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  1. Review of The Metaphysics of Margaret Cavendish and Anne Conway: Monism, Vitalism, and Self-Motion, by Marcy P. Lascano. New York: Oxford University Press, 2023 (ISBN: 978-0-19-765163-6). [REVIEW]Kevin Lower - forthcoming - Hypatia Reviews Online.
    The landscape of historical research on early modern philosophy has changed dramatically since the publication of Eileen O'Neill's landmark essay, “Disappearing Ink: Early Modern Women Philosophers and Their Fate in History” (O'Neill 1997). In the past thirty years, increasing quantities of scholarly attention have shifted toward retrieving and reassessing the contributions of marginalized voices throughout the history of philosophy. Few interventions are as impactful within this growing field as Marcy Lascano's recent monograph comparing the metaphysical systems of Margaret Cavendish (1623–1673) (...)
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  • Move Your Body! Margaret Cavendish on Self-Motion.Colin Chamberlain - 2024 - In Sebastian Bender & Dominik Perler (eds.), Powers and Abilities in Early Modern Philosophy. New York, NY: Routledge. pp. 105-125.
    Margaret Cavendish (1623-1673) argues that when someone throws a ball, their hand does not cause the ball to move. Instead, the ball moves itself. In this chapter, I reconstruct Cavendish’s argument that material things—like the ball—are self-moving. Cavendish argues that body-body interaction is unintelligible. We cannot make sense of interaction in terms of the transfer of motion nor the more basic idea that one body acts in another body. Assuming something moves bodies around, Cavendish concludes that bodies move themselves. Still, (...)
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  • Historical Treatments of Creativity in the Western Tradition.Elliot Samuel Paul - forthcoming - In Amy Kind & Julia Langkau (eds.), Oxford Handbook of Philosophy of Imagination and Creativity. Oxford University Press.
    This essay focuses on theories of creativity from six historical figures, while noting comparisons to several others. In Ancient Greece: (i) Plato advances the thesis that the poet is a passive vessel inspired by a muse. (ii) Aristotle replies with the antithesis that the poet creates through skilled activity. (iii) Longinus provides the synthesis. Plato is right that poets are passively inspired with original ideas – though the source is natural genius instead of some muse. But Aristotle is also right (...)
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  • Margaret Lucas Cavendish.David Cunning - 2010 - Stanford Encyclopedia of Philosophy.
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