Dass wir alle in einer gemeinsamen Wirklichkeit leben, setzen wir meist unhinterfragt voraus. Sehen Andere die Welt dann doch einmal anders, mag es uns scheinen, als sähen sie diese einfach nicht so, wie sie wirklich ist. Schwerer fällt uns anzuerkennen, dass andere zuweilen in ganz anderen Wirklichkeiten unterwegs sind als wir selbst. - Tom Poljansek zeigt, wie sich die Vorstellung einer Pluralität menschlicher Wirklichkeiten mit der Annahme einer wahrnehmungsunabhängigen Realität vereinbaren lässt, ohne sich in einen Relativismus der vielen Wirklichkeiten zu (...) verlaufen. In Auseinandersetzung mit »kontinentalen« und »analytischen« Ansätzen legt er eine elegante Theorie menschlicher Wirklichkeiten vor, die konstruktivistische und realistische, phänomenologische und naturalistische Motive unerwartet miteinander verbindet. (shrink)

The paper provides a reconstruction of the notion of material Apriori while exhibiting the anti-Kantian inspiration and factual grounding thereof. The attempt is made to show that a non-formal Apriori obtains because the sensuous has a normative character; further, that the difference between material and formal eidetic laws is rooted in the difference between sensuous contents, given in experience, and intellectual contents, originating in activities of judgement. The material Apriori is not independent of all experience, since it is grounded on (...) sensuous eidetic contents and thus depends on the latter’s givenness and characteristics. It is thanks precisely to this ,contingency‘ that it has an ontological significance. (shrink)

El artículo busca extender los análisis de la fantasía que Husserl desarrolla por vía de contraste con otras vivencias como la percepción, la conciencia de imagen y la rememoración, de los cuales resulta una caracterización de la fantasía como tipo de presentificación intuitiva, directa y no posicional. Una extensión de dichos análisis con el estudio de las funciones que cumple en la intuición de esencias, la concepción de posibilidades, la empatía, la reconstrucción de la historia, la contemplación estética y la (...) creación artística, dejará emerger el carácter quasi-productivo de los actos de fantasía. (shrink)

Die vorliegende Arbeit thematisiert eine sowohl im deutschen als auch im spanischen und englischen Sprachraum weitgehend unbekannte philosophische Kontroverse zweier herausragender Figuren der Rezeptionsgeschichte von Husserls Phänomenologie in Mexiko zur Zeit des spanischen republikanischen Exils. Es handelt sich um die Diskussion zwischen José Gaos und Luis Villoro über den phänomenologischen Begriff der Lebenswelt. Im ersten Teil meiner Darstellung werde ich den akademischen Kontext dieser Diskussion erörtern. Im zweiten Teil gehe ich auf die Hauptthese eines Vortrags ein, den Gaos 1963 in (...) Mexiko-Stadt vor einem internationalen Publikum hielt und der als die erste dokumentierte Behandlung des Lebensweltbegriffs in der spanischsprachigen Philosophie gilt. Der dritte Teil behandelt Villoros Erwiderung auf Gaos’ Vortrag und die sich daraus ergebende Auseinandersetzung der beiden Philosophen. Im vierten Teil ziehe ich eine kritische Bilanz des Inhalts dieser Diskussion im Licht des aktuellen Stands der Husserlforschung. Dabei, und schließlich auch im fünften Teil, wird sich die unverkennbar radikale Bedeutung dieser Diskussion für die aktuelle phänomenologische Forschung herausstellen, insbesondere im Hinblick auf das Forschungsdesiderat einer Erklärung der systematischen Verhältnisse zwischen transzendentaler Erkenntniskritik und Lebenswelttheorie. (shrink)

