Reflexivity and detachment: a discursive approach to women's depression This paper explores a discursive approach to understanding women's depression by presenting the results of research into women's narratives of their experiences. The discursive approach taken acknowledges women's immersion in cultural practices that determine the subject positions available to them and places a value on attributes of reflexivity and detachment that are not usually associated with their performance. The social and cultural context of the individual's experience is significant because if the (...) focus is simply on the individual this supposes that the problem lies solely with the individual. An understanding of cultural expectations and their relation to mental distress is important to mental health nursing practice. The psychotherapeutic relationship that is fundamental to mental health nursing practice requires an understanding of the meaning of individual's responses in their cultural context in order to provide facilitative and meaningful care for the women that they nurse. (shrink)

At one place in his collection of essays The Crane Bag and Other Disputed Subjects, the novelist and mythographer Robert Graves makes the following claim that might sound rather shocking to the ears of an analytic philosopher:I find myself far more at home with mildly superstitious people – sailors and miners, for instance – than with stark rationalists. They have more humanity.

Philosophers of religion have tended to focus on Freud’s dismissal of religion as an illusion, thus characterising his account as primarily hostile. Those who wish to engage with psychoanalytic ideas in order to understand religion in a more positive way have tended to look to later psychoanalysts for more sympathetic sources. This paper suggests that other aspects of Freud’s own writings might, surprisingly, provide such tools. In particular, a more subtle understanding of the relationship between illusion and reality emerges in (...) his theory, that itself offers a useful way of understanding the meaning and significance of religion for the human animal. By exploring these sources a view of religion emerges which connects it closely with the processes of imagination and creativity. Under this view, religion is more than just a set of hypotheses to be proved or disproved. In religion, we have access to the most deeply rooted wishes and anxieties of the human heart, and thus its investigation enables a deeper understanding of what it is to be a human being. (shrink)

Explores how the concept of revolution permeates and unifies Kristeva’s body of work.

In order to interpret the work of British photographer Miles Aldridge and gain insight into the semiotic ambiguity of his photographs, this paper relies on the capacity to decipher the photographs’ relationship to other arts such as Italian cinema and in particular, to the work of Italian film director Michelangelo Antonioni. From the perspective of this present study, the decisive role of semiotics in relation to photography is that it promotes an interactive process between artist and spectator. The methodology employed (...) in this study to demonstrate how previous systems of language inspire a semiotic dialogue and produce multiple interpretations is a combination of Umberto Eco’s concept of open work and French narratological theories of hypertextuality. Through an examination of the Italian cinematic influence in the work of Miles Aldridge, this paper demonstrates how generating interpretations becomes an essential element of a photograph’s aesthetics. (shrink)

Illness and trauma challenge self-narratives. Traumatized individuals, unable to speak about their experiences, suffer in isolation. In this paper, I explore Kristeva’s theories of the speaking subject and signification, with its symbolic and semiotic modalities, to understand how a person comes to speak the unspeakable. In discussing the origin of the speaking subject, Kristeva employs Plato’s chora (related to choreo , “to make room for”). The chora reflects the mother’s preparation of the child’s entry into language and forms an interior (...) darkroom, the reservoir of lived experience, from which self-narratives issue. Unable to speak of their suffering, traumatized individuals need someone to help them make room for a time of remembrance, someone who is a willing and capable listener. I call such a person a healing witness . Through the mediating presence of the healing witness, fragmented memories of trauma are recreated and incorporated into self-narratives that are sharable with others. Unfortunately, opportunities for witnessing are vanishing. In the last section, I examine the failure of modern media and communication technologies to bear (“hold,” “carry,” “transport”) acts of witnessing. I argue that they perturb the semiotic. According to Kristeva, meaning arises from the dialectical tension between the semiotic (drives and affects) and the symbolic (logic and rules) and is threatened by arid discourse, psychosomatic illnesses, and outbreaks of violence when the semiotic is not represented . Unless we open technology to the imaginary, we risk losing the capacity to bear witness to one another and to create narratives and connections that are meaningful. (shrink)

