This thesis contextualises academic writing in EAP (English for Academic Purposes) and subjects it to an interdisciplinary (educational and philosophical) analysis in order to argue that what makes writing academic are its socio-academic practices and values, not its conventional forms. In rejecting dominant discourses that frame academic writing as a transferable skill which can be reduced to conventional forms, I show that academic writings are varied and evolve alongside changing writer agencies and textual environments. This accounts for the emergence of (...) a diverse academic writing landscape that enacts diverse socio-academic practices and that does not reduce writing to predictable static surface features. My methodology resists traditional disciplinary classifications and is in line with the reflective and interpretative approaches associated with the humanities. Rather than ‘filling a gap’ in academic writing research, I challenge writing conventions in EAP by questioning assumptions. This is because EAP is influential in shaping discourses about academic writing and, as such, it must not mislead students and practitioners about the evolving purposes, forms and possibilities for academic expression. The thesis is divided into three parts, each containing two chapters. Part 1 is concerned with explaining what academic writing is in EAP and how EAP can misrepresent it. Part 2 delves into the history of writing and literacy to tease out the ideologies shaping writing practices. Part 3 proposes a model based on philosophical theories of mind and sociology that lays the foundation for a macro theory of academic writing and a future writing pedagogy. The model re-imagines academic writing as an affordance within a non-linear, emergent and complex social open system. This system can be referred to as an organic unity and requires a shift from conceiving writing as a ‘transferable skill’. When re-imagined as an affordance, change and diversity in academic writing practices become possible. (shrink)

Pāṇini's fourth century BC Sanskrit grammar uses rewrite rules utilizing an explicit formal language defined through a semi-formal metalanguage. The grammar is generative, meaning that it is capable of expressing a potential infinity of well-formed Sanskrit sentences starting from a finite symbolic inventory. The grammar's operational rules involve extensive use of auxiliary markers, in the form of Sanskrit phonemes, to control grammatical derivations. Pāṇini's rules often utilize a generic context-sensitive format to identify terms used in replacement, modification or deletion operations. (...) The context-sensitive rule format is itself defined using Pāṇini's more general method of auxiliary markers, the latter used to define many dozens of linguistic categories and rules controlling derivations of Sanskrit sentences through the manipulation of ‘non-terminal’ and ‘terminal’ symbols. This technique for controlling formal derivations was rediscovered by Emil Post in the 1920s and later shown by him to be ca... (shrink)

Toward the end of the twentieth century, Highland Maya intellectuals and activists in Guatemala began to argue for the recognition of indigenous customary law, rooted in traditional Maya moral and ritual discourse. Such law is often in tension with the Western notion of rights that undergirds national and international treatises regarding indigenous peoples. This essay identifies three distinct but mutually engaged pairs of moral concepts—hot/cold, left/right, and favorable/not favorable—articulated through K'iche' Maya quotidian and ceremonial practices and speech. It also identifies (...) the extent to which they do not necessarily align with Western notions of good and bad. These three pairs of moral terms, specifically as conserved through the high-register of Maya discourse used by traditional ceremonial specialists, illustrate a normative means by which Highland Maya discern understandings of justice, and ground their advocacy for restorative justice. (shrink)

Depictive expressions of thought predate written language by thousands of years. They have evolved in communities through a kind of informal user testing that has refined them. Analyzing common visual communications reveals consistencies that illuminate how people think as well as guide design; the process can be brought into the laboratory and accelerated. Like language, visual communications abstract and schematize; unlike language, they use properties of the page (e.g., proximity and place: center, horizontal/up–down, vertical/left–right) and the marks on it (e.g., (...) dots, lines, arrows, boxes, blobs, likenesses, symbols) to convey meanings. The visual expressions of these meanings (e.g., individual, category, order, relation, correspondence, continuum, hierarchy) have analogs in language, gesture, and especially in the patterns that are created when people design the world around them, arranging things into piles and rows and hierarchies and arrays, spatial-abstraction-action interconnections termed spractions. The designed world is a diagram. (shrink)

This essay is about mathematics as a written or literate language. Through historical and anthropological observations drawn from the history of Greek mathematics and the oral tradition preceding the rise of literacy in Greece, as well as considerations on the nature of alphabetic writing, it is argued that three essential linguistic features of mathematical discourse are jointly possible only through written, alphabetic language. The essay concludes with a discussion of how both alphabetic principles and issues related to literacy faced by (...) the Greeks in the axiomatization of geometry play a central role in some specific metamathematical theories. Drawing extensively on the work of ArpSd Szatx5, Eric Havelock, and Albert Lord, the implications developed between Szab6's history of Greek mathematics and Havelock and Lord's theories of writing and oral traditions (Homer's in particular) are the author's own, as are the applications to modern logic. (shrink)

This response takes advantage of the diverse and wide-ranging series of commentaries to clarify some aspects of the target article, and flesh out other aspects. My central point is a plea to take graphic codes seriously as codes, rather than as a kind of visual art or as a byproduct of spoken language; only in this way can the puzzle of ideography be identified and solved. In this perspective, I argue that graphic codes do not derive their expressive power from (...) iconicity alone (unlike visual arts), and I clarify the peculiar relationship that ties writing to spoken language. I then discuss three possible solutions to the puzzle of ideography. I argue that a learning account still cannot explain why ideographies fail to evolve, even if we emancipate the learning account from the version that Liberman put forward; I develop my preferred solution, the “standardization account,” and contrast it with a third solution suggested by some commentaries, which says that ideographies do not evolve because they would make communication too costly. I consider, by way of conclusion, the consequences of these views for the future evolution of ideography. (shrink)