This dissertation explores and argues for the import of the imagination (Phantasie) in Edmund Husserl's phenomenological method of inquiry. It contends that Husserl's extensive analyses of the imagination influenced how he came to conceive the phenomenological method throughout the main stages of his philosophical career. The work clarifies Husserl's complex method of investigation by considering the role of the imagination in his main methodological apparatuses: the phenomenological, eidetic, and transcendental reductions, and eidetic variation - all of which remained ambiguous despite (...) his extensive programmatic discussions. The work illuminates and clarifies aspects of the Husserlian phenomenological method never before explored. -/- In order to clarify Husserl's eidetic method of inquiry, I propose a new way of thinking about the imagination - as direct intuitive presentation (eigentliche anschauliche Vorstellung) and as horizonal-nexic level of consciousness exhibiting the neutrality, freedom, and possibility as its essential features. Following Husserl's studies of the imagination, I propose a three-level model of consciousness (realizing, imagining, and eidetic) and explore the dynamic flexibility of each level (as horizon within which acts such as judgments or memories can unfold). This model of consciousness allows for a rethinking of the sources and conditions for the possibility of eidetic phenomenological inquiry - topics Husserl was mostly silent about. -/- Through a rethinking of the model of consciousness, I propose a tight and substantial relationship between the natural (everyday) and artificial (methodological, theoretical) attitudes. I argue that the structure and systems of possibilities pertaining to the artificial attitude - i.e., our actual as well as possible methodological tools - are structurally and well as informationally bound to the structure and system of possibilities pertaining to the natural attitude. In order to explore the nature of the relationship between these two attitudes I argue that we must take a closer look at the structure and abilities of imagining consciousness - the sole nexic-horizonal level that can function both naturally and artificially. This insight regarding the nature of consciousness clarifies Husserl's transcendental idealism in its intimate connection to the everyday. Understanding Husserl's philosophical stance is thus purged of all possibility of mistakenly labeling it as entailing immanent detachment, solipsism, or Platonic idealism. (shrink)

The paper contends that abstraction lies at the core of the philosophical and methodological rupture that occurred between Husserl and his mentor Franz Brentano. To accomplish this, it explores the notion of abstraction at work in these two thinkers’ methodological discussions through their respective claims regarding the structure of consciousness, and shows that how Husserl and Brentano analyze the structure of consciousness conditions and strictly delineates the nature and reach of their methods of inquiry. The paper pays close attention to (...) intentionality, founding (Fundierung), and qualitative modification (qualitative Modifikation) understood as principles of consciousness. While intentionality has been the topic of numerous discussions surrounding these two thinkers’ work, founding and qualitative modification have slipped under the radar despite the fact that they hold—as I intend to show—the key to shedding new light on their respective methods of inquiry. More specifically, the paper explicates the ways in which Brentano’s notion of founding (understood as a relationship between whole acts) and his failure to identify radical-qualitative modification as a principle of consciousness preclude him from offering a successful model for philosophical universalizing thought. It is my hope to show that Husserl’s rethinking of founding as a relationship between certain structural moments of acts along with his novel notion of qualitative modification ground his attempt to carve a new method of philosophical inquiry—albeit jejune and ambiguous at the time of the Investigations, yet nevertheless able to successfully negotiate the problems faced by his predecessor. (shrink)

Dieter Lohmar, Phänomenologie der schwachen Phantasie. Untersuchungen der Psychologie, Cognitive Science, Neurologie und Phänomenologie zur Funktion der Phantasie in der Wahrnehmung Content Type Journal Article DOI 10.1007/s10743-010-9069-3 Authors Andrea Staiti, Boston College Department of Philosophy Chestnut Hill MA USA Journal Husserl Studies Online ISSN 1572-8501 Print ISSN 0167-9848 Journal Volume Volume 26 Journal Issue Volume 26, Number 2.

