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Este artículo propone un recorrido por la naturaleza del mito, sus propiedades distintivas y, de manera particular, los requisitos del mito escatológico. Se establece su relación intrínseca con la tragedia, como campo de expresión de la gravedad de lo humano. La correlación entre el misterio y el drama, dada en el cruce del tiempo y la atemporalidad, se ejemplifica en las obras de Sófocles, con el fin de desembocar en el tratamiento particular de Edipo en Colono (1992) y la presentación (...) |
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Tomando en cuenta el título completo de "El nacimiento de la tragedia del espíritu de la música " título que alude al problema filológico de los orígenes- puede comprenderse mejor la concepción nietzscheana del arte y su crítica de las teorías estéticas tradicionales. El planteamiento aristotélico que subyace a estas teorías parte de la separación entre obra, autor y público, es decir del principio artístico de lo "apolíne".Tal separación no es válida en el caso de la tragedia. Nietzsche rompe con (...) |
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Johann von Oppolzer (1808â1871) is known as one of the most influential representatives of the Vienna School of Medicine . However, little is known about Oppolzerâs short but significant work at the Leipzig Medical School (from October, 1848 to March, 1850). Being not only an excellent physician and an outstanding teacher in the field of internal medicine, he was very open-minded with respect to new developments in medicine. This is shown by documents found in the archives of the university of (...) |
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An interpretation of the closing of the Iliad is outlined from what according to certain analyses of Hölderlin we can call the “ideal” path characteristic of the figure of Achilles. The rupture of that “ideal” through the “catastrophe” of the poem articulates a return to that “naiv” that at the end of the Iliad is linked with the imperative to assume the pain and to keep the difference between the spheres of the man and of the god, something that we (...) |
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From immemorial time, many Tyrrhenian places of ancient Sicily and Italy were identified with the main stages of the return of Ulysses. Some Hellenistic critics assumed that it was from the various ancient and pre-Homeric myths that Homer drew inspiration, in the same way that he did with the myth of the Trojan War, which certainly occurred before him. Thus, the voyage of Ulysses, after his losing the course because of the storm at Cape Malea, had to be located in (...) |
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O presente trabalho será dividido em duas partes, a primeira tem por objetivo examinar toda a tradição anterior acerca de Medéia para melhor estudar e compreender a arte de Apolônio Ródio em sua obra épica Argonáuticas. A segunda parte examinará a figura de Medéia no canto III das Argonáuticas. |
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The work of Sophocles shows the human suffering which might be caused by evil without the presence of guilt. Within the historic confrontation of the Athenian political stage, the presentation of the tragic conflict opposes the illustrated omnipotence: to present that what is divine as incomprehensible is one of the traditional features of Sophocles’ work and his announcement of anti-modernity. “Not-understanding” is the banner of silence when faced with the limit of natural reason. As a response to sophist thought, which (...) |
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