This article focuses on the pendulum-like change in the way people read and use text, which was triggered by the introduction of new reading and writing technologies in human history. The paper argues that textual features, which characterized the ancient pre-print writing culture, disappeared with the establishment of the modern-day print culture and has been “revived” in the digital post-modern era. This claim is based on the analysis of four cases which demonstrate this textual-pendulum swing: (1) The swing from concrete (...) iconic-graphic representation of letters and words in the ancient alphabet to abstract phonetic representation of text in modern eras, and from written abstract computer commands “back” to the concrete iconic representation in graphic user interfaces of the digital era; (2) The swing from scroll reading in the pre-print era to page or book reading in the print era and “back” to scroll reading in the digital era; (3) The swing from a low level of authorship in the pre-print era to a strong authorship perception in the print era, and “back” to a low degree of authorship in the digital era; (4) The swing from synchronic representation of text in both visual and audio formats during the pre-print era to a visual representation only in print, and “back” to a synchronic representation in many environments of the digital era. We suggest that the print culture, which is usually considered the natural and preferred textual environment, should be regarded as the exception. (shrink)

Computing technology is clearly a technical revolution but will most probably bring about a cultural revolution as well. The effects of this technology on human culture will be dramatic and far-reaching. Yet, computers and electronic networks are but the latest development in a long history of cognitive tools, such as writing and printing. We will examine this history, which exhibits long-term trends toward an increasing democratization of culture, before turning to today’s technology. Within this framework, we will analyze the probable (...) effects of computing on culture: dynamical representations, generalized networking, constant modification and reproduction. To address the problems posed by this new technical environment, we will suggest possible remedies. In particular, the role of social institutions will be discussed, and we will outline the shape of new electronic institutions able to deal with the information flow on the internet. (shrink)

Essays explore the significance of Julia Kristeva’s concept of intimate revolt for social and political philosophy. Over the last twenty years, French philosopher, psychoanalyst, and novelist Julia Kristeva has explored how global crises threaten people’s ability to revolt. In a context of widespread war, deepening poverty, environmental catastrophes, and rising fundamentalisms, she argues that a revival of inner psychic experience is necessary and empowering. “Intimate revolt” has become a central concept in Kristeva’s critical repertoire, framing and permeating her understanding of (...) power, meaning, and identity. New Forms of Revolt brings together ten essays on this aspect of Kristeva’s work, addressing contemporary social and political issues like immigration and cross-cultural encounters, colonial and postcolonial imaginations, racism and artistic representation, healthcare and social justice, the spectacle of global capitalism, and new media. Sarah K. Hansen is Assistant Professor of Philosophy at California State University, Northridge. Rebecca Tuvel is Assistant Professor of Philosophy at Rhodes College. (shrink)

Long ago the Chinese people developed the habit of thinking in terms of images. They also formed the habit of writing and recognizing scriptforms in terms of images. In fact, these diverse cognitive processes - thinking, writing and decoding in terms of images - have been interacting and reinforcing one another for thousands of years, and, as a result, have played a significant role in shaping Chinese culture and the Chinese mind, and have become a part of the collective unconscious (...) of the people.Although today the Chinese characters are highly abstract and symbolic, the language still preserves its pictographic and ideographic prototypes, the parent script which evolved almost six thousand years ago. In other words, although modern Chinese characters are no longer actual drawings of objects, ideas, and images, they still have a blood relationship to these primitive forms. Their graphemes, configurations, or grapho-semantic radicals still bear direct semantic relation to their referents, so much so that it would be fair to describe the development of Chinese writing as an overlapping process as well as a gradual one. (shrink)

An ideography is a general-purpose code made of pictures that do not encode language, which can be used autonomously – not just as a mnemonic prop – to encode information on a broad range of topics. Why are viable ideographies so hard to find? I contend that self-sufficient graphic codes need to be narrowly specialized. Writing systems are only an apparent exception: At their core, they are notations of a spoken language. Even if they also encode nonlinguistic information, they are (...) useless to someone who lacks linguistic competence in the encoded language or a related one. The versatility of writing is thus vicarious: Writing borrows it from spoken language. Why is it so difficult to build a fully generalist graphic code? The most widespread answer points to a learnability problem. We possess specialized cognitive resources for learning spoken language, but lack them for graphic codes. I argue in favor of a different account: What is difficult about graphic codes is not so much learning or teaching them as getting every user to learn and teach the same code. This standardization problem does not affect spoken or signed languages as much. Those are based on cheap and transient signals, allowing for easy online repairing of miscommunication, and require face-to-face interactions where the advantages of common ground are maximized. Graphic codes lack these advantages, which makes them smaller in size and more specialized. (shrink)

In this paper I aim at showing that, in Aristotle’s view, spoken and written language differ in their material organisation, in particular in their respective part-whole relations. I argue that, according to Aristotle, written language is an additive system (i.e. a system whose parts exist and are produced prior to what they are parts of), whereas spoken language is a non-additive system (i.e. a system whose parts cannot exist and be produced prior to what they are parts of), and that, (...) in his view, spoken language, qua non-additive system, is analogous to organisms. Further, I outline two possible implications of this hypothesis. The first concerns the relevance of Aristotle’s conception of spoken language as a non-additive system to his account of human language’s power to signify. I set out some reasons for thinking that Aristotle endorses the view that the form of human language (i.e. its power to signify) is matter-involving. The second implication concerns the syllable analogy that Aristotle employs in Metaphysics Ζ 17. I argue that the syllable Aristotle refers to is a spoken one, and I develop some consequences of this hypothesis for the meaning of the analogy and, more generally, of the chapter. (shrink)