Kazuo Ishiguro’s book Never Let Me Go is a thoughtful and provocative exploration of what it means to be human. Drawing on insights from the hermeneutic-phenomenology of Martin Heidegger, I argue that the movement of Ishiguro’s story can be understood in terms of actualising the human potential for autonomous action. Liberal theories take autonomy to be concerned with analytically and ethically isolatable social units directing their lives in accordance with self-interested preferences, arrived at by means of rational calculation. However, I (...) argue that such theories are simplistic abstractions from our human-life world, distorting the fundamental embodied, embedded, and relational nature of autonomy. When we attend closely to our concrete, lived existence we see instead that autonomy is about responding appropriately to others with whom we share a world. As we follow the path of Ishiguro’s central character Kathy H., we are shown how an awareness and acceptance of our existential finitude as precarious and fallible creatures is necessary for guiding such appropriate interactions. As Kathy grows and is affirmed into her life-world, which grounds and supports her Being, she moves from heteronomy to autonomy; from being moved by external laws to embodying those laws, thereby becoming autonomous. This is exemplified by her appropriation of the carer role, through which she responds in a fitting way to those with whom she shares her world, bearing the weight of and dwelling responsibly within our human condition. (shrink)

The Portable Kristeva. Edited by Kelly Oliver New York: Columbia University Press, 1997), xxix + 410 pp., $21.00, £13.95 paper. The Cambridge Companion to the French Novel: From 1800 to the Present. Edited by Timothy Unwin, xxiii + 281 pp. £37.50, $59.95 cloth £13.95, $18.95 paper. Insurgent Identities: Class, Community, and Protest in Paris from 1848 to the Commune. By Roger V. Gould, viii + 253 pp. $40.95, £32.75 cloth $15.95, £12.75 paper. The State of the Nation: Government and the (...) Quest for a Better Society. By Derek Bok, 493 pp. $35.00 cloth. The Darwinian Paradigm: Essays on its History, Philosophy, and Religious Implications. By Michael Ruse, 299 pp. £11.99 paper. Economic Laws and Economic History. By Charles P. Kindleberger, xi + 191 pp. £14.95, $18.95 paper £32.50, $54.95 cloth. An Introduction to the Philosophy of History. By Michael Stanford, viii + 292 pp. $54.95, £45.00 cloth $29.95, £14.99 paper. The Illicit Joyce of Postmodernism: Reading Against the Grain. By Kevin J. H. Dettmar xv + 276 pp. £45.00 cloth £20.50 paper. The Language of Gender and Class: Transformation in the Victorian Novel. By Patricia Ingham, ix + 197 pp. n.p.g. The Sorrows of the Quaker Jesus: James Nayler and the Puritan Crackdown on the Free Spirit. By Leo Damrosch, xiv + 384 pp. $39.95, cloth. Sovereignty and the Sword: Harrington, Hobbes, and Mixed Government in the English Civil Wars. By Arihiro Fukudo, xiii + 175 pp. £35.00. Caravaggio and His Two Cardinals. By Creighton E. Gilbert, xiii + 316 pp., $85.00, £76.50. Leaving the Cave: Evolutionary Naturalism in Social‐Scientific Thought. By Pat Duffy Hutcheon, xvi + 504 pp. $55.00 cloth. The Culture of Slander in Early Modern England. By M. Lindsay Kaplan Cambridge Studies in Renaissance Literature & Culture, xii + 137 pp. £32.50, $49.9 cloth. The Middling Sort: Commerce, Gender, and the Family in England, 1680–1780. By Margaret R. Hunt, xiii + 353 pp.n.p.g. History Continues. By Georges Duby, translated by A. Goldhammer, xvi + 149 pp. $14.95, £ 11.95 paper. Friedrich Nietzsche: Untimely Meditations. Edited by Daniel Breazeale, translated by R.J. Hollingdale. xlvii + 276 pp. $49.95 cloth $15.95 paper. Weakness of the Will in Medieval Thought: From Augustine to Buridan. By Risto Saarinan, viii + 207 pp. $77.25, £35.00 cloth. Relics, Apocalypse, and the Deceits of History: Ademar of Chabannes, 989–1034. By Richard Landes, Harvard Historical Studies, 117, xii + 404 pp. $55.00 cloth. Chronicles of the Vikings: Records, Memorials and Myths. Edited by R. I. Page., 239 