In recent years, a number of philosophers have suggested that the aesthetic value sometimes depends on moral value. In this paper, I motivate and defend the inverse position: the view that aesthetic value sometimes partially grounds moral value. I appeal to Grand Budapest Hotel and The Lovely Bones to show that maudlin treatments of morally serious subject matter are sometimes disrespectful, in part because they are maudlin; I appeal to Madame Bovary to show that lyrical treatments of morally serious subject (...) matter are compassionate, in part because they are lyrical. I go on to clarify that aesthetic value and descriptive facts about the subject matter of an artwork jointly ground its moral value, and I conclude by considering and rejecting a number of potential objections to the aestheticist thesis. (shrink)

Resumo: O objetivo deste artigo é esboçar os traços de uma antropologia nietzschiana que sustente um processo de transformação humana. Na primeira parte, antropologia literária, argumento que sua antropologia resgata a noção grega arcaica da natureza como arte ou cultura. Na segunda parte, antropologia científica, apresento o método científico de Nietzsche e de Freud em sua aproximação filosófica da questão da natureza. Na terceira e última parte, antropologia transformadora, discuto o desafio da renaturalização do ser humano, isto é, compreender não (...) apenas o que somos como seres humanos, mas também do que podemos nos tornar, questão que ilustro apelando para a ideia do “além-do-homem” de Nietzsche.: The purpose of this article is to sketch traces of a Nietzschean anthropology that supports a process of human transformation. In the first part, literary anthropology, I argue that his anthropology recovers Greek notion of nature as art and culture. In the second part, scientific anthropology, I present Nietzsche’s and Freud’s scientific method and its philosophical approach to the question of nature. In the third part, transformational anthropology, I discuss the challenge of renaturalizing human being, i. e., of understanding not only what we are as human beings, but also what we might become, issue that I illustrate by relating it to the Nietzschean overman. (shrink)

This paper furthers the understanding of Nietzsche's project of increasing the prevalence of higher individuals. I do this by opposing the dominant tendency in Nietzschean scholarship of constructing a single ideal-type. I argue that Nietzsche actually describes multiple higher types, with incommensurable physiological and psychological characteristics, and that attempts to collapse these into one type obscure the nuance and richness of his thought. Furthermore, I claim that higher types are not ahistorical ideals; instead, their emergence relates closely to existing psychological (...) and physiological conditions in society. The artistic-genius type, for example, is characterised by his sensitivity to stimuli and plays a vital role in injecting creativity into culturally uniform societies. He is, however, a counter-productive role model for diverse modern societies, characterised by an abundance of stimuli and widespread reactivity. In response to such conditions, Nietzsche extols the virtue of a peculiarly anti-modern type, who cultivates independence from stimuli. Interpreting higher types as multiple and historically situated is vital to carrying out the normative aspect of Nietzsche's philosophy. This role is performed by the philosophical-physician, who surveys the physiological and psychological conditions of his own age and attempts to exploit these conditions to produce future higher individuals. (shrink)

This essay seeks to overcome the divide that has emerged in recent scholarship between Alexander Nehamas’s reading of Nietzsche as an aestheticist who eschews the dogmatism implicit in the scientific project and Brian Leiter's reading of Nietzsche as a hard-nosed naturalist whose project is continuous with the natural sciences. It is argued that Nietzsche turns to the natural sciences to justify a relationalist ontology that not only eliminates metaphysical concepts such as ‘being’ and ‘things-in-themselves’, but also can be linked to (...) key components of the aestheticist reading. As a result, Nietzsche's naturalism should not be understood as opposing important features of his aestheticism. Instead, Nietzsche's project should be understood in terms of a naturalized aestheticism that rejects the metaphysical-moral interpretation of existence espoused by philosophers such as Plato, Kant, and Schopenhauer. (shrink)

(1995). Morality in the pejorative sense: On the logic of Nietzsche's critique of morality. British Journal for the History of Philosophy: Vol. 3, No. 1, pp. 113-145.

One of the very few matters of nearly universal agreement with respect to Nietzsche interpretation, one that bridges the great analytic/continental divide, is that Nietzsche was offering some sort of account of freedom, in contradistinction to the ‘ascetic’ or ‘slavish’ ways of the past. What remains in dispute is the character of this account. In this paper I present Nietzsche’s account of freedom and his arguments for the superior cogency of that account relative to other accounts of freedom, including irony (...) about the possibility of freedom. (shrink)

This paper develops an interpretation of Nietzsche’s ethics and metaethics that reconciles his apparent antirealism with his engagement in normative discourse. Interpreting Nietzsche as a metaethical constructivist—as holding, to a first approximation, that evaluative facts are grounded purely in facts about the evaluative attitudes of the creatures to whom they apply—reconciles his vehement declarations that nothing is valuable in itself with his passionate expressions of a particular evaluative perspective and injunctions for the free spirits to create new values. Drawing on (...) Nietzsche’s broader epistemological and psychological views, I develop a distinctive, and genuinely Nietzschean, version of constructivism. On this account, evaluative properties are grounded in affective valuations of the new philosophers. The proposed interpretation synthesizes a variety of disparate features of Nietzsche’s writings and improves on existing interpretations in the literature. The resulting version of constr.. (shrink)

The aim of this thesis is to provide a systematic account of Nietzsche’s philosophy of value by examining his exemplars. It will be argued that these exemplars represent his favoured evaluative practices and therefore illustrate what I will call his evaluative ideals. The thesis will be structured in three chapters, each examining a different exemplar that emerges from a particular period of Nietzsche’s work. Proceeding in this way will allow me to examine what I take to be three strands of (...) his philosophy of value; the critical ideal through the exemplar of the Free Spirit, the ethical ideal through Zarathustra, and the meta-ethical ideal through the exemplar of the Future Philosopher. These standpoints, it will be claimed, reflect Nietzsche’s central insights about what we should value and the way in which we should value, and are in this sense his evaluative ideals. Moreover, in doing so I will also attempt to provide some key insights on Nietzsche’s reasons for his evaluative preferences, as given through these exemplars as evaluative ideals. (shrink)