Résumé Cet article aborde la pertinence de l'art vidéo et des techniques filmiques pour la méthode phénoménologique en thématisant comment les scènes au ralenti peuvent être utilisées dans l'analyse des gestes. Inspiré par la théorie de la conscience d'image d'Edmund Husserl, je soutiens que si, pour le chercheur empirique, le ralenti est un moment non analogique qui l'aide à observer le sujet existant, pour le phénoménologue, il dépeint un sujet neutralisé qui sert d'exemple initial. Cette approche révèle en plus une (...) forme spécifique de déception de nos schémas d'anticipation passivement constitués concernant le rythme d'interaction gestuelle. (shrink)

In this article I address the idea that in Husserl’s eidetic ontology all possibilities are fixed ‘in advance’ so that actual objects and events—despite their contingency—can only ever unfold possibilities that are ‘permitted’ to them by their essences. I show how this view distorts Husserl’s ontology and argue that this distortion stems from a misconstrual of the relations between essences and facts, and between ideal and real possibilities. These ‘local’ misconstruals reflect, I contend, a ‘global’ misunderstanding that mistakes descriptive distinctions (...) for ‘real’ separations, and that remains indebted to a non-Husserlian understanding of the a priori–a posteriori-distinction. In support of this argument, I first lay out the relevant objection to Husserl’s eidetics as I understand it. Then, I clarify the relation between ideal and real possibilities in the context of Husserl’s eidetics as I see it. Finally, I make a general point about the status of Husserl’s ontological differentiations ‘in the midst of life,’ namely in how what they differentiate is effective and (tacitly) manifest ever only as one moment (amongst many) of the complex whole that is a concrete life of consciousness. I end with some remarks on what this might mean for future phenomenological research on the imagination. (shrink)

What, if any, are the limits of the Husserlian concept of Gegebenheit? Is there a limit beyond which nothing can be seen by the phenomenologist? In asking these questions, we allude to a distinction typical of Kantian criticism: “Grenze” or “Schranke”, limit or boundary? These same questions are reformulated in a famous review of Ideen I by Paul Natorp, a Marburg neo-Kantian who directly attacks the unlimited scope Husserl gives to the phenomenological principle of intuition. From a phenomenological point of (...) view, however, the Achilles’ heel of the critical method lies in the impossibility of accessing by intuition, beyond phenomena, the thing-in-itself. A major consequence is that the phenomenological dissolution of the “Grenze” prescribes a limitless opening to the horizon of phenomena. But if we can speak of a limitless openness, it is because in a certain way everything gives itself to be seen. What kind of vision is this? And what kind of Gegebenheit is at work here? The Husserlian answer lies in the recovery of a concept, the “idea in the Kantian sense”, without its counterpart, the “limit”, whereas for Kant as well as for Natorp it is precisely the concept of “limit” that characterizes the gnoseological status of the “idea”. (shrink)

Als Erkenntnistheorie der phänomenologischen Erkenntnis versteht sich die folgende Untersuchung als ein zentrales Stück der von Husserl geforderten Selbstkritik der phänomenologischen Erkenntnis. Ausgehend vom normalsprachlichen Wahrheitsbegriff und dessen Explikation soll die prinzipielle Möglichkeit wahrer phänomenologischer Beschreibungen durch Rückgang auf das Phänomen der Wahrheit ausgewiesen werden. Im Anschluss an Husserls Analysen der vorprädikativen Erfahrung wird die explizierende Betrachtung (in Abgrenzung zum prädikativen Urteil) als die eigentlich erkennende, nämlich die kategorialen Strukturen der Phänomene erfassende und offenlegende Leistung exponiert, die einerseits anschaulich begründete (...) prädikative Urteile allererst ermöglicht und andererseits diese bewahrheitet. Die vorprädikative Erfassung liegt dabei auch der kategorialen Anschauung als einer bereits prädikativen Leistung konstitutiv zugrunde. (shrink)

This paper is concerned with the reappraisal of Husserl’s ontology and epistemology, sketched in book one of Ideen. The main issue is Husserl’s theory of essence and essential insight. I present the fundamental distinction between facts and essences, and, over and above it, Husserl’s defense of an a priori knowledge based on essential insight as well as his partition of the whole realm of a priori knowledge into a formal set of material, regional ontologies. I will show how the theory (...) of essential insight presented in Ideen gives rise to several criticisms, namely those made by Neo-Kantians, like Rickert and Natorp. In the last part, I will show how the mathematical concept of an invariant under a group of variations was the leading case for Husserl’s mature notion of eidetic insight. (shrink)

