The main purpose of this paper is to provide a critical overview of the key contributions made by Luc Boltanski and Arnaud Esquerre in Qu’est-ce que l’actualité politique? Événements et opinions aux XXIe siècle. Whereas Enrichment: A Critique of Commodities is essentially a study in economic sociology, Boltanski and Esquerre’s latest book reflects a shift in emphasis towards political sociology. As demonstrated in this paper, their inquiry into the ontologie de l’actualité – that is, the ontology of contemporary reality – (...) contains valuable insights into the relationship between the production, circulation, and consumption of news, on the one hand, and the emergence of processes of politicization, on the other. The first half of this paper comprises a summary of the central arguments developed in Boltanski and Esquerre’s investigation, before moving, in the second half, to an assessment of its most significant limitations. (shrink)

Is formal simplicity a guide to learning in humans, as simplicity is said to be a guide to the acceptability of theories in science? Does simplicity determine the difficulty of various learning tasks? I argue that, similarly to how scientists sometimes preferred complex theories when this facilitated calculations, results from perception, learning and reasoning suggest that formal complexity is generally unrelated to what is easy to learn and process by humans, and depends on assumptions about available representational and processing primitives. (...) “Simpler” hypotheses are preferred only when they are also easier to process. Historically, “simpler”, easier‐to‐process, scientific theories might also be preferred if they are transmitted preferentially. Empirically viable complexity measures should build on the representational and processing primitives of actual learners, even if explanations of their behaviour become formally more complex. (shrink)

No anthropologist has been as influential outside the own discipline as Lévi-Strauss. From philosophy to history, from politics to literary criticism, from linguistics to sociology, from psychoanalysis to poetry, from art to contemporary music, the œuvre of the author of Tristes Tropiques has fallen on these fields like a beneficial rain, giving them new life. Such a great influence has several reasons. The design of a wide-ranging anthropological project, its philosophical implications, an immense and precious erudition which allows to build (...) connections between the most different fields of humanistic and scientific knowledge, and lastly a great writing, rich of literary vibrations. All the great questions of the present, from the world’s overpopulation to cultural relativism, from the resurgence of the myth to the return of localisms, from the war of the veil to genetic manipulations, all subjects appear in the œuvre of Lévi-Strauss, always in a provocative and anticipatory formulation which represents the precious heritage of the last of the classics. (shrink)

The purpose of this article is to propose a synthesis of Jacques Poulain's philosophical reflection on language and its importance for human being and for the society. To do this, we begin with presenting what Poulain has constantly established in the light of anthropobiological knowledge in his various works by showing that the child does not directly enter the world through senses or action, but through language and that it cannot enter the world and become a subject able to think (...) and act in isolation, but necessarily through the intermediary of a Third of speech. The same goes for the author at the institutional level, since man, as a being of language, has only been able to transform himself indirectly, through the intermediary of this Third of speech, which first took the form of the gods, then by making the detour of the judgment. Today, as Poulain argues in polemic with Jürgen Habermas, there can be no other basis for global communication than transcultural linguistic understanding, ie. language constitutes the space where man can be recognized, exercise judgment and strive for harmony with others. (shrink)

The paper is focused on Genesis 1 – 3 where the primordial man [adàm] is created ‎and he was given the proper name Adam [adàm]. ‎ In Hebrew man and Adam are the same word, spelled the same way – [adàm]. ‎Different translations of Genesis 1-3 use for the first time the proper name Adam in ‎different places versions Gen 2:25; The German Luther ‎Bible Gen 3:8; Some English Protestant versions Gen 3:17; Bulgarian Protestant and many ‎English Protestant versions Gen (...) 3:20-21). The paper decodes the phenomenon by ‎studying the Hebrew original and several semiotic views on common and proper names ‎‎. Through these opinions the ‎important question “Who wrote the Bible?” is discussed. The analysis interfaces the new ‎linguistic relativity theory.‎ Four layers of symbolism are decoded: 1. The man became Adam; 2. The two men in ‎Gen 1:27 and in Gen 2:7 man [adàm] ‎is made by earth, ground [adamà]; 3. The two men in the New Testament ; 4. Edom, Adam and cultural discourses in both Testaments.‎. (shrink)

