Françoise Proust explains that where Foucault established a cartography of power, she is interested in elaborating an “analytic of resistance.” This, she elaborates, would be “the transcendental of every resistance, whatever kind it be: resistance to power, to the state of things, to history; resistance to destruction, to death, to war; resistance to stupidity, to peace, to bare life.”.

Françoise Proust explains that where Foucault established a cartography of power, she is interested in elaborating an "analytic of resistance." This, she elaborates, would be "the transcendental of every resistance, whatever kind it be: resistance to power, to the state of things, to history; resistance to destruction, to death, to war; resistance to stupidity, to peace, to bare life.".

Translated Felicia McCarren. Stanford: Stanford UP and Cambridge: Cambridge UP, 1995 (Meridian: Crossing Aesthetics series). Pages: xxiii + 161. Pb: 0 8047 2385 0; 10.95. Hb: 0 8047 2376 I; 25.00. Originally published in French as Musica Ficta (Figures de Wagner). Paris: Christian Bourgois, 1991.

For Hannah Arendt, spontaneous, ‘initiatory’ human action and interaction are suppressed by the normalizing pressures of society once ‘life’ - that is, sheer life - becomes the primary concern of politics, as it does, she finds, in the modern age. Arendt’s concept of the social is indebted to Martin Heidegger’s analysis of everyday Dasein in Being and Time , and contemporary political philosophers inspired by Heidegger, such as Jean-Luc Nancy, Philippe Lacoue-Labarthe, and Giorgio Agamben, tend to reproduce her account of (...) the withdrawal of the political in modernity. In this article, I complicate Arendt’s theory by turning to Michel Foucault’s parallel but diverging understanding of the nature of power in modern society to show, surprisingly, that Foucault’s narrative of the emergence of modern power pictures a society that is more, not less, politicized. Key Words: Hannah Arendt • bio-power • Michel Foucault • Philippe Lacoue-Labarthe • modernity • Jean-Luc Nancy • pastoral power • the social • rulership. (shrink)

I will start my inaugural address by outlining the main argument of my lecture. First, I will identify the phenomenon that philosophers of technology research. This subject matter, in my view, consists not only of ethical issues that disruptive technologies raise but also of the disruption of the world in which we live and act by these technologies. I will illustrate this disruption by reflecting on the convergence of the physical and the virtual in the digital world, which is expected (...) to change the way we live together. I propose that philosophers of technology should research new disruptive technologies and the digital world in which they are embedded in an integrated manner. Subsequently, I will ask how the emergence of digital technologies disrupts the world’s design in the digital age. My hypothesis is that technological innovations themselves constitute the World in a non-anthropocentric and non-determinist manner. To make my case, I will first draw attention to the difference between technology and innovation and propose a philosophy of innovation. This will enable me to consider how innovation processes have an economic, social-political and ontological impact on the world. Based on historical and contemporary examples, I will illustrate the redesign of the world in the digital age. This broader understanding of the impact of digital technologies will subsequently enable me to articulate some of the critical questions I have regarding digitalisation, and how the philosophical tradition can be made fruitful to critically reflect on the elision between the physical and the virtual in the digital age. This criticism informs my engagement with ethical questions in ethics of technology, ELSA (Ethical, Legal and Social Aspects) and Responsible Innovation. As a final step, I open a progressive perspective on the emancipatory potential of disruptive innovations to set the world free. In times of climate change, we are urgently in need of an emancipation of the World. We need to move beyond the classical opposition between technophobia and technophilia and look for innovations that can set the World free and contribute to a sustainable future. I will illustrate the emancipatory potential of disruptive technological innovations by considering the shift from human-centred technology to bio-centred technology in biomimetic design. (shrink)

In this article, we investigate how to explain the difference between traditional design, engineering, and technology—which have exploited nature and put increasing pressure on Earth’s carrying capacity since the industrial revolution—and biomimetic design—which claims to explore nature’s sustainable solutions and promises to be regenerative by design. We reflect on the concept of mimesis. Mimesis assumes a continuity between the natural environment as a regenerative model and measure for sustainable design that is imitated and reproduced in biomimetic design, engineering, and technology. (...) We conceptualize mimesis in terms of two interdependent boundary conditions: differentiation and participation. We subsequently develop four characteristics of biomimicry as regenerative design, engineering, and technology: technological mimesis is 1) a participative differentiation of nature; 2) supplemental to natural mimesis in biomimetic design; 3) the participative differentiation of technological mimesis is constitutive of nature; 4) the participative differentiation of technological mimesis is always limited. (shrink)

