Switch to: References

Add citations

You must login to add citations.
  1. Regulation and rupture: Mapping tween and teenage girls' resistance to the heterosexual matrix.Jessica Ringrose & Emma Renold - 2008 - Feminist Theory 9 (3):313-338.
    Recent feminist theorizing has pointed to a `resurgent patriarchy' within neo-liberal postfeminist times, which re-orders and restabilizes the heterosexual matrix through a politics of `postfeminist masquerade' demanded of girls and women (McRobbie). This paper seeks to complicate this thesis, exploring the regulation and rupture of Butler's `heterosexual matrix' as a complex performative politics through which girls' conflictual relationships with themselves, and other girls and boys are staged and through which dominant versions of tweenage and teenage femininity are reinscribed but also (...)
    Download  
     
    Export citation  
     
    Bookmark   4 citations  
  • Contradiction as Agency: Self-Determination, Transcendence, and Counter-Imagination in Third Wave Feminism.Valerie R. Renegar & Stacey K. Sowards - 2009 - Hypatia 24 (2):1 - 20.
    This essay examines the contradictions often found in third wave feminist texts that function as strategic choices that may shape, foster, and enhance an individual's sense of agency. Many third wave feminists utilize contradiction as a way to understand emergent identities, to develop new ways of thinking, and to imagine new forms of social action. Agency, then, stems from the use of contradiction as a means of self-determination and identity, of transcendence of seemingly forced or dichotomous choices, and counter-imaginations of (...)
    Download  
     
    Export citation  
     
    Bookmark  
  • Telling stories about feminist art.Michelle Meagher - 2011 - Feminist Theory 12 (3):297-316.
    Responding to a recent surge of interest in feminist art, its futures, and its history, this article considers the nature and function of the dominant narratives that circulate and structure the field. Specifically, I explore the persistent story of inter-generational strife in which a first generation of artists and historians is understood to have been naïvely mired in an essentialism of which a second, more theoretically savvy generation has been subsequently cleansed. Although one would be hard pressed to identify contemporary (...)
    Download  
     
    Export citation  
     
    Bookmark   1 citation