Retracing the primary common aspects between anthropological and psychoanalytic thought, in this article, we will further discuss the main common points between the notions of the unconscious according to Carl Gustav Jung and Claude Lévi-Strauss, taking into account the thought of Erich Neumann. On the basis of very simple elementary logic considerations centered around the basic notion of the separation of opposites, our observations might be useful for speculations on the possible origins of rational thought and hence on the origins (...) of consciousness. (shrink)

The aim of this article is to discuss the relation between indigenous and scientific kinds on the basis of contemporary ethnobiological research. I argue that ethnobiological accounts of taxonomic convergence-divergence patters challenge common philosophical models of the relation between folk concepts and natural kinds. Furthermore, I outline a positive model of taxonomic convergence-divergence patterns that is based on Slater's [2014] notion of “stable property clusters” and Franklin-Hall's [2014] discussion of natural kinds as “categorical bottlenecks.” Finally, I argue that this model (...) is not only helpful for understanding the relation between indigenous and scientific kinds but also makes substantial contributions to contemporary debates about natural kinds.to contemporary debates about natural kinds. (shrink)

Preliminary remark:The following conversation began as a series of written email exchanges. Due to technical reasons, this exchange had to be interrupted at some point. Rather than rewriting the text that had obtained from scratch, I continued the conversation, turning the real “other” of the dialogue into an imagined one. Heartfelt thanks to Oren Harman, the guest editor of this topical issue, for continuing support and for having taken the risk of designing this unusual topical issue ofScience in Contextwith me. (...) AM. (shrink)

This article develops the idea that Lévi-Strauss’ thought was shaped all at once in the encounter with structural linguistics. Nevertheless, Lévi-Strauss’s readers know that his writings show blunt passages from a level of discourse that refers to the project of scientific modernity (accretion of knowledge and pursuit of generality) to one announcing the dissolution of culture into physicochemical phenomena (here defined as ultramodern level), and from these two to a language usually defined as “literary”. The latter corresponds to a language (...) which articulates the themes of loss, memory, yearning for the primitive, the concerns about the demographic and environmental transformations of the planet, and an “exaggerated” contact of cultures: themes which all persist in Lévi-Strauss’ thought since its shaping as a “structuralist” one, which have been highly controversial and that could be defined as “antimodern”. Accordingly, this article tries to produce a reading of Lévi-Strauss’ work as articulated on three levels, which persist in Lévi-Strauss’s thought since its early structuralist formation: three “musical staffs” on which his modernity, ultra-modernity and anti-modernity seem all to flow at the same time. (shrink)

The way in which folklorists study their “scientific subject”, that is the creativity and the rich ways people attach meanings to their existence, has often been considered to be static and decontextualized. An interest in popular culture for propaganda purposes is associated with past regimes. Therefore, the notion of “folklore” still carries contradictory meanings and connotations. The author starts from a debate prompted in Italy by Alberto M. Cirese: in recent decades, Italian “native” ethnology has focused on endangered village traditions (...) rather than opening itself up to new instances of cultural change. The main risk was misrepresenting the methodology proposed by Antonio Gramsci in 1929. Today Italian research into folklore places the subject of “folklore” in its broadest context, investigating developments in society associated with the shift from a peasant to an industrial society, and embarking on additional research domains through transnational cultures. This research draws on the growing interest in cultural heritage in the public sphere, and, simultaneously, draws on recent advances in the study of uses of culture and memory. The paper studies two aspects of daily life: pure yarn handmade clothes and ornaments, and long-life tomato sauce. The study concludes that contemporary everyday folklore takes on many free and unofficial forms that call for a renewed approach. To evaluate the multiplicity of folklore meanings and their capacity to integrate interactions between the traditional and the contemporary in specific contexts, the author explores the practicality of a new idea of folklore as sustainable, popular, domestic creativity using material and immaterial goods. This idea implies a rethink of the concept of heritage and of the complexity of its increasingly official, bombastic and rhetorical manifestations. (shrink)

Starting from a suggestion of Stephen Toulmin and through an interpretation of the criticism to which Neurath, one of the founders of the Vienna Circle, submits Descartes’ views on science, the paper attempts to outline a pattern of modernity opposed to the Cartesian one, that has been obtaining over the last four centuries. In particular, it is argued that a new alliance has to be established between science and education, overcoming Descartes’ banishment against education. In a Neurathian perspective education is (...) a key-moment of the scientific enterprise without which science itself is in danger of going astray and no scientific outlook is promoted in the society at large. Such an anti-Cartesian attitude is a leitmotiv of the whole Neurath’s production and characterizes his fundamental approach to the sense of modernity. For this reasons, despite all its shortcomings, Neurath’s proposal represents a very promising option for a new agenda of the modernity away from Descartes’ spell. By elaborating on Neurath’s (and Dewey’s) insights, the paper puts forward the idea that philosophy of science (such as it was originated by neopositivism in its Reichenbachian version) should give way to an educational philosophy of science which could allow us “to bring the genuine modern into existence”. (shrink)

