Most histories of psychology weave a story around the rise of objective methods of investigation and the decline of subjective introspection. This paper sidesteps such disciplinary stories by describing self-scrutiny as a practice that moved through a variety of cultural, social and technological contexts in early twentieth-century America. Edmund Jacobson's technique of 'progressive relaxation' is offered as a case in point. Jacobson, a Chicago clinician, developed this cure for nervousness out of his earlier research under E. B. Titchener, an experimental (...) psychologist at Cornell University. Like Titchener's method of 'experimental introspection ', progressive relaxation was a laboratory-based activity designed to transform the practitioner's sensibilities through the fastidious repetition of simple tasks. But while experimental psychologists ultimately rejected introspection as the core of their disciplinary project, the American public embraced progressive relaxation as a practical technique for mastering the new conditions of modernity. (shrink)

Dans le cadre général de la réception des Principles of Psychology dans les pays germanophones, on examine l’influence de cet ouvrage sur la philosophie de la culture d’Ernst Cassirer. Le concept de flux de conscience a notamment aidé Cassirer à résoudre ce que l’on peut appeler le problème de l’articulation : comment décrire la transition entre le flux continu de sensations et la création de formes culturelles capables de durer dans le temps? Pour répondre à cette question il faut faire (...) face à un problème auquel James n’avait pas donné de réponse définitive, celui de la relation entre les composantes dynamiques ou transitoires du flux de la conscience et ses composantes statiques : concepts, symboles, images. (shrink)

Illustrations played an important role in the articulation of Wundt’s experimental program. Focusing on the woodcuts of apparatus and experimental designs in the six editions of his Grundzüge der physiologischen Psychologie (published between 1873 and 1911), we investigate the uses and functions of illustrations in the experimental culture of the physiological and psychological sciences. We will first present some statistics on the increasing number of illustrations Wundt included in each new edition of his handbook. Next we will show how Wundt (...) managed to introduce the material and literary technologies of physiology into the ‘new psychology’. The distribution of Wundt’s material technology will be further demonstrated by highlighting the crucial role of technicians and instrument-makers. We will use Shapin and Schaffer’s notions of the ‘three technologies’ and ‘virtual witnessing’, combined with Latour’s concept of ‘immutable mobiles’, as analytical tools to explore the strategic aspects of Wundt’s illustrations. (shrink)

Frank Balfour was regarded by his colleagues as one of the greatest biologists of his day and Charles Darwin’s successor, yet the young aristocrat died in a climbing accident before his thirty-first birthday. Reactions to his death reveal much about the image of science and scientists in late-Victorian Britain. In this paper I examine the development of the Cambridge school of animal morphology, headed by Balfour, and the interdependence of his research reputation and his charisma. Contemporaries praised his gentlemanly qualities, (...) making his aristocratic background a part of his scientific character. Yet his reputation for good judgement and his abilities as a leader were severely tested when it began to emerge that the accident that killed Balfour and his guide might have been prevented. Nonetheless, the image of Balfour that emerges from his obituaries is that of a noble hero and outstanding scientist, who lived on in the memories of all who knew him. (shrink)