Discussions of John Locke’s theory of causation tend, understandably, to focus on the related notion of power and in particular the dialectic with David Hume. But Locke faces a very different threat, one that is internal to his view. For he argues both that causation is a relation and that relations are not real. The obvious conclusion is intolerable. And yet the premises, I argue, are unassailable. Building on an interpretation of Locke’s treatment of relations I have developed elsewhere, I (...) show how Locke can at once speak meaningfully of causation and deny its mind-independent existence. (shrink)

Spinoza attributes mentality to all things existing in nature. He claims that each thing has a mind that perceives everything that happens in the body. Against this panpsychist background, it is unclear how consciousness relates to the nature of the mind. This study focuses on Spinoza’s account of the conscious mind and its operations. It builds on the hypothesis that Spinoza’s panpsychism can be interpreted as a self-consistent philosophical position. It aims at providing answers to the following questions: what is (...) consciousness, for Spinoza, and what are the causes that determine its presence in nature? How can human and non-human individuals be distinguished on account of their mentality? How can Spinoza conceive of the human mind as consisting entirely of conscious perceptions? And how, according to Spinoza’s mind-body parallelism, is the content of consciousness determined so that it reflects in thought the order and connection of the actions and passions of the body? To address these questions, I first determine what Spinoza’s notion of “consciousness” is and how he uses it. Then, I investigate whether he has a theory of recognition capable of accounting for specifically human behaviour and mentality. Further, I examine his description of memory and the way in which memory shapes the framework of human conscious thought. Finally, I look for an account of discursive reasoning, capable of explaining the existence of activities of the mind that, by operating on the content provided by memory, preserve themselves through time and change. (shrink)

Este artigo examina a ideia de consciência no Emílio de J.-J. Rousseau a partir de uma perspectiva que combina história da filosofia e história lexical. A análise é contextualizada tanto em relação a outros escritos do autor, sobretudo o Discurso sobre a origem da desigualdade, quanto no interior do quadro histórico das ciências nos séculos XVII e XVIII, com atenção para a teoria empirista de John Locke. Busca-se investigar o processo de constituição semântica de “conscience” e “sentiment intérieur” em língua (...) francesa à luz de certos debates envolvendo o inatismo e o mecanicismo, destacando-se a contribuição do médico cartesiano Louis de la Forge. O objetivo do trabalho é mostrar as vias pelas quais a ideia de consciência no Emílio, combinada a uma interpretação do sentimento interior associada à fisiologia cartesiana, estabelece pilares significativos das estruturas mentais e institucionais que tornaram possível a emergência daquilo que passou a ser denominado subjetividade moderna. (shrink)

Locke is famous for defining madness as an intellectual disorder in the realm of ideas. Numerous commentators take this to be his main and only contribution to the history of psychiatry. However, a detailed exegetical review of all the relevant textual evidence suggests that this intellectualist interpretation of Locke’s account of madness is both misleading and incomplete. Affective states of various sorts play an important role in that account and are in fact primordial in the determination of human conduct generally. (...) Locke’s legacy in this domain must therefore be revised and the intellectualist bias that dominates discussions of his views must be redressed. (shrink)

O que é “a outra perspectiva nas obras da natureza”, de que fala Hutcheson? De que forma a beleza provê acesso a ela? O presente artigo discute o lugar dessa “outra perspectiva” na teoria estética de Francis Hutcheson. Trata-se de compreender por que o desígnio (design) surge do belo através de uma reflexão sobre a beleza em sua Investigação sobre a origem de nossas ideias da beleza e da virtude, de 1725. Buscaremos determinar se essa teoria estética estaria subordinada aos (...) argumentos do desígnio ou se, em Hutcheson, esse campo de pesquisa filosófica já goza de alguma autonomia. (shrink)

En 1760, Giuseppe Baretti part de Londres, sa ville d’adoption, à destination de Gênes. Plein de curiosité, il consigne en outre ses impressions. L’auteur note, parfois au jour le jour, les caractéristiques et les particularismes des pays, régions, villes visités, jusqu’aux rencontres personnelles — rarement dépourvues d’intérêt. Son avant-propos a l’aspect d’un manifeste méthodologique : un guide de la description objective pour voyageur éclairé. Mais une science des moeurs, par exemple, ne se bâtit que si l’on est capable d’interpréter les (...) données, en les relativisant, en évitant les pièges de l’idéologie, celui du regard subjectif, du choix arbitraire de telle observation ou encore telle interprétation problématique... En raison de la qualité de ses descriptions, ce témoignage constitue un document anthropologique qui contribue à la connaissance de l’Esprit d’un peuple. Toutefois cette relation de voyage demeure préscientifique. Description : substantif féminin. Description. Description : s. f. latin descriptio, anglais description. Détail des accidents généraux, formes et propriétés d’une chose pour en donner une idée qui la discerne des autres. En géométrie, c’est la construction ou formation d’une figure. C’est aussi un dénombrement rédigé par écrit. (shrink)

Une certaine conception censément traditionnelle du signe le présente comme une entité binaire comportant un aspect sensible et un aspect intelligible. Selon Derrida, cette conception serait tributaire du logocentrisme et solidaire de la métaphysique de la présence. L'article passe en revue certaines caractérisations clefs du signe pour déconstruire l'opposition simple et simpliste entre un signifiant censément sensible et matériel, et un signifié censément intelligible et immatériel. Distinguant la conception factorielle du signe et sa conception constitutive, il conclut que "le signe (...) est peut-être moins un indice de la métaphysique occidentale que la soi-disant métaphysique occidentale ne serait l'indice d'une conception relativement rétrécie du signe". (shrink)