Kin Milinda asked the sage, “How are you known? What is your name?”“I was named Nãgasena by my parents, the priests and the others… But Nāgasena is not a separate entity. Just as the different parts of the chariot when they are brought, together form a chariot, so when the constitutive elements of existence are brought together in a body, they form a living being”.Later the king asked, “What becomes reborn, Nāgasena?”“The name and the form (nāmarūpa) are reborn”.“Is it this (...) name and this form that are reborn?”“No, but through this name and this form, deeds, whether good or bad, are performed, and by these deeds, the karma, another name-and-form is reborn”.This dialogue from the first century B.C. explains, with a slightly different meaning, a cardinal notion for Hinduism, the principle of individuation. Designated by the composite nāma (name) and rūpa (form), this notion illustrates the consubstantial relationship between the person and his name. (shrink)

This essay—a contribution to the Common Knowledge symposium on contextualism—is concerned with the gradual rise (in Europe and then more generally in the West) of awareness of the existence of modes of thought or systems of belief that are different from those that are dominant in one's own culture. The awareness can be found in the seventeenth and eighteenth centuries (for example, in John Locke, Bernard de Fontenelle, and Giambattista Vico) but was developed further in the early to mid-twentieth century. (...) Its main consequence has been to encourage individuals to distance themselves from their own system—to criticize and change it. (shrink)

The lexicon of religion has been widely used in the context of the social and cultural transformations associated with the ‘digital revolution’, whether in metaphoric or in realistic terms. The study of digital magic/magic in digital times, the other side of the coin of the Sacred 2.0, is still in its infancy. Yet, references to magic are made frequently in reflections about the rapid development of the digitalisation of society and culture, and they deserve more in-depth study. This paper tackles (...) the issue of magic in and of new technologies, including artificial intelligence devices. After a broad outline of the presence of magic in the digital ecosystem, this paper will focus on the lexical surface and semantic references to ‘magical thinking’, explore the underlying reasons for such references and unveil the regimes of existence for magic. Finally, the paper questions the role of language in the construction of a ‘digital magic’ and the transformations of the semantic category of magic as seen through the prism of a cultural revolution, that of the digitalisation of societies. (shrink)

The term “deep history” refers to historical accounts framed temporally not by the advent of a written record but by evolutionary events (Smail 2008; Shryock and Smail 2011). The presumption of deep history is that the events of today have a history that traces back beyond written history to events in the evolutionary past. For human kinship, though, even forming a history of kinship, let alone a deep history, remains problematic, given limited, relevant data (Trautman et al. 2011). With regard (...) to a deep history, one conjecture is that human kinship evolved from primate social systems in a gradual, more-or-less continuous manner (see Chapais 2008); another conjecture is that kinship, in accordance with the incest account of Claude Lévi-Strauss (1969) or the fanciful, tetradic account of Nicholas J. Allen (1986), “comes into existence with a leap” (Trautman et al. 2011: 176); and yet another, the account to be developed in this paper, is that kinship, as it is understood and lived by culture bearers today, is the consequence of a profound and qualitative evolutionary transformation going from an ancestral primate-like social system predicated on extensive face-to-face interaction to the relation-based social systems that characterize human societies (Read 2012). (shrink)

This paper presents the first results of an ongoing semiotic research over TV series targeted to early childhood in Italy. In particular, it focuses on discussing and explaining the great success of the animated series Peppa Pig aired in Italy on the thematic channel Rai YoYo, by comparing it with other series available in the same channel, in the period of its first launch. Most of the programs taken into account refers to animals with the purpose of using them as (...) a mean to speak about manhood, in a simplified and appealing way. Nothing new. Fairy tales have always been filled with animals to mean vices and virtues of the humans. Aim of the paper is to reveal the complexity of such reference to animals in Peppa Pig’s stories. This goal will be achieved by comparing it to another series which references to pigs aired simultaneously in the same Italian network. Moreover, this paper will consider other animals embodying the bouquet of meaning proposals offered by Rai YoYo: a dog and some shapeless creatures known as Barbapapas. As a conclusion of such enquire a synthetic model which positions each of the series analyzed will be presented. (shrink)