The interest of this paper is to discover the precondition of experience. It is suggested that Walter Benjamin's meditations on Proust, as well as on the origin of the novel, lead to the verge of that discovery. A la recherche du temps perdu is less a monumental work of fiction in this view than the limit of experience – the intransmissible fact of the transience of the present – made manifest in writing. While in Proust transience gives way to its (...) recuperation as image, Thomas Bernhard's post-Proustian masterpiece Extinction mobilizes the present's destructive potential with compelling effect, and turns it upon the work of historical experience itself. (shrink)

El artículo comienza explorando la peculiar función política y legislativa que Nietzsche otorga a los filósofos y a la filosofía, de. A continuación, se explora la nítida inspiración platónica de estas ideas y se localizan ejemplos directos en los textos de Platón, de tal manera que se desvela el origen griego de muchos términos intempestivos de la filosofía nietzscheana. La filosofía y la cultura se presentan como sistemas de aculturación, sobre la base de paralelismos entre la cría de animales y (...) la aculturación humana. Construyendo sobre la base de las conexiones Nietzsche-Platón, se incide en las tensiones entre ‘primeras’ y ‘segundas naturaleza’. Los aportes finales de Catherine Malabou se muestran cruciales para captar los circuitos de retroalimentación entre organismo y entorno, que se descubren como vínculos genealógicos entre lo biológico y lo simbólico. Platón, Nietzsche y Malabou comparten el deseo de redefinir y reorientar procesos formativos que ya en marcha en la sociedad. En último término, se trata de desvelar y tomar poder sobre la función ‘selectiva’ de la filosofía en su proceso de culturización. (shrink)

Antigone fascinates G. W. F. Hegel and Luce Irigaray, both of whom turn to her in their explorations and articulations of ethics. Hegel and Irigaray make these re-turns to Antigone through the double and related lenses of nature and sexual difference. This essay investigates these figures of Antigone and the accompanying ethical accounts of nature and sexual difference as a way of examining Irigaray's complex relation to and creative uses of Hegel's thought.

_ Source: _Volume 47, Issue 3, pp 366 - 387 In this article, I focus on Heidegger’s conception of hospitality in his first and final lectures on Hölderlin’s _Germania_, _Remembrance_, and _The Ister_. I argue that the hospitality of the foreigner for Heidegger is the condition of possibility of dwelling understood as the happening of history.In the first section I analyze the notions of hospitality in Levinas and Derrida. The second section unpacks some of the senses of the earth in (...) Heidegger as the site of man’s historical dwelling, whereas in the third section I focus on holy mourning as the disposition that reveals the earth as the uncanny ground of history. In the final section, I spell out Heidegger’s conception of hospitality, the greeting, and the foreign guest. (shrink)

An examination of how, in literature, silence and veiling are related to moral significance. The paper emphasizes Walter Benjamin’s essay on Goethe’s Elective Affiniites and Nathaniel Hawthorne’s “The Minister’s Black Veil” and poses the question of how the literary can possess moral meaning or effect when, as in these two works, silence and veiling appear as a means of refusing or denying intention. Benjamin’s and Hawthorne’s different critiques of the symbol are presented as the central issue around which the possibility (...) of moral meaning is decided as an intentionless act. Benjamin’s preservation of the moral is interpreted as the cause of the paradoxical and contradictory sources of the expressionless and its critical violence as well as the veiling and secrecy he identifies as forming the true work of art. Against this account, Hawthorne’s story is read as the refusal of any preceding secret as the basis of a moral claim and thus as the defining category of the work of art. (shrink)

