Religious fictionalism is the theory that it is morally and intellectually legitimate to affirm religious sentences and to engage in public and private religious practices, without believing the content of religious claims. This article discusses the main features of fictionalism, contrasts hermeneutic, and revolutionary kinds of fictionalism and explores possible historical and recent examples of religious fictionalism. Such examples are found in recent theories of faith, pragmatic approaches to religion, and mystical traditions in religious theology.

I argue for the centrality of the concepts of biophysical and human nature in science-and-religion studies, consider five different metaphors, or “visions,” of nature, and explore possibilities and challenges in reconciling them. These visions include (a) evolutionary nature, built on the powerful explanatory framework of evolutionary theory; (b) emergent nature, arising from recent research in complex systems and self-organization; (c) malleable nature, indicating both the recombinant potential of biotechnology and the postmodern challenge to a fixed ontology; (d) nature as sacred, (...) a diffuse popular concept fundamental to cultural analysis; and (e) nature as culture, an admission of epistemological constructivism. These multiple visions suggest the famous story of the blind men and the elephant, in which each man made the classic mistake of part-whole substitution in believing that what he grasped (the tail, for example) represented the elephant as a whole. Indeed, given the inescapability of metaphor, we may have to admit that the ultimate truth about the “elephant” (nature, or the reality toward which science and religion point) is a mystery, and the best we can hope for is to confess the limitations of any particular vision. (shrink)

This paper examines the influences which shape the tone and character of Sallie McFague’s ecotheology, while also suggesting that her theology holds immense socially transformative potential even while departing from many of the basic assumptions of traditional Christian theism. Contrary to the beliefs of majority Christianity, which most often assume the adequacy of supernatural and interventionist images of God, McFague contends that these outdated images seriously debilitate Christian agency and place our planet in peril. Changing Christian habits of thought about (...) God, therefore, may yet prove to be a necessary, though not sufficient, prerequisite to resolve our environmental plight. Ultimately, I suggest that McFague’s reconstructive theology is a significant part of a larger blossoming of immanentalist sensibilities within North American religious culture at large, and in relation to which Christian churches will have to adjust in order to survive. This theological sea change may yet have the effect of moving McFague’s reconstructive proposals from the margins into the mainstream of Christian discourse and practice. (shrink)

In this article, I present a case for a kind of existential theology which would be philosophical and metaphysical, though not broadly Platonic and classical, and biblical though not illogical. What I present will be an attempt to clarify and justify what I call "existential hayatological theism". In so doing I will draw on insights from what Edmond La B Cherbonnier and Claude Tresmontant designated as "biblical philosophy" and "biblical metaphysics" as well as from the neo-classical philosophies of Charles Hartshorne (...) and Alfred North Whitehead, especially that of Whitehead. (shrink)

In this paper, I take a critical look at the Davidsonian argument that metaphorical sentences do not express propositions because of the phenomenological experience—seeing one thing as another thing—involved in understanding them as metaphors. According to Davidson, seeing-as is not seeing-that. This verdict is aimed at dislodging metaphor from the position of being assessed with the semantic notions of propositions, meaning, and truth. I will argue that the phenomenological or perceptual experience associated with metaphors does not determine the propositional contentfulness (...) or truth-evaluability of metaphors. Truth-evaluability is not inconsistent but compatible with a perceptual model for metaphors. I argue for this partly by showing that seeing-as does not constitute understanding of metaphors when understanding is appropriately construed in terms of being able to use an expression. (shrink)

In this paper, I take a critical look at the Davidsonian argument that metaphorical sentences do not express propositions because of the phenomenological experience—seeing one thing as another thing—involved in understanding them as metaphors. According to Davidson, seeing-as is not seeing-that. This verdict is aimed at dislodging metaphor from the position of being assessed with the semantic notions of propositions, meaning, and truth. I will argue that the phenomenological or perceptual experience associated with metaphors does not determine the propositional contentfulness (...) or truth-evaluability of metaphors. Truth-evaluability is not inconsistent but compatible with a perceptual model for metaphors. I argue for this partly by showing that seeing-as does not constitute understanding of metaphors when understanding is appropriately construed in terms of being able to use an expression. (shrink)

I discern in Greek myths of the goddess Athena traces of the idea of domination of mind over senses, and that men were seen as superior to women because of their naturally ruling mind. The Athenian, Platonic, androcentric, hierarchical worldview saw women as physically inferior to men. Behind courageous, wise Athena, lies Plato’s dualistic philosophy of reason, and the ideology of control. We must make a distinction between a dualistic philosophy and a holistic approach to reality. Ancient goddess Hestia’s inextinguishable (...) flame as energy of all life extended to the entire world can be read as symbolizing the interrelatedness of all life. (shrink)

This article explores the relationship between music and ecofeminist theology and investigates how music and sound can advance the development of ecofeminist thought. On a physical level, the act of breathing connects humankind with the earth’s atmosphere and the element of air produces music and sound. On a theological level, traditional church teachings about the power and danger of music have reflected similar warnings about women and nature. Ecofeminist theologian Sally McFague made a persuasive case for metaphorical theology that supported (...) the arts being included in theological development. Religious Studies scholar Heidi Epstein engaged McFague’s metaphorical theology to develop a feminist theology of music and featured female composers including Hildegard of Bingen. I propose that metaphorical theology and music can also connect through the development of sonic metaphors. Sonic metaphors are created with pitch, rhythm, and sound. While most metaphors rely on the eyes to process written text and visual art, sonic metaphors are processed through the ears and offer different pathways for cognition. Sonic metaphors have been underutilized in theology and they offer potential for exploring theological concepts that can be challenging to comprehend through textual or visual means. These metaphors are particularly applicable for developing ecofeminist theology because sound and music can connect our bodies with nature in illuminating ways. I include examples from my own musical background, and I offer suggestions for non-musicians and ecofeminist theologians who want to incorporate sonic metaphors into their own creative theological reflection. (shrink)

The kingdom of God was a central theme in Jesus' vision. Was it meant to be understood as Utopian as Mary Ann Beavis views it, or existential? In 1st century CE Palestine, kingdom of God was a political term meaning theocracy suggesting God's patronage. Jesus used the term metaphorically to construct a new symbolic universe to legitimate a radical new way of living with God in opposition to the temple ideology of exclusivist covenantal nomism. The analogies of father and king (...) served as the root metaphors for this symbolic universe. They are existential root metaphors underpinning the contextual symbolic universe of God's patronage in reaction to the collapse of the patronage system which left peasants destitute. Jesus' paradoxical use of the metaphor kingdom of God had a therapeutic value and gave the concept new meaning. The initial motivation for proclaiming God's patronage originated in Jesus' primary identity formation by Mary as single parent and was reinforced in his secondary identity formation by John the Baptist. From these results can be concluded that kingdom of God was not meant to be understood as utopian, but existential. In order to clarify the meaning of kingdom of God and God's patronage for the 21st century, demythologisation and deconstruction can be helpful especially by highlighting the existential meaning of the kingdom of God. (shrink)

The Christian faith holds out the promise of abundant life and yet many writers have exposed the ambiguities experienced from the words used when that faith is expressed or discussed or described. While there are many aspects to this exploration, this article investigates a set of words that are used to and for the divine because the one spoken of as the author of this abundant life is described in terms that limit the possibilities for too many people. This article (...) will draw on insights gained through the use of the discipline of psycholinguistics and extrapolate from these insights to offer a methodology for developing a language that expresses abundant life. (shrink)