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  1. Perceptual Experience in Kant and Merleau-Ponty.Antich Peter - 2019 - Journal of the British Society for Phenomenology 50 (3):220-233.
    I argue that the descriptions of perceptual experience offered by Kant and Merleau-Ponty are, contrary to what many commentators suppose, largely compatible. This is because the two are simply referring to different things when they talk about experience: Kant to empirical cognition and Merleau-Ponty to perception. Consequently, while Merleau-Ponty correctly denies that Kant accurately describes the conditions for the possibility of perception, Kant nevertheless provides a plausible account of the conditions of empirical judgment. Further, the two approach experience with different (...)
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  • Existential selfhood in Merleau-Ponty’s Phenomenology of Perception.B. Scot Rousse - 2023 - Continental Philosophy Review 56 (4):595-618.
    This paper provides an interpretation of the existential conception of selfhood that follows from Merleau-Ponty’s account of perception. On this view, people relate to themselves not by “looking within” in acts of introspection but, first, by “looking without” at the field of solicitations in which they are immersed and, eventually, in Merleau-Ponty’s words, by “making explicit” the “melodic unity” or “immanent sense” of their behavior. To make sense of this, I draw out a distinction latent in Merleau-Ponty’s view between a (...)
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  • Merleau‐Ponty on abstract thought in mathematics and natural science.Samantha Matherne - 2018 - European Journal of Philosophy 26 (2):780-97.
    In this paper, I argue that in spite of suggestions to the contrary, Merleau-Ponty defends a positive account of the kind of abstract thought involved in mathematics and natural science. More specifically, drawing on both the Phenomenology of Perception and his later writings, I show that, for Merleau-Ponty, abstract thought and perception stand in the two-way relation of “foundation,” according to which abstract thought makes what we perceive explicit and determinate, and what we perceive is made to appear by abstract (...)
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  • Merleau‐Ponty and the significance of style.Andrew Inkpin - 2018 - European Journal of Philosophy 27 (2):468-483.
    A distinctive feature of Merleau-Ponty’s thought is the central role he assigns style in generally characterizing embodied agents’ perceptual and cognitive functioning. Despite this, he says little to explain how he conceives style itself. This article therefore aims to clarify Merleau-Ponty’s notion of style and its significance within and beyond his work. It begins by surveying his broad application of the term and using his discussions of painting to reconstruct his conception of style, identifying two major roles Merleau-Ponty attributes it (...)
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  • The problem of perceptual invariance.Alessandra Buccella - 2021 - Synthese 199 (5-6):13883-13905.
    It is a familiar experience to perceive a material object as maintaining a stable shape even though it projects differently shaped images on our retina as we move with respect to it, or as maintaining a stable color throughout changes in the way the object is illuminated. We also perceive sounds as maintaining constant timbre and loudness when the context and the spatial relations between us and the sound source change over time. But where does this perceptual invariance ‘come from’? (...)
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  • Enactivism and the “problem” of perceptual presence.Alessandra Buccella - 2020 - Synthese 198 (Suppl 1):159-173.
    Alva Noë understands what he calls “perceptual presence” as the experience of whole, voluminous objects being ‘right there’, present for us in their entirety, even though not each and every part of them impinges directly on our senses at any given time. How is it possible that we perceptually experience voluminous objects as voluminous directly and apparently effortlessly, with no need of inferring their three-dimensionality from experience of the part of them that is directly stimulating our sense organs? For Noë, (...)
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