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Art broadly and wholly conceived

In Lars Aagaard-Mogensen (ed.), Culture and art: an anthology. Atlantic Highlands, N.J.: Humanities Press. pp. 45--52 (1976)

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  1. Artistic Institutions, Valuable Experiences: Coming to Terms with Artistic Value.Henry John Pratt - 2012 - Philosophia 40 (3):591-606.
    Supposing that talk of a distinctively artistic type of value is warranted, what separates it from other sorts of value? Any plausible answer must explain both what is of value and what is artistic about artistically valuable properties. Flaws with extant accounts stem from neglect of one component or the other; the account offered here, based on careful attention to actual art-critical practices, brings both together. The “value” component depends on the capacity of artworks to provide subjectively valuable experiences, while (...)
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  • The Artistic Expression of Feeling.Gary Kemp - 2020 - Philosophia 49 (1):315-332.
    In the past 60 years or so, the philosophical subject of artistic expression has generally been handled as an inquiry into the artistic expression of emotion. In my view this has led to a distortion of the relevant territory, to the artistic expression of feeling’s too often being overlooked. I explicate the emotion-feeling distinction in modern terms, and urge that the expression of feeling is too central to be waived off as outside the proper philosophical subject of artistic expression. Restricting (...)
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  • The institutional theory of art: A survey.David Graves - 1997 - Philosophia 25 (1-4):51-67.
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