pp. $50.00 cloth $17.95 paper. Ideas and Policies Under Labour 1945–1951. By Martin Francis, vi + 269 pp. £40.00 cloth. Aesthetics: The Classic Readings. Edited by David E. Cooper, vi + 276 pp. $ 54.95 cloth $ 19.95 paper. Adorno's Aesthetics of Music. By Max Paddison, xii + 378 pp. £15.95 paper. Medieval Stereotypes and Modern Antisemitism. By Robert Chazan, xiii + 189 pp. $35.00 cloth. Umwelt‐Lesebuch: Green Issues in Contemporary German Writing. Edited by Axel Goodbody, ix + 197 pp. £35.00, £9.99 paper. Understanding Contemporary Germany. By Stuart Parkes, xxxii + 247 pp., £13.99 paper. Cultural‐Political Interventions in the Unfinished Project of Enlightenment. Edited by Axel Honneth, Thomas McCarthy, Claus Offe, and Albrecht Wellmer, 314 pp. n.p.g. Reflections of Change: Children's Literature Since 1945. Edited by Sandra L. Beckett, xi + 203 £ 43.95 cloth. The Arnolfini Betrothal: Medieval Marriage and the Enigma of Van Eyck's Double Portrait. By Edwin Hall, xxi + 180 pp. $50.00. Nineteenth‐Century Literary Realism: Through the Looking Glass. By Katherine Kearns, X + 310 PP. £40.00, $59.95. Socrates and Aristophanes. By Leo Strauss, 332 pp. $15.95, £12.75 paper. The Clock and the Mirror. Girolamo Cardano and Renaissance Medicine. By Nancy G. Siraisi, xiv + 361 pp. cloth $49.50, £37.50 cloth. The Invisible World: Early Modern Philosophy and the Invention of the Microscope. By Catherine Wilson, 280 pp., $18.95, £14.95 paper. Intelligence de l'anticommunisme: Le Congrès pour la liberté de la culture à Paris. By Pierre Grémion, 645 pp. 240 FF. A City in Conflict: Troyes During the French Wars of Religion. By Penny Roberts, Studies in Early Modern History, x + 228 pp., £40.00 cloth. Teresa of Avila and the Rhetoric of Femininity. By Alison Weber, xi + 183 pp., $15.95 paper. Heresy and Literacy, 1000–1530. Edited by Peter Biller and Anne Hudson, xxv + 313 pp., $19.95, £13.95, paper. The Commercialization of English Society, 1000–1500. 2nd ed. By Richard H. Britnell, Manchester Medieval Studies, xvi + 281 pp. $24.95, £35.00 cloth £12.00 paper. Nationalism Reframed: Nationhood and the National Question in the New Europe. By Rogers Brubaker, 202 pp. n.p.g. (shrink)

This paper investigates the potential of the concept of sublimation for thinking subjectivity at the intersection of psychoanalysis and critical theory. I first rehearse a recent argument by Whitebook that Freud’s notion of sublimation presents a nonviolent integration and expansion of the ego, which can mediate the modern dichotomy between the rational subject and nonrational impulse and desire. On this view, sublimation turns subjectivity into a site of possibility in the context of modern, rationalized thought and society. I then argue (...) that the concept of sublimation offered to critical theory in this form is insufficiently developed. Both Freud and Adorno analyze a deep-seated destructiveness of the modern subject, which turns up right at the heart of attempts to mediate the dichotomies of rationalized modernity. What is needed to counter this problem is a theory of love in which love is not separated from, but, rather, correlated with drive and desire, and can thereby get on a level with the unconscious or unacknowledged, impulsive nature of death-bearing subjectivity in enlightened modernity. A central conception in Kristeva’s development of Freudian psychoanalysis, the idea of transference love, delivers such a theory and thereby develops the concept of sublimation in the way that is needed at the intersection of psychoanalysis and critical theory. (shrink)

This essay explores the theme of sexual difference in relation to sacrifice by contrasting Girard's account of mimetic desire and cultural violence with Kristeva's extensive reflections on allied themes. Inspired by Reineke's critique of Girard the object of the paper is to generate discussion concerning the ethical implications of recognizing the play of sexual difference in any theory of sacrifice. Specifically it aims to contribute towards a subversion of the sexually specific violence of patriarchy.