This paper focuses on the semiotic foundations of sociolinguistics. Starting from the definition of “sociolinguistics” given by the philosopher Adam Schaff, the paper examines in particular the notion of “critical sociolinguistics” as theorized by the Italian semiotician Ferruccio Rossi-Landi. The basis of the social dimension of language are to be found in what Rossi-Landi calls “social reproduction” which regards both verbal and non-verbal signs. Saussure’s notionof langue can be considered in this way, with reference not only to his Course of (...) General Linguistics, but also to his Harvard Manuscripts.The paper goes on trying also to understand Roland Barthes’s provocative definition of semiology as a part of linguistics (and not vice-versa) as well asdeveloping the notion of communication-production in this perspective. Some articles of Roman Jakobson of the sixties allow us to reflect in a manner which wenow call “socio-semiotic” on the processes of transformation of the “organic” signs into signs of a new type, which articulate the relationship between organicand instrumental. In this sense, socio-linguistics is intended as being sociosemiotics, without prejudice to the fact that the reference area must be human,since semiotics also has the prerogative of referring to the world of non-human vital signs.Socio-linguistics as socio-semiotics assumes the role of a “frontier” science, in the dual sense that it is not only on the border between science of language andthe anthropological and social sciences, but also that it can be constructed in a movement of continual “crossing frontiers” and of “contamination” betweenlanguages and disciplinary environments. (shrink)

The aim of this article is to trace some lines of thinking towards a conceptualization of the uniqueness of the creative work of museums, the mode of creativeness that belongs exclusively to museums, or at least that museums are capable of by virtue of the types of materials and forms as well as activities unique to what will be referred to as museography. This is linked to the question of what it is that constitutes the uniqueness of museum work as (...) a professional field. The article characterizes the uniqueness of museum professional knowledge primarily in terms of a mode of creativeness, or bricolage in Levi-Strauss’s sense, mediated through the museographic form, and applied to the chance assemblies of materials to generate museum-specific modes of engaging questions—across science, culture, and society—particularly through creating unique temporal arrangements, or durations, that provoke thought, learning, and engagement on museographic terms. Museography’s originality, it is argued, consists in a bricolage that works through the museum’s unique material and form to create learning resources and encounters, museographic assemblages that depart from a conception of linear time as the space of evolutionary narrative to facilitate the experience of Bergsonian durations. (shrink)

Gender greatly impacts access to opportunities, potential, and success in corporate leadership roles. We begin with a general presentation of why such discussion is necessary for basic considerations of justice and fairness in gender equality and how the issues we raise must impact any ethical perspective on gender in the corporate workplace. We continue with a breakdown of the central categories affecting the success of women in corporate leadership roles. The first of these includes gender-influenced behavioral factors, such as the (...) requirements and expectations of gendered verbal and nonverbal communication styles as well as appearance. We move on to address the impact of family on corporate leadership opportunities and success, discussing the asymmetrical evaluation of an individual’s potential, authority, and competence based on gender stereotypes of familial obligations and expectations. Finally, we address how gender impacts access to networking and sponsorship opportunities and the long-term effects of systematic limitations on women’s inclusion in the upper echelons of corporate leadership. We conclude with a summary of the questions and issues raised by our discussion and direct individuals to consider how different ethical systems and moral requirements might influence their interpretations of gender and leadership in the corporate workplace. (shrink)

Over the last few decades there has been a strong narrative turn within the humanities and social sciences in general and educational studies in particular. Especially Jerome Bruner’s theory of narrative as a specific ‘mode of knowing’ was very important for this growing body of work. To understand how the narrative mode works Bruner proposes to study narratives ‘at their far reach’—as an art form—and on several occasions he refers to the dramatistic pentad as an important method for ‘unpacking’ narratives. (...) The pentad proposed by Bruner to study narratives was developed by the American philosopher and rhetorician Kenneth Burke and is embedded in his general linguistic theory of dramatism. From an educational perspective Bruner’s reference to the work of Burke has not been elaborated upon thus far. In this paper we aim to take Bruner’s suggestion at hand and explore how his educational theory of narrative as a mode of knowing can indeed be enriched by Kenneth Burke’s theory and method of dramatism. We claim that specifically the rhetorical framework that is developed by dramatism offers an important perspective about perspectives for education in a context that is increasingly confronted with a plurality of interpretive frameworks. (shrink)

