We tend to identify “real” knowledge of nature with science, and for good reasons. The sciences have developed unique ways of disclosing and modifying the intricate workings of nature, building on quantitative, experimental and technologically advanced styles of thinking. Scientific research has produced robust and reliable forms of knowledge, using methodologies that are often remarkably transparent and verifiable. At the same time, laboratories and other research settings are highly artificial environments, constituting drastically modified versions of reality, allowing nature to emerge (...) in a particular way. This book starts from the conviction that there are other ways of knowing about nature besides science. Notably, literary documents (novels, plays, poems) on nature and natural entities (landscapes, animals, plant forms) often convey careful analyses and observations, quite elaborate and true to life. Comparative epistemology is the discipline that tries to assess, in a critical manner, the relative validity and value of various knowledge forms. This volume presents a series of case studies in comparative epistemology, critically comparing the works of prominent representative of the life sciences (such as Aristotle, Darwin, Mendel and many others) with the writings of their literary counterparts (such as Andersen, Melville, Verne, Ibsen, and many others). The book aims to contribute to the expanding field of Science and Literature Studies, allowing basic insights from the sciences and the humanities to mutually challenge and enlighten one another. (shrink)

Katherine Dormandy aims both to classify possible modes of relating faith to epistemic norms in terms of three broad viewpoints: evidentialism, epistemological partialism, and anti-epistemological partialism. I advance two related claims: first, her categorization flattens the epistemological terrain by treating epistemic norms that operate at different levels as if they operated on the same level and thereby distorts the views she categorizes under Anti-Epistemological Partiality; and second, when rightly described, the noetic conflict involved in this view can be understood as (...) waged between epistemic norms of different types and function. To advance this claim, I examine Pascal’s conception of faith. For Pascal, we require first principles to establish an interpretive framework for understanding the universe and interpreting evidence, but outside of statements whose negations are self-contradictory, we cannot distinguish between “natural” principles and fantasies; faith is then understood as a relation to the Divine that allows the believer to receive, through grace, more accurate first principles. Faith therefore has a special cognitive status: (a) it has the right to influence how we interpret the world, including our epistemic norms and how to accommodate apparently disconfirming evidence, and (b) it is resilient to being reinterpreted in ways that would hinder it from fulfilling this function of stabilizing our epistemic situation—in the manner, for example, that such functioning would be hindered by negative beliefs concerning whether God exists, is good, and is faithful. The Pascalian believer is therefore involved in a much more subtle type of struggle than one between evidence and belief. Her conflict is waged between evidence and the interpretive framework through which she understands the world, including that evidence. I use the example of Job as a paradigm of how such a believer responds to apparently disconfirming evidence, treating doubt as grounds for frankly asking, or even demanding, God to answer one’s doubts, for the sake of his justice and love. (shrink)

Many of us have experienced a peculiar feeling of freedom, of the world being open before us. This is the feeling that is captured by phrases like “the freedom of the open road” and “free spirits,” and, to quote Phillip Larkin, “free bloody birds” going “down the long slide / To happiness, endlessly.” This feeling is associated with the ideas that my life could go in many different directions and that there is a vast range of things that I could (...) become. It arises in concert with a wide range of human experiences, including experiences of artistic creation, play, fun, and resistance to authority. This freedom of openness and spontaneity, which I call spontaneous freedom, is central to our ordinary talk about freedom. Yet it is a phenomenon largely ignored in discussions of freedom in contemporary moral philosophy. This is because moral philosophers are primarily concerned to identify the sort of freedom that is a prerequisite for moral responsibility, and so focus on deliberate, voluntary action rooted in rational choice. When moral philosophers do discuss spontaneous freedom, it is often to disparage it as, in the words of Harry Frankfurt, the freedom of “the wanton” whose liberty is merely that of “anarchic impulsive behavior.” My dissertation develops a theory of spontaneous freedom and of the role it does and should play in our lives, including our moral and political lives. I argue that, to do full justice to the human aspiration for freedom, moral and political theory must recognize the value of spontaneity. Through a study of characters from stories and films by Virginia Woolf, Saki, Akira Kurosawa, and Aman Sethi, I develop a phenomenological account of the nature of spontaneous freedom. I argue that we experience spontaneous freedom when we experience our actions as arising out of ourselves but not fixed in advance either by the decisions of other agents or by our own preexisting commitments or plans. I further argue that spontaneous freedom is valuable because it allows for the distinctive pleasure of feeling that one’s life is unforetold and that one is among the sources of novelty in the world, a feeling that is central to artistic creativity. It also affords solace from the anxiety associated with the inevitability of death. As with many experiences, like falling in love or seeing an alpine lake, experiences of spontaneous freedom are most valuable when they are veridical. But even the subjective experience of spontaneous freedom, I suggest, activates our awareness of and openness to possibility. Achieving this awareness, at least on occasion, is valuable because it provides us with a sense of our own psychological potential and sharpens a skill that contributes to practical deliberation. My claim that spontaneous freedom is valuable conflicts with a popular account of the self. According to that account—endorsed by a number of moral philosophers but most famously associated with Christine Korsgaard—the ideal self is one that is well-ordered, actively constituted through rational deliberation. Such integrity theories of the self are attractive because they provide an account of agency according to which ideal moral agents invariably endorse their own actions and beliefs. Integrity theories view freedom as involving rational, deliberative control of one’s actions. But I argue that integrity theories forbid well-constituted moral agents to seek out experiences of spontaneous freedom: such agents must act in a manner that they antecedently and reflectively endorse, while spontaneous freedom requires acting in a manner not antecedently fixed by one’s own decisions. Insofar as spontaneous freedom is a kind of freedom that we do and should value, my account exerts pressure on this standard view of agency and the self. My account of spontaneous freedom also has important political implications. One version of liberal theory holds that the only sort of political freedom worth having is the freedom of each individual to effectively exercise choice compatibly with every other individual doing likewise. On this picture, I have all of the freedom that I could want if I am able to choose autonomously and act in accordance with my choices. But I argue that a community that secures this liberal variety of freedom does not yet provide its members with all the freedom for which people rightly yearn. When public and private institutions arrange our circumstances in ways that make the courses of our lives predictable, our own choices about how to act may be largely settled by the plans and decisions of other agents. This in turn makes it difficult for us to regard our futures as open in the way that is characteristic of experiences of spontaneous freedom. States should promote spontaneous freedom by providing the material and social preconditions for us to feel that our lives could head in radically different and unanticipated directions. (shrink)