Argues that affirming the irreducible differences between men and women can lead to more transformative politics than the struggle for abstract equality between the sexes. In The Symbolic Order of the Mother Luisa Muraro identifies the bond between mother and child as ontologically fundamental to the development of culture and politics, and therefore as key to achieving truly emancipatory political change. Both corporeal development and language acquisition, which are the sources of all thinking, begin in this relationship. However, Western civilization (...) has been defined by men, and Muraro recalls the admiration and envy she felt for the great philosophers as she strove to become one herself, as well as the desire for independence that opposed her to her mother. This conflict between philosophy and culture on the one hand and the relationship with the mother on the other constitutes the root of patriarchy’s symbolic disorder, which blocks women’s (and men’s) access to genuine freedom. Muraro appeals to the feminist practice of gratitude to the mother and the recognition of her authority as a model of unconditional nurture and support that must be restored. This, she argues, is the symbolic order of the mother that must overcome the disorder of patriarchy. The mediating power of the mother tongue constitutes a symbolic order that comes before all others, for both women and men. Luisa Muraro is Professor Emeritus of Philosophy at the University of Verona, Italy. Francesca Novello is an instructor at the University of Oklahoma. Timothy S. Murphy is Houston-Truax-Wentz Professor and Regents Professor of English at Oklahoma State University. (shrink)

Essays explore the significance of Julia Kristeva’s concept of intimate revolt for social and political philosophy. Over the last twenty years, French philosopher, psychoanalyst, and novelist Julia Kristeva has explored how global crises threaten people’s ability to revolt. In a context of widespread war, deepening poverty, environmental catastrophes, and rising fundamentalisms, she argues that a revival of inner psychic experience is necessary and empowering. “Intimate revolt” has become a central concept in Kristeva’s critical repertoire, framing and permeating her understanding of (...) power, meaning, and identity. New Forms of Revolt brings together ten essays on this aspect of Kristeva’s work, addressing contemporary social and political issues like immigration and cross-cultural encounters, colonial and postcolonial imaginations, racism and artistic representation, healthcare and social justice, the spectacle of global capitalism, and new media. Sarah K. Hansen is Assistant Professor of Philosophy at California State University, Northridge. Rebecca Tuvel is Assistant Professor of Philosophy at Rhodes College. (shrink)

Melancholia is a hybrid concept, deployed in feminist and philosophical theories politics and aesthetics, but ‘properly” belonging to neither. This heterogeneity of melancholia as both an aesthetic and a political category allows us to interrogate the interrelationship between gender politics and aesthetics without, however, abolishing their differences. Reinterpreted in the context of a feminist aesthetics, melancholia not only points to art’s origin in the unjust and gendered division of labor and power but also to the ethical and political task of (...) art to bear witness to the mute suffering of women cut off from the signifying possibilities of language. Moving beyond the entrenched oppositions between historicism/subjectivism, subject/object, or formalism /materialism, my own approach to an aesthetics of melancholia in women’s modern novels stresses unpredictable, conflicting migrations of pain between subjects and objects, political oppression and autonomous art, language and affect. (shrink)

Anamnesis (Swiatlo Dnia) was written as an aftermath of a six-day performative installation at the twelfth-century castle in Trancoso, Portugal with the participation of local women and men, mainly farmers. It was written concurrently while working on the editing of the video and the sound, which I filmed and recorded on site (or, as I think of it, layering of images, sounds and different time paths). The text addresses the act of drawing as related to speech, mark, trace, scripture, presence (...) and absence as it elaborates on the notion of gesture across the media and time. The vital connections between the performative act of drawing and the desire to mark since time immemorial and the contemporary virtual and cinematic mediums are crucial to the notion of anamnesis in both the physical installation in real time with performative inhabitation of space and in the virtual and altered memory of that occurrence in the resulting video piece. (shrink)