The dissertation criticizes two analogical applications of Darwinism to the spheres of mind and culture: the Darwinian approach to creativity and memetics. These theories rely on three basic analogies: the ontological analogy states that the basic ontological units of culture are so-called memes, which are replicators like genes; the origination analogy states that novelty in human creativity emerges in a "blind" Darwinian manner; and the explanatory units of selection analogy states that memes are "egoistic" and that they can spread independently (...) of our mind. The detailed philosophical analysis offered in the dissertation shows that these three analogies rely on either wrong or trivial statements: they provide either wrong or no new descriptions or explanations of the phenomena at hand. In Chapter One, I introduce the diverse ways, in which contemporary Darwinism is used today outside of evolutionary biology. Chapter Two explains what it means to claim that something evolves in a Darwinian manner. Chapter Three to Five address each of the three analogies separately. Darwinism applied to culture and mind, at least in the way discussed in this study, is not a dangerous idea. It leads either to wrong claims or to a re-telling in Darwinian terms of what we have already known. (shrink)

This article questions the aptness of ‘discourse analysis’ as a label for our field, and prefers the less reductionist concept of ‘Discourse Interpretation’. It does this through drawing on ideas from the field of philosophical hermeneutics – the theory and practice of interpreting texts. It operationalizes and adapts the construct of the Interpretive Arc from the philosophy of Paul Ricoeur in order to address issues that are central to discourse work, including that of how we warrant the validity of our (...) textual interpretations. The Interpretive Arc consists of six inter-linked phases, which the article presents and exemplifies through discussion of a single text – the story of Babel. Phase 1 of the arc defines readers as being in a state of Estrangement before the text because of the distancing created by its written or technological form. Phase 2 is that of Pre-view, the state of opinion or knowledge that readers bring to a text. At phase 3, a first reading forms readers’ Proto-understanding, their initial ‘guess’ at what the text means. Then processes of Analysis test and evidence the validity of alternative readings, limiting the interpretations which can plausibly be taken from a text. Three byways of interpretive analysis are challenged and discarded: the dominance of author intention, structuralist analysis and limitless polysemy. Analysis then leads into 5, the phase of informed Understanding of the matter or injunction of the text, of what is disclosed or unfolded before the text. The Interpretive Arc is completed in phase 6, Ownership. Here, through processes of critique of their own and the text’s ideologies and of fresh listening, readers are led to a new self formed by the matter of the text. There is a dialectic amongst Analysis, Understanding and Ownership, with each informing and modifying the other. The approach emphasizes interpretation as the heart of discourse work. The 3000-year-old narrative of Babel is a subject as well as an object here. It contributes to the matter of the article and its interpretation is interwoven with the theoretical substance. The story is shown to be an integrated narrative abounding in sophisticated linguistic techniques which show a delight in language. The traditional Christian and Western interpretation of Babel – as an affront to God which results in the curse of multilingualism – is challenged. A re-constructed interpretation informed by intertextual evidence reads the fault of Babel to be the people’s refusal to spread through the earth. Babel can be interpreted as a manifesto against the monolingual and monocultural impetus of empires ancient and contemporary. The multilingual outcome is a positive affirmation of sociocultural and linguistic diversity. (shrink)

Les outils médiatiques numériques se déploient toujours plus au cœur de notre quotidien. Nous proposons ici de les considérer légitimement comme objets sociologiques, c’est-à-dire comme des “traces matérielles” à partir desquelles il est possible de reconstruire les schémas organisationnels de notre monde contemporain. Au-delà du simple “medium is message”, en tant qu’objets techniques, les médias numériques se présentent tout autant comme des “dispositifs” que comme un cadre existentiel. Plus qu’un simple moyen d’arraisonner le monde, ils doivent être vus comme des (...) moyens de raisonner sur le monde. En élaborant une définition des artefacts qui implique la prégnance des objets au sein d’un univers symbolique, nous considérerons les outils numériques comme des “objets sociaux totaux”, partie prenante de la part immatérielle à partir de laquelle les sociétés se constituent. (shrink)

