In this paper we provide an interpretation of Aristotle's rule for the universal quantifier in Topics Θ 157a34–37 and 160b1–6 in terms of Paul Lorenzen's dialogical logic. This is meant as a contribution to the rehabilitation of the role of dialectic within the Organon. After a review of earlier views of Aristotle on quantification, we argue that this rule is related to the dictum de omni in Prior Analytics A 24b28–29. This would be an indication of the dictum’s origin in (...) the context of dialectical games. One consequence of our approach is a novel explanation of the doctrine of the existential import of the quantifiers in dialectical terms. After a brief survey of Lorenzen's dialogical logic, we offer a set of rules for dialectical games based on previous work by Castelnérac and Marion, to which we add here the rule for the universal quantifier, as interpreted in terms of its counterpart in dialogical logic. We then give textual evidence of the use of that rule in Plato's dialogues, thus showing that Aris... (shrink)

The present PhD dissertation aims to examine the relation between modality and change in Aristotle’s metaphysics. -/- On the one hand, Aristotle supports his modal realism (i.e., worldly objects have modal properties - potentialities and essences - that ground the ascriptions of possibility and necessity) by arguing that the rejection of modal realism makes change inexplicable, or, worse, banishes it from the realm of reality. On the other hand, the Stagirite analyses processes by means of modal notions (‘change is the (...) actuality of what is virtual insofar as it is virtual’). In other words: to grasp what change is, one has to resort to the modal idiom of potentialities, while the fact that there is change is indicative of the fact that nature is full of modal properties. -/- Aristotle’s modal and kinetic realism finds a negative in the figure of the Megaric Diodorus Kronus. The polemical situation of Greek philosophy has indeed the dialectical advantage of not opposing the Aristotelian position to a sui generis straw man. Both in its reduction of modal judgements to temporal quantifications and in its dissolution of the reality of the state-of-being-in-motion in favour of a cinematographic view of processes, the philosophical figure of reductionist antirealism embodied by Diodorus constitutes an alternative that takes the opposite view of Aristotle’s realism. -/- The present study is structured as a discussion between these two positions. In the face of Diodorus’ antirealist challenges, Aristotle articulates modal and kinetic considerations: the answers he gives to Diodorus’ puzzles thus provide valuable insight into his metaphysics. Moreover, the examination of Aristotle’s and Diodorus’ metaphysics, because of their insight and originality, will not fail to interest the philosopher concerned with the metaphysical foundations of modern physics, insofar as the entanglement between modalities and processes is nowadays at the core of mechanics (phase spaces, path integrals, etc.). (shrink)

Aristotle's cognitive ideal is a form of understanding that requires a sophisticated grasp of scientific first principles. At the end of the Analytics, Aristotle tells us that we learn these principles by induction. But on the whole, commentators have found this an implausible claim: induction seems far too basic a process to yield the sort of knowledge Aristotle's account requires. In this paper I argue that this criticism is misguided. I defend a broader reading of Aristotelian induction, on which there's (...) good sense to be made of the claim that we come to grasp first principles inductively, and show that this reading is a natural one given Aristotle's broader views on scientific learning. (shrink)

No tratado intitulado Segundos Analíticos, Aristóteles desenvolve uma teoria da demonstração científica e da ciência demonstrativa. Ali, o conhecimento científico é descrito pelo filósofo como envolvendo uma certa "necessidade". Alguns intérpretes associam esta noção de necessidade à necessidade modal, pertinente à silogística modal de Aristóteles. Esta interpretação, todavia, tornaria o modelo de ciência proposto nos Analíticos incompatível com os explananda das ciências da natureza, cuja cientificidade o próprio Aristóteles reiteradamente defendeu. A fim de evitar este inconveniente, abordamos e reconstruímos a (...) mencionada interpretação, reconhecemos suas falhas e propomos, seguindo outra tendência da literatura secundária, uma leitura alternativa da noção de necessidade como adequação explanatória, a qual garantiria a cientificidade dos fenômenos naturais. (shrink)

Abstract In Posterior Analytics II.19 Aristotle raises and answers the question, how do first principles become known? The usual view is that the question asks about the process or method by which we learn principles and that his answer is induction. I argue that the question asks about the original prior knowledge from which principles become known and that his answer is perception. Hence the aim of II.19 is not to explain how we get all the way to principles but (...) to defend the claim that our knowledge of them originates in perception. Aristotle explains how we learn principles earlier in book II, in his account of definitional inquiry. In II.19 he explains how we reach by induction the preliminary accounts necessary for such inquiries. (shrink)

This paper aims to analyze one of the highest achievements of humankind, the classical tragedy, via the application of the heuristic paradigm proposed by Aristotle in his Physics, the fourfold determination of the concept of cause. This scientific methodology – one of the most effective viatica for a comprehensive response to the question of the nature of an object – informs the inquiry into the universal nature of tragedy, its hypercomplexity and hence its ethical and human relevance. Firstly, the concept (...) of tragedy is dissected into its four causes – material, formal, efficient and final; given that the object of research is at the same time tragedy in general and this specific tragedy , each cause is subdivided in two, a distal one and a proximal one . Then, the methodology of the four causes is applied to the formal cause alone, the tragic conflict, in an attempt to better understand tragedy’s quiddity. The results of this more specific causal determination are finally applied to the four causes of tragedy, supporting the hypothesis of a close relationship between hybris, amartia, tragic conflict and education of the phronesis. (shrink)