Xenophanes famously noted that if horses could draw, they would draw their gods as horses. This connection between those who depict the gods and how the gods are depicted is posed as part of a critical theological program. What follows is an argumentative reconstruction of how these observations determine the extent and content of Xenophanes’ theological reforms. In light of the strength of the critical epistemic program, it is likely Xenophanes posed ambitious theological reforms.

Xenophanes of Colophon was a philosophically-minded poet who lived in various parts of the ancient Greek world during the late 6th and early 5th centuries BC. He is best remembered for a novel critique of anthropomorphism in religion, a partial advance toward monotheism, and some pioneering reflections on the conditions of knowledge. Many later writers, perhaps influenced by two brief characterizations of Xenophanes by Plato (Sophist 242c-d) and Aristotle (Metaphysics 986b18-27) identified him as the founder of Eleatic philosophy (the view (...) that despite appearances, what there is is a changeless, motionless, and eternal ‘one’. In fact, the Xenophanes who emerges from the surviving fragments defies simple classification. He was a traveling rhapsode who criticized the stories about the gods told by the poets, and he defended a novel conception of the divine nature. But he was also a reflective observer of the human condition, a practitioner of the special form of inquiry introduced by the Milesians philosopher-scientists, and a civic counselor who encouraged his fellow citizens to respect the gods and work to safeguard the well-being of their city. (shrink)

Anaxagoras of Clazomenae (a major Greek city of Ionian Asia Minor), a Greek philosopher of the 5th century B.C.E. (born ca. 500–480), was the first of the Presocratic philosophers to live in Athens. He propounded a physical theory of “everything-in-everything,” and claimed that nous (intellect or mind) was the motive cause of the cosmos. He was the first to give a correct explanation of eclipses, and was both famous and notorious for his scientific theories, including the claims that the sun (...) is a mass of red-hot metal, that the moon is earthy, and that the stars are fiery stones. Anaxagoras maintained that the original state of the cosmos was a mixture of all its ingredients (the basic realities of his system). The ingredients are thoroughly mixed, so that no individual ingredient as such is evident, but the mixture is not entirely uniform or homogeneous. (shrink)

The main aim of the article is to show how panpsychism, that is, the idea the everything in the world is endowed with a soul, was varied even during the periods in the history of philosophy when it flourished. In the Renaissance, I focus on Francesco Patrizi: he coined the term, which originally meant that everything is ensouled. The article starts by an investigation of Patrizi’s attempt to trace panpsychism back to the most ancient thinkers. His conclusions are, in general, (...) in agreement with current scholarly assessment of early Greek philosophers, whose views I attempt to reconstruct in a kind of survey. A closer comparison, however, shows significant differences between Patrizi’s and today’s account of the most ancient conception of panpsychism. While Patrizi uses the concept to state that the world as a whole is ensouled, early Greek philosophers understood it to mean that every thing in the world possesses a particular soul. From a broader perspective, it is clear that, while Patrizi builds on the notion of all-embracing ancient philosophy, modern scholarship assumes a more historical account of ancient thought characterised by a gradual progress from simple, more empirically based concepts, to more complex and metaphysical ones. (shrink)

Diogenes Laertius reports (in his Lives of Eminent Philosophers ix 19) that Xenophanes of Colophon stated that ta polla hêssô nou (in some sense, ‘that the many give way to mind’). After reviewing four alternative but unsatisfactory ways of understanding the remark I argue that it is best understood as ‘the multitude of things (i.e. the cosmos) gives way to—is mastered by—the (divine) mind.’ When understood in this way the remark establishes Xenophanes as one of the earliest Greek thinkers to (...) hold that events throughout the cosmos take place under the control of a supremely powerful divine intelligence. (shrink)

A number of aspects of the cosmology of Anaximenes of Miletus have not yet been convincingly explained, but we can assume that a starting point was the notion of a universe stretching only between a flat earth and heaven. This gave the cosmology its “meteorological” character: heavenly bodies were viewed as ignited evaporations of moisture. They were thought of as moving only above the earth’s surface, and their rising and setting were explained as an optical illusion. Similar approaches appear not (...) only in the Greek epic tradition but even in the writings of Xenophanes. It can therefore be assumed that Anaximenes’s conception is representative of contemporary Ionian explanations of cosmological events. (shrink)

According to the influential Plato-Aristotle account, Parmenides advocates holistic monism (‘all things are one’), and Xenophanes anticipated him by advocating some version of monotheism. Over the last half-century or so, Parmenides studies have disputed this vulgate by arguing that Parmenides’ focus is on the nature of ‘what is’ (to eon), rather than on ‘the One’. Correspondingly, there has developed a tendency to minimize the philosophical importance of Xenophanes, by viewing him primarily as a reformer of Greek religious beliefs and as (...) social critic. I argue that a close study of Xenophanes shows that he had developed a coherent naturalist or physicalist world-view. And this also allows us to gain deeper insights into Parmenides, by viewing the latter as generalizing Xenophanes’ critique of peculiarly ‘anthropist’ (or anthropomorphist) bias in our approach to the universe.Dedication: to Dan Graham. (shrink)

In this paper, I investigate how Xenophanes was ‘eleaticised’, i.e. attributed theses and arguments that belong to Parmenides and Melissus. I examine texts of Plato, Aristotle and Theophrastus in order to determine if they considered Xenophanes as a philosopher and a monist. I show that neither Plato nor Aristotle regarded him as a philosopher, but rather as a pantheist poet who claimed, in a vague way, that everything is one. But Theophrastus interpreted too literally Aristotle’s claims and was the first (...) to make Xenophanes a proper monist philosopher. (shrink)

It has been claimed that the earliest expression of a robust scepticism is in the Catalogue of Ships in the Iliad, and even commentators who would not go that far have thought the passage an important guide to epistemological attitudes in Homeric antiquity. It will be argued here that a close examination of the text does not support such conclusions. On the other hand, there are respectable reasons for an interpretation in which religious factors are operative, rather than epistemic ones. (...) The conclusion to be drawn is that the epistemic reading is groundless. (shrink)

The paper starts with reflections on Plato’s critique of the poets and the preference many express for Aristotle’s view of poetry. The second part of the paper takes a case study of analytic treatments of ancient philosophy, including the ancient philosopher poets, to examine the poetics of analytic philosophy, diagnosing a preference in Analytic philosophy for a clean non-poetic style of presentation, and then develops this in considering how well historians of philosophy in the Analytic tradition can accommodate the contributions (...) of philosophers who wrote in verse. The final part of the paper reviews the current enthusiasm for decoding Empedocles’ vague and poetic descriptions of the cosmic cycle into a precise scientific periodicity on the basis of the recently discovered Byzantine scholia on Aristotle. I argue that this enthusiasm speaks to a desire for definite and clear numerical values in place of poetic motifs of give and take, and that this mathematical and scientific poetic is comparable to the preferred poetic of analytic philosophy. (shrink)