We explore how the singer Morrissey has represented the struggles of the proletariat in creative and provocative ways, inviting a deep textual reading that reveals a complex counter-hegemonic stance on the issue of social class. A champion of the ‘Other’ in a variety of guises, Morrissey is revealed in this article as a raconteur of the marginalized working class. We illustrate this through a detailed semiotic, musical and contextual reading of one particular song; ‘Interesting Drug’. We reveal tensions in Morrissey's (...) representations of the proletariat. Specifically, Morrissey's romantic, nostalgia-laden, oversimplification of the working-class hero of an earlier era seems some distance from the ‘real’ proletariat struggle for representation in the places that count. However, in providing both collective places and intimate spaces in which to reflect, his music becomes counter-hegemonic as he hands power back to the individual to make the music meaningful in whatever way he or she wishes. (shrink)

One Flew Over the Cuckoo's Nest by Ken Kesey and The Devil in Silver by Victor LaValle are two novels that focus on mental hospitalization as a medical and social practice. Published fifty years apart, however, the books possess important differences in setting, method, and message reflecting the times that spawned them. The purpose of this paper is to examine the changing documentary and metaphorical uses of the asylum novel by comparing an iconic work in the genre with a respectful, (...) but divergent, successor. What emerges from this comparison is an appreciation of the literary conventions shared by Kesey and LaValle but also the ingredients that separate their work. Whereas Kesey produced an enduring tribute to the virtue of nonconformity, LaValle's social criticism expresses itself as a disturbing portrayal of class-based disparities and administrative dysfunction inside the contemporary American mental health system. (shrink)

The aim of this article is to discuss the nature of disagreement in scientific ontologies in the light of case studies from biology and cognitive science. I argue that disagreements in scientific ontologies are usually not about purely factual issues but involve both verbal and normative aspects. Furthermore, I try to show that this partly non-factual character of disagreement in scientific ontologies does not lead to a radical deflationism but is compatible with a “normative ontological realism.” Finally, I argue that (...) the case studies from the empirical sciences challenge contemporary metaontological accounts that insist on exactly one true way of “carving nature at its joints.”. (shrink)

The depths of the sea, their obscure inhabitants and their mysteries have always been a rich source of myths and metaphors for authors and philosophers. Fables about giant squids and monstrous octopuses run through the history of literature and culture. The vampire squid is only a small phylogenetic relic, but it provides a useful model for Flusser's hybrid philosophical fiction Vampyroteuthis Infernalis. Flusser slips metaphorically into the creature’s gelatinous skin in order to speculate on the paradigms of postmodern life, measuring (...) the abyss from the inside and producing a very peculiar, experimental form of thinking and writing. In the present era of virtual reality and computer simulations, we experience fiction as the only reality. According to Vaihinger's definition, fiction is a useful construct that is precisely not real, but enables human beings to create and manipulate their environments. His philosophy of “as if” is perhaps the fullest expression of fictionalism and shows its ambivalent potential. (shrink)

This paper presents the data gathering of Matthew Fontine Maury at the U.S. Naval Observatory as pushing an epistemic boundary outside traditional laboratory walls. Maury's use and control of civilian navigators explicates the development of an astronomic epistemology deeply embedded in nineteenth century American society. In conclusion, following the movement of epistemic boundaries is offered as a guide to crucial moments in the development of a multifaceted modernity.