The start of the 21st century has seen the very concept of the political become devalued, and the body-politic has become a casualty of the nihilism and neurosis afflicting western cultures. Kristeva’s call for the rehabilitation of public life, of the political, and for the rethinking of freedom, it seems, comes at the right time. Her proposed politics of revolt and Rancière’s radically democratic politics of the no-part are valuable attempts to effect such a rehabilitation. By turning to these two (...) figures and placing them in dialogue we can gain a renewed appreciation for what democracy ought to be and begin to conceptualize and re-envision what a healthy, optimally-functioning democratic body-politic looks like. Kristeva’s proposed rehabilitation of public life, particularly when viewed alongside Rancière’s, lands her squarely in the company of other theorists who propose a politics of radical democracy to solve the current political problematic. Her conception of a ‘democracy of the multiple’ challenges the current pluralistic democracies in place today. (shrink)

While ethics has become accepted as an important field of inquiry within Anglo-American critical and feminist theory, the same thing cannot be said about ‘love’. I argue that ‘love’ needs to be taken as a serious, valid and crucial subject for academic study, and that feminist theory should have a special investment in the topic. Phenomenological theories of pain and psychoanalytic theories of melancholy can provide a negative definition of love by describing situations where love has lost its objects. These (...) theories help to map connections amongst pain, love, and language, and demonstrate how language — and for Julia Kristeva, how especially literary language — can play an important role in mediating these states. I propose that ‘love’ names not only a particular qualitative relation between a self and an Other, but also a process of altering oneself that involves the creation of an unusual and seemingly contradictory spacing or distance. Luce Irigaray’s work helps us conceive of this concept as an embodied one through her concept of proximate distance. I suggest a ‘poethics of love’ as a theory/methodology that could allow us to continue to think through these complex issues in a way that ties ethical, political and aesthetic concerns together. (shrink)

The paper attempts to construct a theoretical account of what melancholy—in a psychoanalytical and cultural sense—may mean for jurisprudence. It argues that the map of relations and displacements between the object and the subject that is associated with melancholy in different psychoanalytical approaches can be fruitfully adopted for understanding of normativity. Based on a thorough re-reading of Freud’s Trauer und Melancholie, it suggests that there is an irremovable component of melancholy contained in the primordial act of separation of normativity from (...) non-normative reality. This interpretation is confronted with Kelsen’s Theory of Pure Law in order to analyse in which respect the momentum of self-sufficiency within normativity entails structures of melancholy. Kelsen’s concept of ‘effectiveness’ is proposed as a key link which explains how melancholic withdrawal allows the law to interact with reality. Then the paper discusses Agamben’s theory of applicability and of the state of exception to demonstrate the law’s melancholic trap. Finally, the paper draws on Lacanian and post-Lacanian approaches to melancholy in order to investigate how melancholic momentum is inherent in the very structure of the law’s validity. (shrink)

There is a growing interest in the application of creative writing in the treatment of mental illness. Nonpharmacological approaches have shown that access to poetic, creative language can allow for the verbalisation of illness experiences, as well as for self-expressions that can include other facets of the subject outside of the disease. In particular, creative writing in a safe group context has proven to be of particular importance. In this article, we present a pilot on a creative writing group for (...) young adults in treatment for psychosis. We set the texts and experiences from the writing group in dialogue with Paul Ricoeur’s and Julia Kristeva’s philosophies onpoetic languageas meaning making and part of subject formation. The focus is on language as materiality and potentiality and on the patient’s inherent linguistic resources as founded in a group dynamic. As a whole, the project seeks to give an increased theoretical and empirical understanding of the potentiality of language and creativity for healing experiences, participation and meaning-making processes among vulnerable people. Furthermore, a practice founded in poetic language might critically address both the general and biomedical understanding of the subject and disease. (shrink)

