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  1. Beyond Self-Report: A Review of Physiological and Neuroscientific Methods to Investigate Consumer Behavior. [REVIEW]Lynne Bell, Julia Vogt, Cesco Willemse, Tim Routledge, Laurie T. Butler & Michiko Sakaki - 2018 - Frontiers in Psychology 9:387541.
    The current paper investigates the value and application of a range of physiological and neuroscientific techniques in applied marketing research and consumer science, highlighting new insights from research in social psychology and neuroscience. We review measures of sweat secretion, heart rate, facial muscle activity, eye movements, and electrical brain activity, using techniques including skin conductance, pupillometry, eyetracking, and magnetic brain imaging. For each measure, after a brief explanation of the underlying technique, we illustrate concepts and mechanisms that the measure allows (...)
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  • Frissons in Dance.Bence Nanay - 2023 - Journal of Aesthetics and Art Criticism 81 (1):15-23.
    Musical frissons (or chills) have been at the forefront of both philosophical and psychological research on audience responses to music. The aim of this article is to argue that frissons also play an important role in the experience of dance performances. Following Jerrold Levinson’s distinction between sound-quality frissons and sound-structure frissons, the article zooms in on the concept of conflict-induced frissons, which feature prominently in a variety of art forms besides music, from film to literature, and it is of crucial (...)
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  • Moving_ Through the Literature: What Is the Emotion Often Denoted _Being Moved?.Janis H. Zickfeld, Thomas W. Schubert, Beate Seibt & Alan P. Fiske - 2019 - Emotion Review 11 (2):123-139.
    When do people say that they are moved, and does this experience constitute a unique emotion? We review theory and empirical research on being moved across psychology and philosophy. We examine feeling labels, elicitors, valence, bodily sensations, and motivations. We find that the English lexeme being moved typically (but not always) refers to a distinct and potent emotion that results in social bonding; often includes tears, piloerection, chills, or a warm feeling in the chest; and is often described as pleasurable, (...)
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  • Mental Effort When Playing, Listening, and Imagining Music in One Pianist’s Eyes and Brain.Tor Endestad, Rolf Inge Godøy, Markus Handal Sneve, Thomas Hagen, Agata Bochynska & Bruno Laeng - 2020 - Frontiers in Human Neuroscience 14.
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  • ‘Defrosting’ music chills with naltrexone: The role of endogenous opioids for the intensity of musical pleasure.Bruno Laeng, Lara Garvija, Guro Løseth, Marie Eikemo, Gernot Ernst & Siri Leknes - 2021 - Consciousness and Cognition 90 (C):103105.
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  • What is autonomous sensory meridian response (ASMR)? A narrative review and comparative analysis of related phenomena.Aidan Mahady, Marcel Takac & Alexander De Foe - 2023 - Consciousness and Cognition 109 (C):103477.
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  • Valence, sensations and appraisals co-occurring with feeling moved: evidence on kama muta theory from intra-individually cross-correlated time series.Anders K. Herting & Thomas W. Schubert - 2022 - Cognition and Emotion 36 (6):1149-1165.
    Emotional experiences typically labelled “being moved” or “feeling touched” may belong to one universal emotion. This emotion, which has been labelled “kama muta”, is hypothesised to have a positive valence, be elicited by sudden intensifications of social closeness, and be accompanied by warmth, goosebumps and tears. Initial evidence on correlations among the kama muta components has been collected with self-reports after or during the emotion. Continuous measures during the emotion seem particularly informative, but previous work allows only restricted inferences on (...)
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  • Suppressing the Chills: Effects of Musical Manipulation on the Chills Response.Scott Bannister & Tuomas Eerola - 2018 - Frontiers in Psychology 9.
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