Unentwegt werden neue technische Produkte gestaltet. Doch was macht die technische Gestaltung aus? Wie lässt sich ihr Gegenstand - (noch) nicht existierende Artefakte - adäquat auf den Begriff bringen? Michael Kuhn begreift technische Ideen vor ihrer Realisierung als Fiktionen. Er bietet eine fiktionstheoretische Rekonstruktion der Gestaltungstätigkeit und entwickelt hieraus eine Ethik der Gestaltung. Der stark interdisziplinäre Zugang zwischen Technikphilosophie und Ingenieurwissenschaften liefert neue Erkenntnisse für beide Fachrichtungen und stellt wertvolle Grundlagen bereit.

Naiveté as Critique. The present paper addresses the similarities between the concept of “critique” used in phenomenology and the one put forth by critical theory in analyzing their corresponding understanding of “naiveté”. While Husserl develops a broad concept of naiveté in his reflections regarding the phenomenological reduction, where he characterizes the natural attitude as such as “transcendentally naive”, this concept becomes more nuanced when considering the unavoidable naivetés of phenomenology itself, on the one hand, and the complications brought to the (...) mutual relationship between naiveté and critique with his turn towards the life-world. This turn, the paper shows, can be seen as a metacritical reinvestment of naiveté that can also be traced in the works of Adorno. (shrink)

Als Erkenntnistheorie der phänomenologischen Erkenntnis versteht sich die folgende Untersuchung als ein zentrales Stück der von Husserl geforderten Selbstkritik der phänomenologischen Erkenntnis. Ausgehend vom normalsprachlichen Wahrheitsbegriff und dessen Explikation soll die prinzipielle Möglichkeit wahrer phänomenologischer Beschreibungen durch Rückgang auf das Phänomen der Wahrheit ausgewiesen werden. Im Anschluss an Husserls Analysen der vorprädikativen Erfahrung wird die explizierende Betrachtung (in Abgrenzung zum prädikativen Urteil) als die eigentlich erkennende, nämlich die kategorialen Strukturen der Phänomene erfassende und offenlegende Leistung exponiert, die einerseits anschaulich begründete (...) prädikative Urteile allererst ermöglicht und andererseits diese bewahrheitet. Die vorprädikative Erfassung liegt dabei auch der kategorialen Anschauung als einer bereits prädikativen Leistung konstitutiv zugrunde. (shrink)

As two defining properties of mental phenomena, consciousness and intentionality have some deep connections. These connections may be either grounded by a more fundamental mental property, or governed by some bridge laws, or accepted as a brute unexplainable fact. This paper argues, on the one hand, that we do not have justifications for believing in the existence of a new fundamental mental property, although we have motivations for making an inference to such a new mental property. On the other hand, (...) this paper demonstrates that Husserl took these connections to be governed by some bridge laws and to be realized by the mapping function of what he called apprehension. (shrink)

Pre-theoretical experience and the lifeworld are traditionally seen as a key reference for phenomenology. In the present paper I intend to point out their relevance for critical theory as well. To this extent, I start off with a brief overview of phenomenological approaches to pre-theoretical experience and their relationship to empirical research. In sketching out some of the overlaps between phenomenology and early critical theory in this regard, I then specifically focus on Adorno’s reflections concerning the role of an extended (...) concept of experience in both his sociological and his philosophical work. Outlining Adorno’s methodological appropriation of “unregimented experience” in the guise of what he terms “physiognomic interpretation” – a procedure intended as a corrective to both rigorous empirical research and philosophical aprioric reasoning – I try to show wherein Adorno’s own approach to the pre-theoretical diverges from phenomenology. Finally, I conclude with some reflections concerning the different functions experience acquires in traditional phenomenology and critical theory. (shrink)