In this article I critically re-examine Julia Kristeva's view that becoming a speaking subject requires psychical matricide: violent separation from the maternal body. I propose an alternative, non-matricidal conception of subjectivity, in part by drawing out anti-matricidal strands in Kristeva's own thought, including her view that early mother–child relations are triangular. Whereas she understands this triangle in terms of a first imaginary father, I re-interpret this triangle using Donald Winnicott's idea of potential space and Jessica Benjamin's idea of an intersubjective (...) space of thirdness. I argue that this space provides a maternal third term: a relation of connection and difference between two, a relation that inherits the affective, mobile, generative qualities of the maternal body as the infant (according to Kristeva) imagines it. This connecting space allows both mothers and children to emerge as subjects in their own right. I then suggest that potential-maternal space expands into language, so that language intrinsically allows the possibility of a speaking position of connection with the mother. Entrance into language need not entail separation or matricide: the problem is not language as such but the particular way that speech and logos have been defined historically. (shrink)

Scholars of childhood and child-centered education draw attention to the multiple accounts of the child that have attended its brief history. In this article I read George Orwell’s ‘Such, such were the joys’ as a demonstration of the contradictions inherent in our notions of childhood, but also as a possible model for understanding how conflicted definitions of childhood contribute to the modern subject’s sense of identity. Following Orwell’s claim that he can hold two contradictory accounts of his childhood because ‘these (...) happen to be my own memories’, I demonstrate his reliance on well-established ideas about childhood that are clearly not his own, but that nonetheless shape the way he understands his own childhood. Developing the inherent opposition between these two strands of thought on the child, I argue that holding both at once allows the modern subject to maintain a sense of self against the othering forces of formal education. (shrink)

Cancer has long been a cultural touchstone: a metaphor of devastation and a spectre of social as well as bodily anomie and loss. Yet recent years have witnessed significant transformations in perceptions of cancer, particularly in perceptions of the cancer patient. This paper is concerned with the ‘struggles of subjectivity’ emergent in this transvalued cancer culture. Explored from the standpoint of the ‘bad patient’, and drawing on media and cultural methodologies, the paper will consider the convergence of medicine, morality and (...) popular iconography as they are embedded in the imageries, imaginaries and representational economies of the cancer culture industry. Of particular concern in this context are the (re)composures of the patient, as liminal figure, caught between clinical imperative and cultural fantasy. (shrink)

Technological change and the growth of technocratic approaches to government have gone hand-in-hand with the development of secular transhumanism in the West. The result is a perfect storm for the onset of cultural or “soft” totalitarianism in what during the Cold War was known as the “Free World.” Accelerating political opposition to traditional and biological definitions of sex, and to traditional marriage and family networks in Christian contexts, has undermined anthropological and value assumptions basic to self-government. Paradoxically, in this post-Cold (...) War environment, Russian culture now provides a model for renewing the Christian understanding of sex related to defining freedom as self-restraint. Specifically, that model is that of the Russian Orthodox Christian anthropology of sex and its related theological tradition. (shrink)

Prompted by Eryximachus’ speech about the relationship between Eros and health in Plato’s Symposium, this paper engages the nature of poiēsis as it arises in the works of Martin Heidegger, Julia Kristeva, and Aristotle. All three address poiēsis as a human activity that points beyond an individual person, and in so doing speaks to what’s possible for human life. Section I addresses Heidegger, whose insistance on the interplay between “earth” and “world” in “The Origin of a Work of Art” speaks (...) to a continuous strife at the heart of poiēsis. Section II explains Kristeva’s situating of rhythm as the unarticulated undulation driving human life, grounding any subsequent articulation in poiēsis. Section III engages Aristotle, who, in his Poetics, opens his discussion of poiēsis and mimesis through rhythmos. All do so, I submit, with catharsis—itself a kind of love and health—in view. This catharsis is seen through an affirmation of poietic possibility in art (Heidegger), the practice of the speaking subject (Kristeva), and tragedy (Aristotle). (shrink)