El hombre es el único animal que cree haber comprendido el mecanismo que le ha llevadohasta su presente como especie. Comprender este proceso es el primer paso, al que le puedeseguir la consideración de la posibilidad de actuar sobre él de manera consciente. Al hombrese le abre la posibilidad de actuar, mediante la biotecnología, sobre el proceso evolutivo paratratar de «mejorar» sus prestaciones biológicas, atravesando el umbral de la humanidad conel fin de lograr una condición «posthumana». La cuestión del posthumanismo (...) es objeto deun encendido debate que el artículo trata de reflejar. (shrink)

This article takes as its provocation Marx's intriguing statement about the disjunction between the flowering of Greek art and the underdeveloped stage of social and economic development made as an epilogue to the Introduction to the Grundrisse in order to ask what are the relations between that which has been considered art and what Marx calls `production as such'. In the elaborated conditions of contemporary capitalist societies, we can ask: Is art still being made? To examine this question I juxtapose (...) what Bauman has called `thinking sociologically' with a proposition that art thinks aesthetically. So how can art historians deal with that challenge of thinking aesthetic practices both socially and historically? I track a genealogy of art historians (Clark, Antal, Shapiro) who have attempted to think socially about artistic practices. This leads into a section about the necessity for both sociological and aesthetic education if we are to avoid totalitarianism or free-market individualism (Bahro). Finally, thinking sociologically, by taking as a case study the work of Aby Warburg, I explore the technological conditions of art historical production itself particularly in relation to photography and the way this shapes our access to the image. Warburg represents the possibility of another model for art historical thinking about the image as Kulturwissenschaft, a parallel to Sozialwissenschaft in its ambition and relation to the great intellectual revolutions c.1905 (Freud, Bergson, Einstein, Hussserl). Like Marx, Warburg questioned the continuity of the imaginary space of art thinking in the age of technological industrialism. Where art is now, where art history is, are not just sociological questions to which Marx might offer a dismal answer. I conclude that what is necessary is a constructive conversation between thinking sociologically and thinking aesthetically, knowing synthetically and knowing for oneself — curricular issues made more intense by the shared conditions in which all intellectual production is being transformed in contemporary sites of intellectual practice, the university, by `production as such' leading thought to risk the same fate as art in contemporary society, as Marx hypothesized. As a final thought, I suggest that in contemporary art work that confronts trauma and catastrophe, often using new technologies as aesthetic processes, we may find a counter-argument. (shrink)

Journal Name: Semiotica Issue: Ahead of print.

We establish the thesis that in moral education, particularly in the first years of the child’s development, unreflexive acts or unreflexiveness in certain behaviours of adults is a condition for the development of the personality structure and virtues that enable autonomous ethical reflection and a relation to the Other. With the notion of unreflexiveness we refer to resolvedness in the response of adults when it is necessary to establish a limit, or cut, in the child’s demand for pleasure, as well (...) as to resolvedness as one of the structurally essential elements in behaviours with which the adult subordinates the child to the symbolic order or language. In philosophy, a symptomatic position in this context is represented by Kant’s theory of education. On the basis of the “traditional” concept of “negative education”, and through Freud’s and Lacan’s psychoanalytic concepts, we identify two principles that should, in contemporary times, be an essential part of the moral educational behaviours of adults: the principle of a delimited response to the child’s demand for the satisfaction of pleasure, and the principle of reasoned, reflected, but nevertheless certain, persevering, resolved unreflexiveness in the subordination of the child’s desire to the symbolic order . On the basis of the preceding analysis, we highlight certain consequences of this structure of the subject for the contexts of particular theoretical discussions and for school practice. (shrink)

Although the concept of information is an inherently qualitative entity implying the capacity for meaning creation, in the historical development of this concept there has been a consistent emphasis on quantitative aspects. The generalization of the information concept from a specialized military term to a concept of broad social application occurred during the period when society as a whole became militarized in the 1930s and 1940s. After the Second World War, with the development of systematic information theory and the spread (...) of computers in society, the military associations of the information concept gradually became obscured. But the popularity of information society theory in Japan and the USA indicates a need to review the military associations of its key concept. Today, with the development and spread of numerous global and local media, the information phenomena are experienced in a manner that far outstrips the narrow confines of the concept's history. So the concept of information needs to be understood as a field of struggle in which different definitions confront each other leading to the creation of new practices and alternative concepts. (shrink)

Argument, in any full sense of the word, needs resources and assumptions that postmodernism does not provide. Postmodernism is not a phenomenon that emerged ‘after modernism,’ as it were, to replace it; postmodernism is just an ultimate expression of the nihilistic tendencies of modernism, tendencies which were present from its beginning and have continued to the present. A radical critique of modernism undercuts postmodernism as well and clears the way for a revival of realist foundations for argument and rhetoric.

