Although long forgotten, the sociology of Gabriel Tarde has suddenly re-emerged. This article backs up the renewed interest in Tarde in four ways. First, drawing upon the systems theory of Niklas Luhmann, it demonstrates that the usual critique of Tarde is false: Tarde’s theory of imitation is not trapped in any kind of psychologism but is, indeed, a pure sociology. Against this background, the second part of the article argues that the notion of imitation is closely tied to urbanity, which (...) brings Tarde close to the spatial turn of social thought. While Tarde’s work thus seems compatible with contemporary sociological currents, it also transcends what is presently discussed. The third part of the article therefore examines Tarde’s analysis of urban crowds, as the crowd demonstrates the paradoxical nature of the social. Finally, drawing upon Henri Lefebvre, the article outlines the contours of a particular, contemporary Tardean analysis of imitations. More specifically, the suggestion is to add a more explicitly structural dimension to Tarde’s work, which, it is argued, may be accomplished by pursuing a rhythmanalysis. The rhythmanalysis enables one to bring together Tarde’s focus on imitation, urbanity and crowds. (shrink)

This essay describes the phenomenon of panic from both neurological and affective points of view. It draws on the work of Japp Panksepp, who argues for the importance of distinguishing between fear as a response to physical threat, and panic as a response to the loss of the attachment object. While fear flees, panic, perhaps contrary to appearances, seeks security. This view of panic throws a new light on classic analyses of crowd behaviour, among them those of Le Bon, Tarde (...) and Canetti, but it also has implications for how panic takes hold via electronic media, and for how outbreaks may be calmed. Finally, the essay argues that mediatised panic is a distraction from fear—in which anything at all may represent physical danger, but which at least offers a range of possible responses for addressing the problem, and offers the opportunity for the transformative work performed by cognition on affect. Here the paper draws on the script theory of Silvan Tomkins to provoke questions of the social usefulness of fear in the face of some current arguments to the contrary. (shrink)

This article challenges the negative image that, since the late 19th century, has been associated with crowds, and it does so by focusing on a number of bodilyanatomic aspects of crowd behavior. I first demonstrate that the work of one of the leading crowd psychologists, Gustave Le Bon, instigated a racist body politics. As a contrast to Le Bon's political program, I examine Walt Whitman's poetry and argue that the crowd may embody a democratic vision that emphasizes the social and (...) political import of sexuality and body -to- body contact. Further, I dispute classical crowd theory's idea of an antagonistic relationship between crowds and individuality. Following Elias Canetti, I claim instead that the bodily compression of crowds in fact liberates individuals and creates a democratic transformation. The analysis results in a rehabilitation of crowds and briefly suggests how a reinterpretation of crowd behavior may inform current debates in social theory. (shrink)