This article notes the significance of the contribution that literary researchers - who must see themselves as `researchers-as-artists' - make in the area of policy and politics. The `researcher-as-artist' chooses words aesthetically to tell stories that construct new stages for debate and discussion, and that inspire governments and policy-makers, They push intellectual boundaries; they challenge; they stimulate and confer visibility on creative ideas; they provoke - artistically, educationally and morally; and make connections. They encourage new ways of looking and seeing. (...) Thus, for example, they can contribute to discussions of soap operas and connect them to folk-tales - tales of the folk, endlessly repeated variations on common themes. Using a literary optic in this way demonstrates not only the evolutionary powers of literature, but the vital role of literary researchers and of the stories they tell. (shrink)

Current models for individuation in academe exacerbate generational tensions between second and third wave feminists. Feminist pedagogues must be wary of getting caught in the "vicious circle of contempt," where students are expected to compensate for a teacher's past narcissistic wounds. Instead, we must be willing to mourn the wounds we have received at the hands of a contemptuous culture and to acknowledge same-gender attachments that are disavowed in dialectical models of subject production.

Kristeva’s Revolution in Poetic Language offers a challenge to theories of the subject in psychoanalysis, linguistic theory, and in philosophy. Central to that challenge is Kristeva’s conception of negativity. In this article, I trace the development of the concept of negativity in Revolution in Poetic Language from its root in Hegel, to rejection, which Kristeva develops out of Freud. Both are crucial to the development of the material dialectic between the semiotic and the symbolic that makes up Kristeva’s subject-in-process/on trial. (...) I argue that a clearer understanding of Kristeva’s conception of negativity helps us to better appreciate the force of Kristeva’s challenge, both philosophically and politically. Finally I argue that Kristevan negativity also helps us to clarify the relation between the delimited space of politics and its conditions, laying the groundwork for constitutive exclusion as political critique and opening a space for the possibility of political re-constitutions. (shrink)

Two books on Whitehead, a major study by the noted philosopher of science, Isabelle Stengers, and a shorter one by Didier Debaise are reviewed, along with two earlier mathematical and scientific works by Whitehead himself, which have been re-issued. This provides the basis for a wide-ranging discussion of the relationships between Whitehead's love of poetry and Heidegger's approach to it, Whitehead's background in mathematics and theoretical physics and his attitude to empirical science and more general problems of the philosophy of (...) the event, in particular how radical change can come about. (shrink)

This article investigates the emotional undercurrents of Tove Jansson’s Moominvalley in November. I argue that one of the main characters of Jansson’s book is the autumn forest that surrounds the abandoned Moomin house. The decomposing forest is not just an emblem of the inner lives of the guests that gather in the house but is an active character itself: an ambiguous life form that creeps in the house and must be expelled from its living core. I further demonstrate that the (...) emotion of disgust has a crucial role in Jansson’s narrative, and that an adequate analysis of the intentional content of disgust allows us to see what is at issue in the relations between the characters. In my reading, the main insight of Tove Jansson’s last Moomin book is not about loss or sorrow but is about the human capacity to begin anew by composing novel wholes from scraps. (shrink)

Re-evaluating dominant cultural narratives around dying and death is central to new critiques of individualism and human exceptionalism. As conceptual tools for theorizing the end of the individual proliferate, the affective dimensions of this project are often overlooked, especially as they pertain to individual subjects. In contrast, a significant number of iconic queer and feminist thinkers have suffered breast cancer and written memoirs representing the subjective experience of confronting mortality. This article identifies the affective orientations towards one’s own mortality as (...) missing from queer and feminist thinking on embodiment in the Anthropocene. As a remedy, the article reads several iconic feminist breast cancer memoirs – Sontag, Lorde, Sedgwick, Jain and Boyer – for their complex representations of affect, in particular fear, in relation to dying and death. Using the affect theory of Silvan Tomkins, this analysis contributes to critiques of cancer culture in medical humanities and of mortality and embodiment in feminist environmental humanities. (shrink)

