence.Bjarke Mørkøre Stigel Hansen - 2021 - Journal of the British Society for Phenomenology 52 (4):314-333.
    The aim of this essay is to reflect on the place and importance of the question of address and to show how it comes to the fore in Søren Kierkegaard’s writings. What shall be attempted, with regard to Kierkegaard’s already widely recognized renown as an existential thinker, is to catch a glimpse of issues that make up the larger background in which the question of address is embedded. In doing so, the essay explores several features of Kierkegaard’s inquiry into the (...)
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  • Finitude, Necessity, and Healing from Despair in Kierkegaard's The Lily and the Bird.Anna Louise Strelis Söderquist - 2024 - Journal of Religious Ethics 52 (1):95-113.
    This study underscores The Lily and the Bird's response to despair in The Sickness unto Death. By suggesting in The Lily and the Bird that we look to nature's creatures to learn an attunement and responsiveness to our situation as physical creatures subject to finite constraints, Kierkegaard's text comes into dialogue with a form of misalignment portrayed in The Sickness unto Death as a refusal of the given, “the finite,” and “the necessary.” One way of seeking alignment in The Lily (...)
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  • Kierkegaard, Repetition and Ethical Constancy.Daniel Watts - 2017 - Philosophical Investigations 40 (4):414-439.
    How can a person forge a stable ethical identity over time? On one view, ethical constancy means reapplying the same moral rules. On a rival view, it means continually adapting to one's ethical context in a way that allows one to be recognized as the same practical agent. Focusing on his thinking about repetition, I show how Kierkegaard offers a critical perspective on both these views. From this perspective, neither view can do justice to our vulnerability to certain kinds of (...)
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  • Listening for Kierkegaardian echoes in Lyotard: the paradox of faith and Lyotard’s ethical turn.Elizabeth Li & Katie Crabtree - 2019 - International Journal of Philosophy and Theology 80 (4):374-389.
    This paper seeks to discern the Kierkegaardian echoes present in the writings of the French philosopher Jean-François Lyotard. While these thinkers share a number of commonalities such as their resistance to categorisation and their imaginative and complex writing styles, Lyotard’s engagement with Kierkegaard has been largely dismissed as inconsequential. However, a modest yet consistent device invoked by Lyotard is Kierkegaard’s paradox of faith from Fear and Trembling. While these references to Kierkegaard read as terse blips in Lyotard’s texts, this paper (...)
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