Ce qu'on peut appeler lathéorie du discoursbouleverse les fondements épistémologiques et les perspectives méthodologiques de la recherche dans d'importants secteurs des sciences humaines et sociales. L'ethnologie, la psychanalyse et, bien entendu, les sciences de la littérature deviennent le champ d'application d'un système conceptuel opératoire que sous-tend la notion de « texte », et d'un modèle d'analyse axé sur le problème de la découverte des « lois de construction » du texte. L'intérêt particulier que présentent les thèses de M. Foucault réside (...) dans le fait qu'elles envisagent la possibilité d'élargir à l'Histoire le champ d'application de cette théorie.. (shrink)

This paper is based on the Isaac and Tamara Deutscher Memorial-Prize Lecture given at SOAS in London, on 27 November 2009. It claims that Marxism remains built around a critique of political economy but lacks a parallel critique of international relations. IR naturalises the organisation of inter-state relations along lines comparable to the naturalisation of the capitalist economy by economics. The paper argues that the disciplinary organisation of Western academia is part of the class-discipline in society at large. It was (...) triggered by the abstraction of economics from the field of the broader social sciences. IR, in turn, was codified in the slipstream of Woodrow Wilson’s response to the Russian Revolution that followed on from the US-intervention in World-War I. The discipline was built around a founding myth of global liberalism and national self-determination. It served, among other things, to disqualify the claims of the theory of imperialism on disciplinary grounds, and its initial connections with Western hegemony, capital, and the national-security state remain in place today. Distinguishing modes of foreign relations, and specifying the occupation of space, protection, and exchange for tribal and empire/nomad foreign relations, as well as sovereign equality and global governance, on the other hand make it possible to understand the rise and continuing hegemony of the West in its own right, rather than as a superstructure of the transnationalisation of capital. (shrink)

Even in the field of comparative or cross-cultural philosophy, distinctive contributions by African philosophers are often side-lined – that is, relegated to niche publications. Why is it so hard for African philosophers to draw their Western colleagues into a real dialogue? An attempt is made to describe the field of tension; it is shown that some of the reflexes that manifest themselves in it reveal not just the attachment to specific perspectives or frames of reference, but also implicit ideas about (...) the nature of the “philosophical game”. On the Western side, motives constitutive of practical or traditional life are either ignored or tacitly equated with attempts to realize goals that can be best understood from a reflexive point of view. In this way, the concrete conditions of any human activity, including intellectual activity, are lost from view. This critical lesson has been spelt out by a number of philosophers, but is seldom taken to heart. As a result, it becomes difficult to penetrate beyond conceptual differences. It will also be maintained that while many African philosophers question intellectualist attitudes, they do not always do so in a way that invites discussion on the central, or basic, issues. (shrink)

The main purpose of this article is to provide an in-depth review of Andrew Feenberg’s Technosystem: The Social Life of Reason. To this end, the anal...

Robin Horton has studied modes of thought for decades. His attitude is strongly "intellectualist" and directed against "symbolic" interpretation in anthropology A contrast between these two standpoints is regarded in this paper as axiomatic, derived from worldview assumptions presented as a scientific debate. Divergences concern isssues such as the objective status of human cognition, the degree of rationality of a given thought system, and the desirable status of anthropological interpretations of human thought. Horton's standpoint is criticized, mainly his views on (...) the universality of standards of rationality established in the West, and the presentism of his "cognitive foundationalism," which claims that cognition is the primary function of any thought/belief system. His intellectualist position is placed in the context of contemporary postmodern anthropological discourses. (shrink)

Lévi-Strauss's centennial is an opportunity to show his inextricable connections with the evolution of 20th-century thought and what these promise for 21st-century anthropology. He has mapped the philosophical parameters for a renewed ethnography which opens innovative approaches to history, agency, culture and society. The anthropological understanding of history, for instance, is enriched by methodical application of his mytho-logical analysis, in particular his claim that myths are `machines for the suppression of time'. Lévi-Strauss's thought has led to the development of new (...) and invigorated forms of structural analysis, exemplified by the way that his concept of canonical expression has provided the foundation for the sophisticated application of transformational analysis and formalization. (shrink)