The relationship of Jacques Derrida and Martin Heidegger has always been complex, encompassing an entanglement of two already immense networks and suspended between proximities and distances from infinitesimal to radical. Its peculiarity is evident in the way in which Derrida strategically inscribes his own text at the margin of Heidegger's thought via a double or cl6tural gesture which articulates the paradox that Derrida writes with Heidegger against Heidegger. One of the most decisive aspects of this gesture is Derrida's deconstruction of (...) Heidegger's claims regarding the relation between technology and philosophy. In "The Question Concerning Technology" and accompanying essays Heidegger opens up a way of reflecting upon the essence of technology moves against its metaphysical determination specifying, moreover, the sense of modern technology as a mode of disclosure. These reflections are, however, ambiguous. Heidegger is one of the first thinkers to confront technology in philosophical terms, and yet he wishes to purify thinking of originary technicity. Technology remains a question, and as a question asked by thinking, thinking is not technical. In other words, thinking for Heidegger, is constituted in its very difference from technology. This is the move that must be deconstructed. In simultaneously repeating and displacing the Heideggerian scheme, Derrida elaborates an infinitesimal and decisive différance between the thinking of Being and his own notion of "writing" (Vecriture) or generalized inscription. What is crucial is that as against Heidegger's Being, the general text is not an essence of technics nor is it a proper thinking opposed to technology. On the contrary, Derrida's main point, among other things, against Heidegger, is that technology has always already begun, that it is originary with respect to the history of Being and thinking. In this study I examine the stakes and implications of Derrida's move along with a possible Heideggerian response. To begin with, I develop a reading of Heidegger's text that shows the import of technology to his work as a whole and its centrality to the thinking of Being as difference. I then take up the question of Derrida's deconstruction of Heidegger's analysis of the history of Being and its technological completion as this is played out in The Post Card and related texts. Following this I revert back to Derrida's now "classic" writings of the late 1960s and early 1970s and explore the arguments that relate contemporary developments in technology, science, and the media to the problematic of writing and to the closure of logocentric metaphysics. The preceding chapters lay the groundwork for me to then offer a critical reading of Derrida's text that locates in the articulations and assumptions of deconstruction certain indications of its belonging, within the horizon of Heidegger's thinking of technology. Finally, I offer a reading of some of Derrida's later texts with the aim of showing that and how deconstruction emerges as an affirmative technology. (shrink)

I seek to interpret the work of Walter Benjamin in light of the "system programme" of German Idealism, in order to confront an antinomy of contemporary radical thought. Benjamin has been regarded as an anti-Hegelian thinker of the exception. Reading him against the grain, I draw out a concept of counter-tradition that eschews the opposition of intra-historical progress and extra-historical exception. The philological inspiration is a book by Franz Joseph Molitor, student of Schelling and "teacher" of Benjamin: The Philosophy of (...) History, or, On Tradition. (shrink)

In The Abyss Above, Silke-Maria Weineck offers the first sustained discussion of the relationship between poetic madness and philosophy. Focusing on the mad poet as a key figure in what Plato called "the ancient quarrel between philosophy and poetry," Weineck explores key texts from antiquity to modernity in order to understand why we have come to associate art with irrationality. She shows that the philosophy of madness concedes to the mad a privilege that continues to haunt the Western dream of (...) reason, and that the theory of creative madness always strains the discourse on authenticity, pitching the controlled, repeatable, but restrained labor of philosophy against the spontaneous production of poetic texts said to be, by definition, unique. (shrink)

This paper contrasts the notion of “willing” in Heidegger’s politics with the notion of “dawning” in Heidegger’s philosophy. It argues that, in the political text, the attunement of Dasein to what-is is centred in the notion of Dasein’s “willing” of what-is, while in the philosophical text it is centred in the notion of what-is “dawning” on Dasein. It maintains that the attitude to anxiety essential to a “dawning” of what-is is not reached in Heidegger’s “The Self-Assertion of the German University”. (...) It concludes by maintaining that, rather than being attuned to what-is, the will in the “The Self-Assertion of the German University” is attuned to its own relationship to what is in a narcissistic rather than a philosophical way; that is, it territorializes “dawning” as a relation to “what is”, and makes “dawning” of “what-is” its “own” in the same way as any nationalism makes a culture, a language or a geographical region its own. In contrast to the narcissism of nationalism, philosophy, as outlined by Heidegger in the essay “What Is Metaphysics?”, is the experience of allowing what-is to “dawn” on Dasein rather than a preoccupation with “willing” of “dawning” as one’s own relation to Being. (shrink)