It has long been accepted that one of Levinas’ major concerns is to establish an ethics of responsibility for the ‘other.’ Yet it has been deemed for decades, even by Levinasians, that his approach to that concern is ‘unsystematic’ and ‘not consistent.’ That situation arose because Levinas’ four terms for ‘other’ are difficult to translate, so his terms were first addressed by adopting English conventions. Such conventions have furthered Levinas scholarship, but our aim is to consider Levinas’ consistency: Hence we (...) undertake the first English-language assessment of the rigour of Levinas’ approach in 1961 to the ‘other’ by means of all four terms. To do so, we follow a ‘formal structure’ that Levinas develops from the tradition of phenomenological logic—mostly Husserl’s. We hope the result will palliate worries about Levinas’ rigor, and allow new ways to engage with his work. (shrink)

The kind of phenomenology that can be useful to theology will be a hermeneutical phenomenology, one that takes us beyond the Cartesian/Husserlian ideal of presuppositionless intuition. It will also be a phenomenology of inverse intentionality, one in which the constituting subject is constituted by the look and the voice of another. In light of these suggestions, the phenomenology of Jean-Luc Marion is defended against three critiques, namely that it compromises the boundary between phenomenology and theology, that the theology it serves (...) is a bad one to boot, and that it has an inadequate account of the subject. At the heart of this defense is Marion's clear distinction between phenomenology as a description of possible experience, and theology as the claim that a certain kind of experience, namely revelation or epiphany, is not merely actual but veridical. Phenomenology says, If revelation occurs it will be in the form of a saturated phenomenon. Theology says, for example, the burning bush was an epiphany, or Jesus Christ is a revelation. The attentive reader should have no trouble distinguishing Marion's phenomenological analyses, which should be persuasive to believer and unbeliever alike, from his theological claims. Marion's account of the subject falls under the heading of inverse intentionality, and there are hints that vision is aufgehoben in the voice. The seer is first of all the one seen, but above all the one addressed, called forth into response-able being. (shrink)

The kind of phenomenology that can be useful to theology will be a hermeneutical phenomenology, one that takes us beyond the Cartesian/Husserlian ideal of presuppositionless intuition. It will also be a phenomenology of inverse intentionality, one in which the constituting subject is constituted by the look and the voice of another. In light of these suggestions, the phenomenology of Jean-Luc Marion is defended against three critiques, namely that it compromises the boundary between phenomenology and theology, that the theology it serves (...) is a bad one to boot, and that it has an inadequate account of the subject. At the heart of this defense is Marion's clear distinction between phenomenology as a description of possible experience, and theology as the claim that a certain kind of experience, namely revelation or epiphany, is not merely actual but veridical. Phenomenology says, If revelation occurs it will be in the form of a saturated phenomenon. Theology says, for example, the burning bush was an epiphany, or Jesus Christ is a revelation. The attentive reader should have no trouble distinguishing Marion's phenomenological analyses, which should be persuasive to believer and unbeliever alike, from his theological claims. Marion's account of the subject falls under the heading of inverse intentionality, and there are hints that vision is aufgehoben in the voice. The seer is first of all the one seen, but above all the one addressed, called forth into response-able being. (shrink)

Jean-Francois Lyotard's essay `Adorno as the Devil' had argued that Theodor Adorno's Philosophy of Modern Music was a `diabolic' work of `negative theology' which attributed to Schoenberg's music a secret redemptive power. However, in his later writings, such as the essays in The Inhuman, Lyotard has himself moved close to a `negative theological' position with respect to modernity, time, aesthetics and music. The paper uses the occasion of Lyotard's own theologically inspired essays on music, `God and Puppet' and `Obedience', to (...) re-evaluate the following: Adorno's claims that music transcends mere language and `reaches' for the theological; and more general claims within modern western culture on behalf of music's ability to express the inexpressible. The argument is that the music as negative theology position is not inherently metaphysical but rather that it reflects the importance of the `unsayable' to modern conceptions of reason. In resisting the `closure' of the modern narrative of reason, music, as a temporal art, has often given expression to the more radical forms of alterity present within modern forms of time. In other words, negative theology is not the discourse of the devil; it is the impossible discourse of western reason and its internal fracturing. (shrink)

The respective philosophies of Emmanuel Levinas and Theodor Adorno share a concern with articulating a critique of Husserlian phenomenology which would do justice to the materiality of the subject. With this commonality in mind, it is argued that Levinas reifies this materiality by endowing it with a metaphysical priority expressive of ethical universality. In contrast, Adorno eschews the philosophical obsession with the assertion of metaphysical priority, insisting on the complexly historical nature of material life. In place of the Levinasian concern (...) with the subject’s forgetting of her or his ethical responsibilities to ‘the Other’, Adorno’s notion of the primacy of the object helps to articulate the ways in which the subject is always already materially bound by singular social histories which are essentially exclusionary. Amelioration of our suffering would thus depend on a concrete break in material social life, rather than on an abstractly conceived revelation of transcendence. (shrink)

Rien, c’est ce qu’il faut: supporter l’insupportable rien. Maurice Blanchot Subjectivity is undoubtedly a central area of philosophical investigation. In 1984 Emmanuel Levinas (1906–95) described h...