This paper provides an analysis of Aeneas' visit to the "parva Troia" in Epirus , centered on the theme of "substitutes" and "doubles," and beginning with Andromache, the heroine of this encounter. With Helenus as a substitute for her deceased husband, Hector, Andromache is involved in a sort of levirate marriage. Moreover, she reacts to Aeneas and his companions as if they too were "substitutes," living persons who immediately evoke images of the dead, "doubles" for her lost loved ones . (...) This makes Andromache perfectly at home in "parva Troia", which is itself a "double," a "substitute" for the city destroyed by the Greeks. Except that, like all "doubles," "parva Troia" is an insubstantial illusion, the effigy of something that no longer exists. This city and its landscape can only be "seen," not actually "inhabited." These Trojan exiles are thus victims of a syndrome very similar to "nostalgia" . Helenus and his companions are "too faithful" to their vanished city; their destiny, like that of the dead, has been hopelessly fulfilled. Aeneas, however, is not allowed to become a prisoner of the past. Against his will, he must be "unfaithful" to his former city: he will not rebuild Troy. The companions of Helenus and Andromache suffer from an "excess of identity" . Aeneas, on the other hand, submits to the almost total loss of his own identity: except for the Penates, a highly significant, sacred part of the lost patria, which will contribute to the formation of his identity in a way similar to Helenus and Andromache's own nostalgic cult of the image of Troy. (shrink)

The author of the present paper argues that while trying to explain the institutional success of the science and its broad social impact, it is worth throwing aside the arguments concerning the universal traits of human nature, changes in the human mentality, or transformation of the culture and civilization, such as the development of capitalism or bureaucratic power. In the 16th century no new man emerged, and no mutants with overgrown brains work in modern laboratories. So one must also reject (...) the Great Divide between the cultures of the scientific and pre-scientific and replace it with multiple, uncertain and unexpected ‘not-so-great divides’, which can be described in meticulous anthropological studies. Although the achievements of science are certainly spectacular, and the gap between scientific practice and other areas of activity is so obvious, this does not mean that one must look for the \"great\" reasons behind this situation. One should rather focus on quite down-to-earth practices and tools used by scientists. A significant part of their activities can be described by referring to the craft of writing, reading and transforming of various types of inscriptions (records), and broadly understood visualization – their combining, performing, interpreting, confronting, comparing, shifting, shuffling etc. The important role of these tools and methods is especially visible in situations of scientific controversy. It is so because scientific controversies are won by the one able to muster on the spot the largest number of well aligned and faithful allies, and the technology of writing, printing and visualizing play a special role in mobilizing them. These are necessary to ensure that certain factors can be mobile – easy to move from place to place, and yet, immutable – not undergoing deformation as a result of the movement. This way, scientists are able to not only diffuse different types of factors relevant to the dispute and the process of constituting science, but also concentrate them in the centers of calculation, where, through accumulation, one can take actions not available elsewhere. (shrink)

In the past few years, anthropological research concerned with the ethnographic aspects of ritual practices has renewed its interest in the meaning of ritual symbolism. This research has been possible because of a methodological inversion, namely, starting with a descriptive study of the rites rather than analyzing religious beliefs, contrarily to what was the moraine frontale of traditional history of religion.

Fugue and chaos are used in their contemporary meaning. Elements of the fugue, albeit a ‎small number of universals, will be demonstrated in the area of visual and verbal colors. ‎Chaos dominates the internet, fashion, and everyday life. The visual and verbal colors are ‎differentiated and their communicative potential is indicated alongside the diachronic changes. The prototypes of colors are the interface between visual and verbal colors.‎.

“No one can serve two masters.” This Bible quotation highlights an irreducible contradiction, which echoes numerous organizational settings. This article considers the under-explored ethical implications of paradoxical injunctions created by such a contradiction at the managerial level. Contradictory organizational constraints turn into paradoxant systems , where the organization structurally settles paradoxical injunctions which challenge managerial ethics in practice. We then ask what managerial responsibility means in such contexts and find that managers have then to reshape their practice as a situated (...) construction through constant mediation between different “masters” and bricolage (i.e., tinkering with concepts). An ethnographic case study of an anti-money laundering service in an investment bank illuminates this phenomenon from a practice perspective. The possibility to enact an actual ethical practice within the contradictory organization relies on a new role of the manager. This implies drawing on an approach of responsible management as an enactment of ethics in practice which is situated within the framework of a new conception of both the organization, as a structurally “paradoxant system,” and the manager as a mediator in charge of enacting coherence. (shrink)