Descartes’s Meditations on First Philosophy, regarded by many as his masterpiece, has been the subject of significant philosophical debate since its publication in 1641. Yet the Meditations is remarkable not only for its philosophical ideas but also for the style in which it was written. Two of the most notable stylistic elements of the Meditations are the use of temporal markers—a significant departure from analogous philosophical treatises of the same period—and the fact that the text is written in such a (...) way as to invite readers to subsume themselves into the role of the narrator, so as to experience its arguments for themselves. Many commentators have hinted at the importance of the narrator. But there has been little attempt at a sustained engagement. The function of the text as a series of days of meditation has also been insufficiently explored. In order to further investigate the roles of time and narrative within the Meditations, this thesis uses various reading methods provided by narrative theory, with particular focus on Monika Fludernik’s experiential model of narrative. Fludernik’s model allows for a clearer articulation of the role readers play in enacting meaning, and the way in which readers will in a sense “author” a text on their own terms. Reading the Meditations as an experiential narrative also illuminates significant issues to do with Descartes’s distinction between geometric and discursive argument, his conception of time, the specific expression of the Cogito in the Meditations, and the “reorientation” at the heart of the text—which I am calling a sort of conversion. The conversion at the heart of the Meditations will be explored in parallel with Saint Augustine’s Confessions and Saint Ignatius of Loyola’s Spiritual Exercises, two texts which—like the Meditations—can be thought of as experiential narratives designed to bring about some kind of conversion. I argue that such an experiential reading, drawing on the roles of time and narrative in the text, offers to enrich our understanding of the Meditations. (shrink)

A number of authors have drawn attention to the contributions to geology of Robert Hooke, and it has been pointed out that in several ways his ideas were more advanced than those of Steno, who is sometimes taken to be the founder of geology as a scientific discipline. Moreover, it has been argued that in a number of instances Hooke should receive the credit for ideas which are usually believed to have originated in the work of James Hutton. This recognition (...) of the significance of Hooke's work is regarded by the present writer as being well founded. But, by contrast, the relationship between Hooke's geological ideas and his views on the proper methods for conducting scientific enquiries has been largely overlooked, and his views on the methodology of science, as revealed in his Posthumous works, have received little discussion. Moreover, on one of the few occasions on which they were discussed, by William Whewell, they were belittled. Whewell regarded Hooke's methodological contribution as merely ‘an attempt to adapt the Novum organon to the age which succeeded its publication’, 5 and he implied that the ‘same imperfections’ were to be found in the writings of both Hooke and Bacon. The influence of Bacon is, to be sure, most obvious in Hooke's general philosophy. Nevertheless, it will be argued that Hooke had a much clearer idea than did Bacon of the importance of so-called ‘hypothetico-deductive’ methods in science, and that in many ways his methodological views represent a significant advance on those of Bacon. (shrink)