Before the law sits a gatekeeper. To this gatekeeper comes a man from the country who asks to gain entry into the law. But the gatekeeper says that he cannot grant him entry at the moment. The man thinks about it and then asks if he will be allowed to come in sometime later on. “It is possible,” says the gatekeeper, “but not now.”—Franz Kafka..

This article addresses the question whether and how literary documents can be used to further our understanding of a number of key issues on the agenda of the philosophy of biology such as “complexity” and “reductionism”. Kant already granted a certain respectability to aesthetical experiences of nature in his third Critique. Subsequently, the philosophical movement known as phenomenology often used literary sources and literary techniques to criticize and question mainstream laboratory science. The article discusses a number of literary documents, from (...) Moby-Dick to Jurassic Park, that explicitly stage a confrontation between scientific and non-scientific ways of experiencing and understanding the natural world. Special attention is given to the work of Michael Crichton. Its relevance for the philosophy of biology is pointed out. (shrink)

Colors are sensible qualities. They are qualities that objects are perceived to have. Thus, when Norm, a normal perceiver, perceives a blue bead, the bead is perceived have a certain quality, perceived blueness. `Quality', here, is no mere synonym for property; rather, a quality is a kind of property a qualitative, as opposed to quan• titative, property. (The quantitative is a way of contrasting with the qualitative perhaps not the only way.).

The classical-Christian model of friendship has operated for many centuries from oral traditions and through the age of print. However, technological developments in communication and media rearrange mindscapes. Consequently, values, or, those things that give meaning, can change, such as perceptions of friendship. If one accepts that communication is vital to human relationships, the paradigm for the classical-Christian friendship should operate according to the new vocabulary of expanding communication and media possibilities. This work examines literature and philosophical thought within their (...) historical contexts in order to gauge the operation of the classical-Christian friendship model from the beginning of Western literature to Western literature at the apex of print culture. (shrink)

This research is about altruism. In our first chapter, our quest to find whether we are essentially altruistic starts with questioning particular ways of inquiry and proposes a philosophy of unbracketing. In our second chapter, we realise that our proposal starts with an imperative – a prescription. We begin by meditating on the phenomenon of prescription which seems to precede all ways of inquiry. Our analysis of prescription reveals that altruism is to prescribe oneself towards an Other. This type of (...) prescription is to promise a future for an Other. To promise is to give one’s word and to undertake to realising it. In our third chapter, we explore the act of “giving one’s word.” To give one’s word is beyond a speech act. In fact, it is to give one’s logos. An altruistic attempt is carried out in this chapter to liberate ‘logos’ from particular conceptions and allow for its universal meaning to emerge. Logos is traced back to its inceptual conception as existence or will to power – a will to future. This philosophical excavation leads us to our fourth chapter where we re-encounter our original paradox. That is, while human reality starts with a promise of helping someone to make sense – to understand – we have been trying to understand understanding, or how we make sense, by removing the Other and by focusing only on subjective conditions. In this chapter, we reveal how to understand an Other is an altruistic act. In our final chapter, we carefully observe that human existence is a gift from the Other. We describe this gift as a metaphysical passage from being to existence – an altruistic act. A passage which is created by an Other who promises to give us the means to be able to create meaning, that is to say, to exist. (shrink)

This collision explores ecological aesthetics through two encounters with dead whales: one literary and one osseous . The literary animal is the taxidermied whale that drives the narrative of László Krasznahorkai’s 1989 novel The Melancholy of Resistance, and the osseous encounter involves a bench made of one jawbone and one rib from a baleen whale. Considered together, the immense totality of the taxidermied whale and the metonymic bones provide unsettling aesthetic insights into ecological matters of interconnectedness – of the relationships (...) between parts and wholes and amongst parts within a whole or wholes. Through analyses of the visual, literary, and haptic aspects of these encounters, this paper raises questions about what it means to perceive and think about ecology through aesthetic encounters with non-human animal bones and taxidermied bodies. (shrink)

Creating memory during and after wartime trauma is vexed by state attempts to control public and private discourse. Science fiction author Iain Banks’ novel Look to Windward proposes different ways of preserving memory and culture, from posthuman memory devices, to artwork, to architecture, to personal, local ways of remembering.