This essay is an introduction to the Routledge Handbook of Philosophy of Colour. Why has the examination of many different aspects of colour been a prominent feature in philosophy, to such an extent that the topic is worthy of a handbook? Here are two related answers. First, colours are exceedingly familiar, seemingly simple features that become enigmatic under scrutiny, and they are difficult to capture in any familiar-sounding, unsophisticated theory. Second, through colour one can confront various problems that span the (...) breadth of philosophy, including problems pertaining to perception, the mind-body relation, the nature of science, scepticism, vagueness, meta-ethics, and aesthetics. In this introduction we elaborate and guide the reader to the essays in the rest of this volume. (shrink)

This article reviews the enactive approach to perception, which defends the role of objects, the subject and the environment in the configuration of the phenomenal character of perception, that is, the qualitative dimension of experience. Initially the case of hallucination and its implications in the understanding of the phenomenal character of perception is retaken. Then, two positions within analytic philosophy of perception, representationalism and disjunctivism, are critically explored. Finally, enactivism is presented as a more promising alternative.