This article considers how the concept of desire can be theorized in light of recent work on emotion and affect. In so doing, it questions what desire does and how desire can be theorized, particularly within cinema. Instead of arguing that we must move away from a psychoanalytic interpretation of desire, I ask how this approach can be revitalized and reconsidered through work on affect. This article also highlights the way in which Lacanian and Deleuzian models of desire are constantly (...) set in opposition to each other; in so doing, it seeks to move beyond this impasse and gesture towards alternative ways of theorizing desire. One of the central issues foregrounded within psychoanalytic theory is the process of remembering and forgetting: the method through which the subject can ‘let go’ and move forward. This relationship is figured primarily in terms of the discourse between self and other. Marguerite Duras’ work questions this process of ‘letting go’ and offers an alternative conceptualization of desire through her use of melancholia. Beyond an intrinsic interest in her work, because Duras has been admired by psychoanalytic, feminist and Deleuzian scholars, her films present an opportunity to rethink a theorization of desire in light of competing interpretations. In discussing melancholia in terms of Duras’ work, this paper also considers the extent to which her use of Hiroshima as a backdrop to the affair presented in the film colonizes desire and its transformative potential. (shrink)

In this article, I discuss the contribution of theoretical resources to the transformation in my thinking about professional development and accountability, within an action research self-study of practice as a civil servant, in the context of participation on the Doctor in Education programme at Dublin City University in the period 2008-2012. It is at the intersection of these subject positions, between theory and practice, that professional development was explored through the ‘leadership problem’ of encouraging trainer colleagues to investigate the educational (...) potential of information and communications technologies for the development of their practice. Ultimately, this constituted a critical space for sustained dialogue between the self and the social in exploring professional subjectivity. The resources discussed supported the interrogation of social, cultural and historical conditions influencing self-understanding and narrative reasoning and movement from strategic to communicative reasoning. It is claimed that this has significance for the development of a more educational training practice, which expresses a concern for subjectivity and agency in the face of a growing ‘performativity’ in professional life. (shrink)

This article traces recent developments in European social theory and psychoanalysis on the theory of the human subject. Critically examining the recent psychoanalytic departures of Julia Kristeva and Jean Laplanche on the status of primary repression as a condition for the constitution of subjectivity, an analysis is presented of the state of the subject in its unconscious relational world. The article suggests ways in which the analyses set out by Kristeva and Laplanche can be further refined and developed, partly through (...) a reconsideration of the intertwining of unconscious representation and repression as developed in the writings of Cornelius Castoriadis, Thomas Ogden and others. For existing psychoanalytical accounts the article suggests we should substitute the concept of ‘rolling identification’, the psychical basis of the shift from self-referential representational activity to an elementary form of inter-subjectivity. Rolling identifications are defined as a representational flux that permits human subjects to create a relation to the self-as-object and pre-object relations. Such primal identification, the article suggests, operates through a ‘representational wrapping of self and others’. The article concludes with a consideration of the cultural significance of primary repression, and the politicization of identification. (shrink)

The broad purpose of this article is to explore the theoretical conditions for understanding the new individualist configurations of imagination and identity in contemporary culture and critical discourse. The article begins with a sketch of recent debates in social theory on identity, individualization and new individualism, focusing on the work of Giddens, Beck, and Bauman, as well as Lemert and Elliott. The second part of the article turns to consider, in some detail, the path breaking contributions of Cornelius Castoriadis on (...) the demise of the social imaginary in conditions of advanced capitalism or what he termed the spread of ‘generalized conformism’. Whilst making the argument that the notion of ‘generalized conformism’ is of key importance in grasping the subjective and cultural dynamics promoted by the global electronic economy, the article also underscores the limitations of Castoriadis’s psychoanalytic and political position. The third section of the article offers a pathway beyond such constraint by examining the recent social-theoretical contributions of Julia Kristeva on ‘new maladies of the soul’. Like Castoriadis, Kristeva focuses on the atrophy of imagination in contemporary times, but does so from a more complex psychoanalytic prism. The article concludes that the work of both Castoriadis and Kristeva are essential to grasping contemporary shifts in the new individualism. (shrink)