Madhusūdana Sarasvatī wrote several treatises on Advaita philosophy. His magnum opus is the Advaitasiddhi, written in order to reply to the keen objections moved by the Dvaitin Vyāsatīrtha’s Nyāyāmṛta. Advaitasiddhi is verily a turning point into the galaxy of Vedānta, not only as far as its replies are concerned, but also for the reutilization of earlier vedāntic material and its reformulation by means of the highly sophisticated language of the new school of logic. This article is an attempt to contextualize (...) Madhusūdana’s works in a broader context through three looking glasses: the analysis of how Madhusūdana refers to his own works, in order to reconstruct a relative chronology among them; Madhusūdana’s adherence to the tenets of the previous Advaita tradition, how much he is indebted to Vyāsatīrtha, how he quotes him and how he replies to him; Madhusūdana’s acquaintance with other textual traditions, mainly Vyākaraṇa, Pūrva Mīmāṃsā and Nyāya. (shrink)

The question as to whether the Vedas have an author is the topic of vivid polemics in Indian philosophy. The aim of this paper is to reconstruct the classical Sāṁkhya view on the authorship of the Vedas. The research is based chiefly on the commentaries to the Sāṁkhyakārikā definition of authoritative verbal testimony given by the classical Sāṁkhya writers, for these fragments provide the main evidence (both direct and indirect) for the reconstruction of this view. The textual analysis presented in (...) this paper leads to the following conclusion. According to most classical Sāṁkhya commentaries, the Vedas have no author. Two commentators state directly that the Vedas have no author, and four commentators allude to the authorlessness of the Vedas. Only one commentator seems to hold the opposite view, stating that all the authoritative utterances are based on perception or inference of imperceptible objects by authoritative persons, from which it follows that the Vedas too have an author or authors. (shrink)

This essay is an attempt to analyze, classify and illustrate different scholarly approaches to the Sanskrit philosophical commentaries as reflected in some influential and especially thoughtful studies of Indian philosophy; at the same time it highlights some specific features involving commentary and annotation in general, drawing from results of studies on commentaries conducted in other disciplines and fields, such as Classical and Medieval Studies, Theology, and Early English Literature. In the field of South Asian Studies, philosophical commentaries may be assessed (...) from various overlapping and not always exclusive points of view, such as preservation of otherwise lost historical information, historical authenticity and reliability, interpretational innovation, spiritual or experiential insight, philosophical creativity, intellectual liveliness, doxographic intent, degree of incidentality, expository breadth and explanatory depth. The essay provides numerous examples taken from classical to early modern philosophical literature, especially of the Brahminical and Buddhist traditions, and also discusses their diverging perception by modern scholars and interpretators. (shrink)

A mahāvidyā inference is used for establishing another inference. Its Reason is normally an omnipresent property. Its Target is defined in terms of a general feature that is satisfied by different properties in different cases. It assumes that there is no case that has the absence of its Target. The main defect of a mahāvidyā inference μ is a counterbalancing inference that can be formed by a little modification of μ. The discovery of its counterbalancing inference can invalidate such an (...) inference. This paper will argue that Cantor’s diagonal argument too shares some features of the mahāvidyā inference. A diagonal argument has a counterbalanced statement. Its main defect is its counterbalancing inference. Apart from presenting an epistemological perspective that explains the disquiet over Cantor’s proof, this paper would show that both the mahāvidyā and diagonal argument formally contain their own invalidators. (shrink)

Dharmarāja Adhvarin’s Vedānta Paribhāṣā is a well-known introduction to Advaita Vedānta, targeted to beginners who are already trained in Navya Nyāya. According to Dasgupta, the VP is so heavily indebted to Rāmādvaya’s Vedānta Kaumudī, which was composed in the middle of the 14th century and is today almost forgotten, that the VP’s “claim to originality vanishes”. The VK was, however, only edited in 1955 and then again in 1973. In the light of this improved textual basis, what is our judgement (...) about Dasgupta’s hypercritical statement? Did actually the VP ever claim to be original? Was this originality somehow superimposed on the VP later? Is the VP really so much indebted to the VK? This paper aims at comparatively analysing the textual background of these questions. I will start from the analysis of one Advaita’s epistemological tenet, namely the valid knowledge, in the VK and then compare it to the corresponding parts in the VP. (shrink)

This article examines the emergence of the Nyāya distinction between vāda and jalpa as didactic-scientific and agonistic-sophistical forms of debate, respectively. Looking at the relevant sutras in Gautama’s Nyāya-sūtra (NS 1.2.1-3) in light of the earlier discussion of the types of debate in Caraka Saṃhitā 8, the article argues that certain ambiguities and obscurities in the former text can be explained on the hypothesis that the early Nyāya presupposed an agonistic understanding of vāda similar to what we find in Caraka.

The present paper is an inventory and a description of the known manuscripts of the Nyāyamañjarī, meant as a tool for philological research on Bhaṭṭa Jayanta’s magnum opus. The inventory is gradually built through a systematic analysis of archival data found in catalogi catalogorum, bibliographies of catalogues, individual catalogues, unpublished lists, and editions of the Nyāyamañjarī. The list is followed by a concise description of each manuscript, including an external description, an outline of the contents, and historical information.