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  1. Introduction to the Philosophy of Colour.Derek H. Brown & Fiona Macpherson - 2021 - In Derek H. Brown & Fiona Macpherson (eds.), Routledge Handbook of Philosophy of Colour. New York: Routledge.
    This essay is an introduction to the Routledge Handbook of Philosophy of Colour. Why has the examination of many different aspects of colour been a prominent feature in philosophy, to such an extent that the topic is worthy of a handbook? Here are two related answers. First, colours are exceedingly familiar, seemingly simple features that become enigmatic under scrutiny, and they are difficult to capture in any familiar-sounding, unsophisticated theory. Second, through colour one can confront various problems that span the (...)
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  • Consideraciones sobre la percepción desde la perspectiva enactiva.Ana Lorena Dominguez Rojas - 2020 - Principia: An International Journal of Epistemology 24 (1):29-49.
    This article reviews the enactive approach to perception, which defends the role of objects, the subject and the environment in the configuration of the phenomenal character of perception, that is, the qualitative dimension of experience. Initially the case of hallucination and its implications in the understanding of the phenomenal character of perception is retaken. Then, two positions within analytic philosophy of perception, representationalism and disjunctivism, are critically explored. Finally, enactivism is presented as a more promising alternative.
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  • How Judgments of Visual Resemblance are Induced by Visual Experience.Alon Chasid & Alik Pelman - 2021 - Journal of Consciousness Studies 28 (11-12):54-76.
    Judgments of visual resemblance (‘A looks like B’), unlike other judgments of resemblance, are often induced directly by visual experience. What is the nature of this experience? We argue that the visual experience that prompts a subject looking at A to judge that A looks like B is a visual experience of B. After elucidating this thesis, we defend it, using the ‘phenomenal contrast’ method. Comparing our account to competing accounts, we show that the phenomenal contrast between a visual experience (...)
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