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  1. Archaeological choreographic practices: Foucault and Forsythe.Mark Franko - 2011 - History of the Human Sciences 24 (4):97-112.
    Although Michel Foucault never wrote of dance as an example of a bodily discipline in the classical age, he did affect the art of contemporary ballet through his influence on the work of William Forsythe. This article interprets Foucault’s influence on Forsythe up until the early 1990s and also examines how Forsythe’s choreography ‘responded’ to issues of agency, inscription and discipline that characterize Foucault’s thought on corporeality. Ultimately, it asks whether Forsythe’s use of Foucauldian theory leads to a reinterpretation of (...)
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  • The political philosophy of intersubjectivity and the logic of discourse.Pyung-Joong Yoon - 2001 - Human Studies 24 (1-2):57-68.
    This paper is concerned with the competing and complimentary relationships between intersubjectivity and discursive logic. It contends that the ultimate failure of Husserlian phenomenology is a testament to the dilemma of subjectivist philosophy. Indeed, political philosophy requires a paradigm-shift from subjectivity to intersubjectivity. With this in mind, this paper examines the classical encounter between morality and ethical life in connection with discursive ethics. While it argues that Habermas still retains a strong residue of subjectivist philosophy, it attempts to clarify the (...)
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  • Norms and normalization: Michel Foucault's overextended panoptic machine. [REVIEW]Margaret A. Paternek - 1987 - Human Studies 10 (1):97 - 121.
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  • Ethical discourse and Foucault's conception of ethics.Mary Candace Moore - 1987 - Human Studies 10 (1):81 - 95.
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  • The Romantic Realism of Michel Foucault The Scientific Temptation.Charles R. Varela - 2013 - Journal for the Theory of Social Behaviour 43 (1):1-22.
    Beatrice Han has argued that the theories of subjection (determinism: structure) and subjectivation (freedom: agency) are the “the blind spot[s] of Foucault's work.” Furthermore, she continues, as historical and transcendental theories, respectively, Foucault left them in a state of irresolvable conflict. In the Scientific Temptation I have shown that, as a practicing researcher, Foucault encourages us to situate the theories of the subject in the context of his un-thematized search for a metaphysics of realism, the purpose of which was to (...)
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  • Michel Foucault and the Semiotics of the Phenomenal.Adi Ophir - 1988 - Dialogue 27 (3):387-.
    In every search for knowledge one presupposes that there is more to the phenomenal field one studies than what meets the eye. A play between those phenomena thatpresentthemselves to an observer andabsententities or phenomena, and the orders, structures or laws that govern these, lies at the heart of anysearchfor empirical knowledge. On the basis of this play of presence and absence read by a particular discourse into a more or less defined phenomenal field, phenomena are constitutedquasigns for that discourse's participants.
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  • The power of discourse: Michel Foucault and critical theory.Torbjörn Wandel - 2001 - Cultural Values 5 (3):368-382.
    The debate that contrasts Marxism and the work of Michel Foucault often overlooks that both projects share a political and ethical commitment. Both have moreover engaged that commitment by challenging what Marx called ‘traditional ideas’, viewing them as historically compilcit with the exercise of power. This ‘radical rupture’ with traditional ideas has been the hallmark of the critical theory project since The Communist Manifesto. By challenging traditional notions of power and language, however, Michel Foucault went further than the Marxist tradition (...)
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