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Hoist With his Own Petard: Ironic and Comic Elements in Plato's Critique of Protagoras (Tht. 161-171)

In Gregory Vlastos, Edward N. Lee, Alexander P. D. Mourelatos & Richard Rorty (eds.), Phronesis. Assen, van Gorcum. pp. 225--261 (1973)

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  1. Reading the περιτρoπη: Theaetetus 170c-171c. Chappell - 2006 - Phronesis 51 (2):109-139.
    Two readings of the much-discussed περιτροπή argument of "Theaetetus" 170c-171c have dominated the literature. One I call "the relativity reading". On this reading, the argument fails by ignoratio elenchi because it "carelessly" omits "the qualifications 'true for so-and-so' which [Protagoras'] theory insists on" (Bostock 1988: 90). The other reading I call "the many-worlds interpretation". On this view, Plato's argument succeeds in showing that "Protagoras' position becomes utterly self-contradictory" because "he claims that everyone lives in his own relativistic world, yet at (...)
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  • Reading the περιτροπή: "Theaetetus" 170c-171c. Chappell - 2006 - Phronesis 51 (2):109 - 139.
    Two readings of the much-discussed περιτροπή argument of "Theaetetus" 170c-171c have dominated the literature. One I call "the relativity reading". On this reading, the argument fails by ignoratio elenchi because it "carelessly" omits "the qualifications 'true for so-and-so' which [Protagoras'] theory insists on" (Bostock 1988: 90). The other reading I call "the many-worlds interpretation". On this view, Plato's argument succeeds in showing that "Protagoras' position becomes utterly self-contradictory" because "he claims that everyone lives in his own relativistic world, yet at (...)
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  • Crítica de la figura de Protágoras en el Libro Γ de la Metafísica de Aristóteles.Diego Tabakian - 2017 - Tópicos: Revista de Filosofía 53:373-410.
    En su defensa del Principio de no-contradicción, Aristóteles discute con varios interlocutores, desde los presocráticos hasta el sofista Protágoras, este último ampliamente conocido en la Antigüedad por trastocar el concepto de verdad con su doctrina del “homo mensura”, declarando así la imposibilidad del discurso falso. Consideramos que una lectura atenta del Libro Γ que rescate la figura del abderita puede mostrar cómo la crítica del sofista es clave para la constitución del pensamiento aristotélico en torno al problema de la verdad. (...)
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  • Socrates and Godlikeness in Plato’s Theaetetus.Zina Giannopoulou - 2011 - Journal of Philosophical Research 36:135-148.
    In this paper I argue that in the digression in Plato’s Theaetetus godlikeness may be construed as Socrates’ ethical achievement, part and parcel of his art of mental mid­wifery. Although the philosophical life of contemplation and detachment from earthly affairs exemplifies the human ideal of godlikeness, Socrates’ godlikeness is an inferior but legitimate species of the genus. This is the case because Socratic godlikeness abides by the two requirements for godlikeness that Socrates sets forth in the digression: first, it is (...)
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  • Protagoras refuted: How clever is Socrates' "Most clever" argument at Theaetetus 171a–c?Luca Castagnoli - 2004 - Topoi 23 (1):3-32.
    This article aims at reconstructing the logic and assessing the force of Socrates' argument against Protagoras' 'Measure Doctrine' at Theaetetus 171a–c. I examine and criticise some influential interpretations of the passage, according to which, e.g., Socrates is guilty of ignoratio elenchi by dropping the essential Protagorean qualifiers or successfully proves that md is self-refuting provided the missing qualifiers are restored by the attentive reader. Having clarified the meaning of MD, I analyse in detail the broader section 170a–171d and argue, against (...)
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  • In and Out of Character: Socratic Mimēsis.Mateo Duque - 2020 - Dissertation, Cuny Graduate Center
    In the "Republic," Plato has Socrates attack poetry’s use of mimēsis, often translated as ‘imitation’ or ‘representation.’ Various scholars (e.g. Blondell 2002; Frank 2018; Halliwell 2009; K. Morgan 2004) have noticed the tension between Socrates’ theory critical of mimēsis and Plato’s literary practice of speaking through various characters in his dialogues. However, none of these scholars have addressed that it is not only Plato the writer who uses mimēsis but also his own character, Socrates. At crucial moments in several dialogues, (...)
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