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Power and the Multitude

Political Theory 43 (2):155-184 (2015)

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  1. Evental Aesthetics: Retropective 1.Evental Aesthetics - 2015 - Evental Aesthetics 4 (1):1-116.
    EVENTAL AESTHETICS RETROSPECTIVE 1. LOOKING BACK AT 10 ISSUES OF EVENTAL AESTHETICS.
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  • (1 other version)Encounters with an Art-Thing.Jane Bennett - 2015 - Evental Aesthetics 3 (3):91-110.
    What kind of things are damaged art-objects? Are they junk, trash, mere stuff? Or do they remain art by virtue of their distinguished provenance or still discernible design? What kind of powers do such things have as material bodies and forces? Instead of attempting to locate proper concepts for salvaged art-things, this essay, from a perspective centered on the power of bodies-in-encounter – where “power” in Spinoza’s sense is the capacity to affect and be affected – attempts to home in (...)
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  • Vital Materialism.Evental Aesthetics - 2015 - Evental Aesthetics 3 (3):1-110.
    In her book, Vibrant Matter, Jane Bennett thinks through what ontological, political, and ecological questions would look like if humans could admit that matter and nonhuman things are living, creative agents; the contributors to this issue of Evental Aesthetics begin to think through what aesthetic questions would look like.
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  • Spinoza on the role of the state in education.Johan Dahlbeck - 2019 - Encyclopedia of Educational Philosophy and Theory.
    Is the education of citizens a private matter or is it primarily a concern for the state? Throughout the history of political and educational philosophy, this question has remained central. Different philosophers have answered the question in different ways and different periods have witnessed different ways of organizing public education in response to it. At the root of this question is another question. This question concerns how we understand the state and how we construe the relation between the state and (...)
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  • Affective Arrangements.Jan Slaby, Rainer Mühlhoff & Philipp Wüschner - 2019 - Emotion Review 11 (1):3-12.
    We introduce the working concept of “affective arrangement.” This concept is the centerpiece of a perspective on situated affectivity that emphasizes relationality, dynamics, and performativity. Our proposal relates to work in cultural studies and continental philosophy in the Spinoza–Deleuze lineage, yet it is equally geared to the terms of recent work in the philosophy of emotion. Our aim is to devise a framework that can help flesh out how affectivity unfolds dynamically in a relational setting by which it is at (...)
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  • Thinking with Spinoza about education.Elizabeth de Freitas, Sam Sellar & Lars Bang Jensen - 2018 - Educational Philosophy and Theory 50 (9):805-808.
    Thinking with Spinoza about education involves thinking with and beyond his authored texts, situating his work within the tradition of Western thought, and exploring his contribution to the philoso...
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  • The egoistic teacher: educational implications of Spinoza’s ethical egoism.Johan Dahlbeck - 2017 - Ethics and Education 12 (3):304-319.
    In this paper I suggest that Spinoza’s understanding of virtue and collective flourishing, rooted in his psychological and ethical egoism, offers a fresh perspective on the question of egoism in education. To this end, I suggest an understanding of the teacher as egoist, where the self-seeking of the teacher is conditioned by – and runs parallel to – the flourishing of his or her students. The understanding of the egoistic teacher is offered as a productive counter-image to the altruistic ideal (...)
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  • Ideology and the ‘Multitude of the Classroom’: Spinoza and Althusser at school.Ian Leask - 2018 - Educational Philosophy and Theory 50 (9):858-867.
    This paper approaches the question of Spinoza and education via the work of Louis Althusser. One important aim is to show how Spinoza’s description of the imagination underpins Althusser’s description of the ideological ‘infrastructure’ of educational practices and institutions. To achieve this, I begin by addressing Spinoza’s treatment of the physiological foundation of the imagination: by showing that the realm of ‘individual consciousness’ is more like the effect of an anonymous field, or process, Spinoza, we see, becomes a kind of (...)
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